Posted in: Disc Reviews by Michael Durr on December 5th, 2023
Most people, when asked to provide the best Korean film in modern times, would probably answer Oldboy or Parasite. Others might respond Memories of Murder or Train to Busan. Maybe A Tale of Two Sisters or The Wailing. I, on the other hand, always respond with the same title, The Man from Nowhere, which to this point in the US has only been released on Blu-ray from Well Go. That Blu-ray was also the victim of a bunch of discs from Well Go that came away with a quick dose of rot, infecting my copy as well as many others. For the last couple of years, I've been working with a bootleg, which I'm not exactly proud of, but felt necessary because I loved this film so much. However, that changed, as Well Go has released a 4Kcopy of this sensational film (and also of The Wailing, which I will get to later in the week). I thankfully received it a little bit earlier than expected and took it for a spin. Let's see how it does.
Kim Chi-Gon (played by Kim Tae-hoon) lights a cigarette and calls his squad into position. The crew of police detectives and squad members wake up and talk about their plan. They have been at this stakeout for two months and can't afford to mess this up.
Posted in: Disc Reviews by Gino Sassani on December 5th, 2023
"Is that the biggest one you got?"
Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. Those were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right, that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letters to the action movie fans. The franchise is called The Expendables and along the way we got to relive some glorious moments with our favorite action stars from the 70's to the 90's.
Posted in: Disc Reviews by Gino Sassani on December 5th, 2023
"I don't know about you, but it always makes me sore when I see those war pictures ... all about flying leathernecks and submarine patrols and frogmen and guerillas in the Philippines. What gets me is that there never w-was a movie about POWs - about prisoners of war. Now, my name is Clarence Harvey Cook; they call me Cookie. I was shot down over Magdeburg, Germany, back in '43; that's why I stammer a little once in a while, 'specially when I get excited. I spent two and a half years in Stalag 17. "Stalag" is the German word for prison camp, and Number 17 was somewhere on the Danube. There were about 40,000 POWs there, if you bothered to count the Russians, and the Poles, and the Czechs. In our compound there were about 630 of us, all American airmen: radio operators, gunners, and engineers. All sergeants. Now, you put 630 sergeants together, and, oh mother, you've got yourself a situation. There was more fireworks shooting off around that joint ... take for instance the story about the spy we had in our barracks ..."
Stop me if you've heard this before. The premise is we're in World War II, but not where all of the action is. There aren't any big firefights, and you won't see or hear any of those big guns raining Armageddon down on some poor hapless pinned-down soldiers. Instead we're inside of a German POW camp, which they called Stalags. This one is run by a self-important commandant who takes pride in the fact that there has never been an escape from his Stalag. The prisoners themselves are always trying to find a way to outwit the camp Sergeant, a rather rotund officer named Shultz. Of course, I'm talking about Hogan's Heroes. But I'm not. 12 years before the CBS comedy would hit the airwaves, iconic film director Billy Wilder gave us a quasi-serious version of that particular scenario in the film Stalag 17. The film was based on a contemporary Broadway production written by Donald Bevan and Edmund Trzcinski based on their own actual experiences at the real Stalag 17. The film was originally planned as a vehicle for Charlton Heston, but when Wilder came on to direct, he immediately dismissed the idea, believing that it would become a Charlton Heston film more than a film about its own actual elements, and he was likely correct. Heston was big at the time, coming off larger-than-life parts like Moses and Ben Hur. The role went to William Holden, and the casting would become one of those lightning-in-a-bottle kind of things that can elevate a film from good to classic. And by the way, Wilder and gang sued Hogan's Heroes when it did arrive on the scene but were not successful.
Posted in: No Huddle Reviews by Jeremy Butler on December 1st, 2023
“He was raised in the swamp. In the back of a slough. He grew up eatin’ rattlesnake meat and drinkin’ homemade brew. Now, folks here about call him Gator. And everybody knows him well. Meanest man ever to hit the swamp. Folks swear he come straight outta hell.”
