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We’ve just had one recent battle-of-the-rogues release with Dirty Rotten Scoundrels. Here’s a more recent film in a similar vein, with Martin Lawrence and Danny De Vito duking it out. Curiously, Glenne Headly features in both.

It’s one of the oldest childhood nightmares: your parents die, and evil guardians take over your life. The story has been told by countless fairy tales. The Glass House transposes the tale to contemporary California.

When Ruby (Leelee Sobieski) and Rhett (Trevor Morgan) are orphaned, they are taken into the care of Terry and Erin Glass (Stellan Skarsgård and Diane Lane). This couple seems to good to be true, and, of course, they are. Erin is a junkie, and Terry is in hock to the mob. Naturally, that $4 million trust fund for the kids looks mightily enticing.

Posted in Disc Reviews by Carly Peters

Intro

Intro

A recent effort from director Nagisa Oshima, perhaps best known for In the Realm of the Sense, Taboo continues his elegant exploration of sexuality and dangerous passions.

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This is a deeply, deeply silly film. But it takes being silly deeply, deeply seriously.

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For those who just can’t get enough of the much-loved series on perpetual re-run, now comes the 3-disc set of the first season.

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Ouch… this movie carried such high expectations that its failure on so many levels came as a major disappointment. After such remarkably entertaining schlock-horror epics (and legitimate cinematic masterpieces) as “Hallowe’en,” “ In the Mouth of Madness,” and “Escape from New York,” “Ghosts of Mars (GoM)” came of as a...hurried and uncreative effort. Perhaps some of the blame falls on the co-authorship of the screenplay by the inexperienced Larry Sulkis (in contrast to “Mouth of Madness” use of Michael De Luca).

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The most recent film from Tran Anh Hung, writer/director of The Scent of Green Papaya, continues his restrained, low-key examination of human interaction.

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Mean-spirited. Nasty. Spiteful. Evil. All words that apply to this comedy. And they’re compliments.

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1993 isn’t that long ago, but watching this film makes that year seem much further back than it is, given the subsequent career paths of some of the cast.