Every year around this time, it seems studios are attempting to release the next holiday classic, or at least a film that will be revisited by fans. National Lampoon’s Christmas Vacation, Elf, and Die Hard (yes, it is a Christmas movie) are just a few that are in heavy rotation in my household. For those looking for something a little more wholesome and family-friendly, you may be in luck with the release of Dashing Through The Snow, which will be debuting on Disney Plus just in time for the holidays. At first glance I wasn’t so sure about this film, but when I saw that the film was written by Scott Rosenberg, I couldn’t resist. Rosenberg is responsible for writing the screenplays for Beautiful Girls and High Fidelity; both movies are near and dear to my heart, and if you haven’t seen these films, I highly recommend checking them out. More recently he’s been attached to more big-budget popcorn films like Venom and the newer Jumanji films. Then helming the film is director Tim Story, who has an impressive resume as well with The Barbershop and the Ride Along films. So does this film deliver us something nice, or was the viewing experience on par with receiving a massive lump of coal in my stocking?

When we first meet Eddie Garrick, we are taken 30 years back, as we get to hear why it is that he isn’t a fan of Christmas. It’s a slightly amusing yet tragic story about a mall Santa coming into his home to rob the family, and things end up getting worse for poor Eddie. Modern-day Eddie is played by Chris “Ludacris” Bridges. Eddie has grown up to be a social worker who helps out the Atlanta PD and is also a divorced father. For Christmas Eve, Eddie is spending time with his daughter, Charlotte (Madison Skye Validum), but things are not going to remain peaceful and quiet; in fact, the night is about to turn into an adventure of a lifetime when Eddie comes across Nick (Lil Rel Howery), who claims to be Santa.  Eddie is a good guy and wants to help Nick. It’s Christmas, after all, but Nick aka Santa is being chased by a trio of goons who have been ordered by Conrad Harf (Oscar Nunez), a corrupt congressman, to retrieve a tablet that Santa may have accidently picked up earlier that night.

“Imagine a place where wishes come true. Where your heart's desire can become a reality. What if I told you that place is within reach? All you have to do is give your wish ... to me.”

Disney has been taking us around the world in its efforts to duplicate its achievements with a certain princess that had to let it all go. And while I respect what they are trying to attempt, I doubt they are going to find that kind of lightning-in-a-bottle success that they found with that movie with Wish. That is not to say that Wish was not a enjoyable experience; I just don’t feel that the story came together fully in the manner that would make it iconic. However, I fully appreciate Disney’s efforts with taking us across the globe to foreign lands. And while the lands and areas tend to be fictional, they are always clearly inspired by real-life areas with diverse cultures. It reminds me of EPCOT and feels very inclusive. This time around, we are taken to the fictional land of Rosas, an island in the Mediterranean Sea, where the people are protected by King Magnifico and his wife Queen Amaya. Having studied magic and sorcery, Magnifico has become a powerful practitioner and gained the ability to grant the wishes of his subjects. When each resident of Rosas turns 18, a ceremony is held where they give up their wish to Magnifico, who keeps them sealed in his observatory. Once a month, Magnifico selects one of the residents' wishes to be granted before the city.

"It's the things we love most, that destroy us."

It's actually a little hard to believe that it's been eight years since last we visited Suzanne Collins' future dystopian world of The Hunger Games. The last two films were shot and released as two parts of the final book in the saga, and I think most of us had laid the soul of Katniss Everdeen and her rebellion to rest. Of course, not without the franchise doing quite a bit of damage at the box office. Not counting home video releases, the franchise generated a total box office of about $1.4 billion. That's a lot of scratch, and if you understand the movie business at all, you know that finishing a franchise for good is like leaving money sitting on the table. So after a nearly decade rest from the high morality of The Hunger Games story, it's time to head back to the trough at least one more time. Collins was the first to understand this and had already set out to pen a prequel to it all. That prequel has now hit the megaplexes with The Hunger Games: The Ballad Of Songbirds & Snakes, and it certainly lives up to the name.

"Oh, what are people afraid of? That AI is gonna replace real writers? That Hollywood is gonna become just a bland recycling of old ideas? It already is!"

I suspect that when we are all dead and gone there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.