Quite the catchy little ditty. One-word-title movies intrigue, especially those named after a specific character. It suggests that the titular character has or should have significant presence. And when you have a whole song dedicated to you, you certainly need to walk the walk. And who better to walk that walk than Burt Reynolds, as he reprises his role of Bobby “Gator” McKlusky in this sequel to White Lightning. Reynolds even decided to up the ante this time by making this film his directorial debut.
Posted in: No Huddle Reviews by Jeremy Butler on December 1st, 2023
All I needed to hear was that James Spader was involved, and I was all in. And as expected, he makes his presence known from his first moments on screen. He brings a quiet reserve and intensity as the more than slightly unhinged hitman Lee. However, Spader isn’t the only familiar face involved with 2 Days in the Valley, as the film also features the likes of Terri Hatcher, Danny Aiello, Charlize Theron, Eric Stoltz, Jeff Daniels. Even Michael Jai White makes a brief cameo in the beginning as a car thief with a heart of gold. The film is marketed as a neo noir crime story depicting the butterfly effect of a single event and the mayhem that ensues as a result. In concept and partially in execution, I would categorize the story as a success. However, as I said, only partially in execution. In a sense, there are too many moving parts, and some avenues were not properly concluded to my satisfaction. The main storyline line is excellent, but the events interwoven into the events of the main story diminish the overall quality of the film.
In the main story, we are introduced to Lee, a singularly focused individual who is also quite calculating. He is a hitman who brings along a desperate mafioso, played Danny Aiello, on his latest job for reasons that are later discovered. It is clear very early on that Lee is merely tolerating Aiello’s character as a means to an end. That end is discovered to be to make him the patsy in his latest contract, the killing of a former Olympic athlete’s ex-husband. Things appeared to be going according to plan until it becomes clear that the mafioso is not as dimwitted as he appears and survives Lee’s attempts to kill him.
Posted in: Podcasts by Gino Sassani on November 30th, 2023
All of us love to celebrate those moments in American history where there have been breakthroughs particularly in the way of our constitutional rights. We should celebrate those moments, but the latest film from Michelle Danner reminds us that there are also victims when it comes to rights of the accused. Miranda's Victim is a wonderful portrayal of just that situation. We all know about Miranda warnings given to suspects upon arrest. If you've seen enough cop shows, you've heard it a thousand times: "You have the right to remain silent..." This film explores the victim behind Ernest Miranda's landmark Supreme Court case. It's a rare film that looks at a rare side of our criminal justice system. I had a chance to see the film and then have a conversation with director Michelle Danner about the film. Bang it here to eavesdrop on our conversation, and you won't even need a court order to listen in. Interview with Michelle Danner.
Make sure you check out the film at the following places:
Posted in: Holiday Gift Guides by Gino Sassani on November 24th, 2023
I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. Let's look at an old classic science fiction series brought back to life by Shout Factory: Farscape: The Complete Series - 25th Anniversary Edition.
"My name is John Crichton ... an astronaut. Four years ago, I got ... shot through a wormhole to a distant part of the galaxy. I ending up on this ship ... this living ship, populated by escaping prisoners ... who became my friends. I made enemies ..."
Posted in: Holiday Gift Guides by Gino Sassani on November 23rd, 2023
"There is an old saying that blood is thicker than water."
