Every now and then we talk about books on this site. It's rare, and it really has to be something I'm interested in reading. You see, a book takes up far more of my time than any single film. We get solicited at least once a week. Once in a while something will look interesting enough for me to give it a try. And once in a while the book turns out to be more than worth my while, and I'll want to talk to the author and share that with all of you. Such is the case with The Execution, Life & Times Of Patrick O'Donnell by Gavin O'Donnell. The book is part historical and part fancy. Most of all, it's 100% entertaining. It was a quick and easy read and left me thinking all the way up to the end. I can't recommend the tome to you enough. Read it. You're going to learn a few things. I promise you're going to be talking about it. I got to talk to the man behind the words. Now you get to hear what he had to say. Bang it here to eavesdrop on my conversation with Gavin O'Donnell all the way from the UK: Gavin O'Donnell.

Once you've heard the interview, make sure you hit the link to your right and pick up a copy for yourself.

If you're a fan of some of the old almost-forgotten films, then you're a fan of Film Masters. For a few years now they've been digging up a lot of these old "classics" and spending the time and resources to give them the full 4K restoration treatment. It appears that lately they've had their sights on some of the early films from The Filmgroup, which of course is the moviemaking machine of Roger Corman. Corman became the king of making quality low-budget films that almost always made at least a little money. In the 1960's and 1970's you could watch these wonderful budget horror and science fiction films doubled up at your local drive-in theaters. I certainly have memories of those days, and they were completely made up of Roger Corman or Hammer films. Corman gave their first break to some of the biggest names in the filmmaking industry: Francis Ford Coppola, James Cameron, Joe Dante, Peter Bogdanovich, Martin Scorsese, Jack Nicholson and Ron Howard. They all got their first breaks directing films in what has become known as The Roger Corman Film School. Thanks to Film Masters, we have a couple of those golden oldies on Blu-ray looking better than they ever did before. This time our double feature presents The Devil's Partner and Creature From The Haunted Sea. Let's take a look at what's inside, shall we?

"A town terrified by an unknown killer, and the killer hunt is on. Is it the village belle or her sweetheart? Is it the beloved doctor or the town drunk? Could it be the accomodating waitress or the stranger? Whoever the stranger is, he's raising the Devil in town. The Devil's Partner is busy, too. A blood-marked trail will take you into shocking terror. Half man/half beast, he sold his soul to the Devil."

On November 22nd, 1963; President John F. Kennedy was assassinated in Dallas, TX at approximately 12:30pm.  Quite possibly everything else about the event can be disputed in such a manner, and I won't even attempt to confirm one theory or disapprove another.  We have had movie after movie about this assassination, taking it in about every angle imaginable.  Those movies are not regulated to the United States, either, as other countries have also dabbled in the storytelling of this infamous event.  Many times these foreign productions treat it as a fictionalized event set in their own country, but the similarities are often so obvious that it cannot be disputed.  Today's film is I ... For Icarus, a French film that explores the controversy behind the assassination of President Marc Jarry, who was killed by Karl Eric Daslow.  Attorney General Henri Volney disputes the lone gunman theory, and this is the story of that investigation.  That sounds awfully familiar; let's take a look.

The movie starts out with a simple phrase that essentially reads that this story is true as a I have imagined it from beginning to end.  Ennio Morricone's score is queued up as we launch into the credits.  Before I go further, I found it odd that they listed all of the people involved in the making of the film in alphabetical order before the movie even started.  That alone runs for several minutes before the movie even starts.  Anyway, on with the show.

One of the best things about being a critic that I have discovered over the years is how it puts shows and films in front of me that under different circumstances I might never have given a chance. The French detective drama, Mongeville, is a perfect example of this. I wouldn’t say the show is a hard–hitting drama, but instead a cozy murder mystery where each episode is 90 minutes that had me nostalgic for the old TV murder mysteries like Murder She Wrote. This was something I was glad I went into blindly and over the course of the 28 episodes the show took me on a journey through the French city of Bordeaux, travelling through the countryside and meeting some interesting characters along the way. So was this a series worth checking out as its characters pieced together the clues one mystery at a time? Grab your passport, gloves, and a few evidence bags, because that’s exactly what you’re about to find out.

Season 1 introduces us to Antoine Mongeville (Francis Perrin). He’s a retired judge who, well, has just found it a little difficult to leave his job completely behind. In this season Mongeville is still trying to piece together what happened to his daughter who was kidnapped, and along the way he is helping Detective Axelle Ferrano (Marie Moute) with a few homicide cases. There is the police Captain Briare (Pierre Aussedat) who has a bit of history with Mongeville and doesn’t like the idea of Mongeville inserting himself on these various cases, but as the series stretches on this continues to be a running joke, until finally Briare just accepts that there is no way he can keep Mongeville from helping out, especially when the man always delivers results.

"You are now the property of Erewhon Prison. A citizen of nowhere. The Geneva Convention is void here; Amnesty International doesn't know we exist. When I say your ass belongs to me, I mean exactly that."

I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down. In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider). Several years earlier Troy killed Archer’s son, since then it’s been his goal in life to put Troy to justice. He gets the opportunity one day when Troy ends up in a coma after boasting about a massive terrorist attack he has planned on Los Angeles.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Since the film does not provide a quick recap from the original, I'll go ahead and provide this.  Ernest and Celestine had each won their freedom from their respective imprisonment.  Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.

Sequels are a funny thing.  Most of the time in modern Hollywood, they come within a breath of the first film, usually after a large box office in order to capitalize on its earnings.  Sometimes, they can take years, even decades to make.  Blade Runner: 2049 came out in 2017, 35 years after the original film.  In addition, many times when a sequel takes so long to materialize, the intended audience has flown the coop, and it has dismal results.  See Basic Instinct 2 or The Two Jakes.  Other times, it inspires new waves of fans to flock to the theaters, such as Tron: Legacy or The Incredibles 2.  Today, we are taking a look at Ernest & Celestine: A Trip to Gibberitia, a sequel to the original Ernest & Celestine movie which was nominated for an Academy Award and took home many other film awards.  It's been a decade since the original film; can the sequel keep the spirit of the original and produce a quality film?  I'm happy to say, yes, it certainly did.  Let's take a look.

Since the film does not provide a quick recap from the original, I'll go ahead and provide this.  Ernest and Celestine had each won their freedom from their respective imprisonment.  Their only wish was to live together as best friends and have exciting adventures ... after Ernest gets some sleep.

"I know what you're thinking. "Pain is coming. Will I take it like a man?" Well, let me put you at ease. You won't -- but none of them do. Men, women, children, they all weep, they all beg, they pass out, they piss themselves, they attempt negotiation. You wouldn't believe how many men I've seen lying right where you're lying right now, grown men with wives and children at home, offering all kinds of sexual gratification for a five-minute reprieve. It's pathetic."

Suspect Zero follows the contradictory teacher/student relationship between serial killer Benjamin O’Ryan (Ben Kingsley) and FBI Agent-in-Pursuit Tom Mackelway (Aaron Eckhart, sporting as much chin as Bruce Campbell). O’Ryan is a tormented refugee of a government program to tap psychic powers for military intelligence, and Mackelway is a borderline-rogue agent, tormented by visions and headaches. Without letting slip any spoilers, the movie sees O’Ryan draw their paths together in pursuit of justice for himself, his victims, and Mackelway.

It’s January of a new year, and what that means for studios is that they like to release the last of their award-friendly films before the Oscars, and then there are the cast-off films that the studios release with few to no expectations. I felt this was the perfect time for a studio to release something of quality, because there’s literally no competition at the box office, but that might be what Universal is trying to do with their new release Night Swim. For horror fans, this title is one to be cautiously excited over, because it is the beginning of a partnership between Jason Blum and James Wan. The pair have united to release several horror projects in the near future. Night Swim was initially picked up as a feature after the success of the short film with the same title was released back in 2014 from directors Rod Blackhurst and Bryce McGuire. Now ten years later Bryce McGuire dives back in to create a feature length project about a haunted pool in the suburbs in an attempt to scare the floaties off its audience, but does he succeed? You know the rules, folks; no viewing after eating unless you’ve waited thirty minutes, and absolutely no viewing without supervision unless there is a lifeguard on duty. Now with that said, grab your swim trunks and settle in; we are taking the plunge into Night Swim.

The cold open on this film is honestly the best part of the film. I’m not saying this as a slight, but instead I got a little excited about this film because I enjoyed the opening so much. It worked as its own mini-movie filled with some tension and a decent jump scare. It starts up with a little girl simply trying to retrieve a toy boat of the pool for her sick brother, and we helplessly watch as her good deed does not end well. I love this as an opening for a horror film, because it shows us this director isn’t afraid to take chances, and if they have no problem killing a kid in the opening, then ANYONE can be a victim.

While the film definitely feels like a Wizard of Oz carbon copy, it is not without its charms. For one, it was nice to see Keanu Reeves in one of his earlier roles, before Bill and Ted or Speed. Same goes for Drew Barrymore; while this wasn’t one of her first roles, as she was a child actor, it was still nice to see some of her earlier work, especially as it was one of the film’s charms that I mentioned earlier. Babes in Toyland tells the story of Lisa Piper, a eleven-year-old girl. While most girls at this age are all-consumed by Christmas and presents, she is too busy caring for her family, as the death of her father has caused her to have to grow up fast. As a result, she has no time for toys, and she resents being treated like a child despite her age. Concerned about a impending snowstorm, Lisa travels to her older sister Mary’s job to warn her. Mary’s boyfriend, Jack Fenton (Reeves), gives them a ride home, but loses control due to the blizzard conditions. Lisa is thrown from the car and transported to Toyland, a magical realm built out of toys. As I said, definite Wizard of Oz vibes. In truth, this story’s origins date back nearly as far as the novel that inspired the Oz film. Babes in Toyland is inspired by the 1903 operetta of the same title with some slight deviations, as this version of the film features a new score as well as maintaining select portions of the original score.

Back to Lisa; after being thrown from the car, she arrives in Toyland in time for the wedding of Mary Contrary (who looks exactly like her older sister, Mary) and the villainous Barnaby Barnacle (who looks exactly like Mary’s pervy boss). Mary is about to wed Barnacle, despite being truly in love with Barnaby’s nephew, Jack Be Nimble (who also resembles Reeves’ Jack Fenton). Lisa helps thwart the wedding, but soon realizes that Barnaby’s plans extend beyond taking Mary as his bride, but also include taking over Toyland. Banding together with her new group of friends, Lisa endeavors to stop him.