Today is Thanksgiving. It's a time that we often spend with family. On television, the biggest family for decades was the Nelsons. So here at Upcomingdiscs, we decided it was the best day to let you know that the final two seasons have finally been released, and you can now spend your holidays with Ozzie, Harriet, Rick, and David. Tomorrow we'll start posting our suggestions for holiday gifts for your loved ones. Consider this an early start. We've had Keeping Up With The Kardashians, Gene Simmons with his Family Jewels, and even Snoop Dog's Father Hood. It's become a bit of a trend to follow these celebrity families around and watch the drama of their privileged lives unfold on our television screens. You might think it's a relatively recent phenomenon, but would you believe they were doing it back in the infant days of television when we followed around a musician named Ozzie and his wife way back in 1952? No, we're not talking about Ozzie Osbourne and his family. I'm talking about Ozzie and Harriet Nelson. They were television's darling family before we ever heard about Lucy and Desi. The show actually started on radio like many of the fledgling industry’s early hits including the likes of Gunsmoke. Four years after the radio brought us The Adventures Of Ozzie And Harriet, they moved to television. While their two sons were played by actors on the radio, both David and Ricky Nelson joined the television show, and it went on to make television history, breaking records, some still held today. It was the first television series to ever hit 10 seasons, finishing with 14, still a sitcom record. It lasted from 1952 to 1966, with 436 episodes. Until The Simpsons, it was the longest running scripted television comedy and remains still the longest live-action scripted comedy ever on television. And while the stories were, of course, fictional, most aspects of the show were quite real. Their television home was modeled after their real home. Many of the family's life stories found their way to the series. The four family members were quite real, and you just couldn't fake these relationships.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2023
"All right, listen up, ladies and gentlemen; our fugitive has been on the run for ninety minutes. Average foot speed over uneven ground, barring injuries, is four miles per hour. That gives us a radius of six miles. What I want from each and every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, hen house, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive's name is Dr. Richard Kimble. Go get him."
The Fugitive, since its’ original release in 1993, has always been seen by a majority of people as the defining thriller of the 1990’s. The film stars Harrison Ford as Dr. Richard Kimble. Kimble, a very well known Chicago doctor, has just been framed for killing his wife. He claims a one-armed man killed her, which prompts nearly everyone to laugh at him. Kimble is immediately arrested and sentenced to death in a cold courtroom scene that doesn’t even give Kimble time to defend himself.
Posted in: The Reel World by Brent Lorentson on November 21st, 2023
If you take a look at this films trailer, you can tell this was a film that is desperately trying to court the award-season crowd. There’s nothing wrong with that. In fact, when I saw that Rustin was directed by George C. Wolfe, who did the fantastic Ma Rainey’s Black Bottom, the film immediately went on my list as something to look out for. And for full transparency, I had no clue who Bayard Rustin was before I even saw the trailer, and while I feel the film does highlight an important figure in history, this may not be the best execution of the man’s story. This is a film about a man’s grand vision to pull off the impossible, and despite this being a landmark historical event, I feel the delivery missed the mark. While this is a biopic about Bayard Rustin (Colman Domingo), it is very much about only a small portion of the man’s life, basically just the short amount of time he had to put together a march on Washington DC in 1963 that would live on in infamy for the civil rights movement and the famous “I have a dream” speech from Dr. Martin Luther King Jr. I feel this is a bit of a disservice to the man who responsible for so much, especially when the film is called Rustin, but there is so much going on in this film that it should have been called something else. But before I get carried away, the biggest strength this film has is the terrific performance by Colman Domingo. He does a fantastic job at showing his passion for his beliefs as he pretty much controls every scene he’s in. There are a lot of speeches over the course of the film, maybe too many, but he delivers each with the conviction and the passion I’d imagine the civil rights leader had.
The great 100,000-man march was a civil rights march for jobs and freedom, and when it was pitched by Rustin, we saw how it was shot down and treated as though it would be an impossible task. Roy Wilkins (Chris Rock) as the head of the NAACP wants nothing to do with Rustin and sees the march could only hurt their cause, and then there is Adam Clayton Powell Jr. (Jeffrey Wright), a politician who Rustin’s opponent who seems to object to Rustin simply because the man is a homosexual. It was nice seeing Chris Rock. This is one of those performances that reminded me just how good he can really be when he’s given the right material … but it is Jeffrey Wright who just shows up and commands every frame that he is on screen. Powell is pretty much the biggest combatant Rustin is up against, and when these two have their moments together the tension just shines, but unfortunately the film doesn’t have enough of those moments.
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