"This is 3 Rock Con Camp. We fight fires all over the state of California. As you can see, there are no fences. You want to run, I can't stop you. But I need you to know this. You won't get far. And when we catch you, not if, when, you go back to that concrete jungle, and time will be added to your sentence. Ready to check out your new home?"

For Max Thieriot, it's quite a new home. For over six years he was a Navy Seal on the David Boreanaz series SEAL Team. He was pretty much the eyes and ears of the audience, as he was the new guy on the team when the show started. The character certainly evolved, and before long he was one of the more solid members of the team. His character's name was Clay, and in the sixth season he ended up suffering some devastating injuries. It looked touch-and-go for the character, and indeed it was. But it wasn't the fictional doctors on the show that would determine Clay's fate. It was the powers that be over at CBS. You see, Max had a dream, and that dream was Fire Country. He co-created the series and was number one on the call sheet. It was just a question of whether the show would get picked up. If it did not, then Clay would recover from his injuries and carry on with his brothers on SEAL Team. If the show did get picked up, it meant bad news for Clay, and he would be killed on the show. If you're reading this, you know which way it ended up going. That meant a funeral on one show and a newborn series for another. It's the television circle of life, and you won't need Elton John to explain it to you. And now the first season of Fire Country is in the can and released on DVD from CBS Home Entertainment.

By JC.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.

"Streaming services make everything suck."

South Park still hasn't completely recovered from the COVID-era issues. There still has not been a complete 10-episode season, and the slack is still being taken up by specials. Not sure if that's a good thing or not, but at least it's kept us in Cartman and the gang even as other shows have closed down. The longer form also gives Parker and Stone a chance to really let an idea play out. I think they have tended to run out of gas somewhere in the back half of the second part. When you think about it, you're really looking at four episodes in length, and Parker and Stone have a pretty spotty record when they've tried to run an idea for that long. The Streaming Wars Specials suffer from just that affliction, but that doesn't mean there's not a ton of clever South Park to be had here.

“Higher, Further, Faster.”

While The Marvels is more entertaining than Quantumania, it is far from the best sequel that the MCU has ever created, despite this film in a sense serving as a three-way sequel for three separate MCU characters. Picking up after the events of Captain Marvel, WandaVision, and directly after Ms. Marvel, The Marvels brings together Brie Larson’s Carol Danvers, Teyonah Paris’ Monica Rambeau, and Iman Vellani’s Kamala Khan into one movie to thwart an intergalactic threat. Fair warning: there are prerequisites for watching this movie in order to ensure that you can keep track with the continuity. Obviously, you will need to have seen the first film, which followed Carol Danvers, but if you have not also watched any of the miniseries featuring the backstories for the other characters, you will find yourself struggling to keep up. As I said, this film can be considered a three-way sequel rolled into one film. Encompassing all of this for three characters was a big task, that the film clearly struggles to accomplish at times, but for the most part, I would categorize this film as an enjoyable experience, albeit one that I don’t see myself ever feeling the need to repeat.

When watching Quiz Lady, the first thing that came to me was this strange wave of 90s nostalgia. It was like I was watching the early films of Adam Sandler, David Spade, Chris Farley, and Will Ferrell, only this time it had Awkwafina and Sandra Oh in the starring roles. This isn’t a slight against the film, but instead I found it a bit refreshing, despite being a familiar formula. While this time of year a lot of us are used to seeing films that are heavy on the drama and are fighting for awards contention, this is a film that is instead a fun comedy that definitely doesn’t take itself seriously. Anne (Awkwafina), is a boring young woman who is single and lives on her own, well, at least with the exception of her adorable pug, Linguini. The only thing that seems to bring any excitement (I’m being generous here) is that every evening at 7 o-clock she watches her favorite game show, “Can’t Stop The Quiz”. The game show is a lot like Jeopardy and has Will Ferrell playing the mild-mannered host who Anne has a bit of an obsession with. While Anne may be content with her boring life along with having to deal with her curmudgeon of a neighbor, Francine (Holland Taylor), her life is about to get thrown for a loop when she finds out her mom has escaped the nursing home. It turns out Anne’s mom has fled the country to run away from some gambling debts ($80 thousand worth, to be exact), and this is when her sister, Jenny (Sandra Oh) enters the picture looking for a place to stay. Of course, in this scenario Jenny is the total opposite of Anne; she’s fun, charming, aloof, and completely irresponsible, so we all know this Odd Couple situation is just a recipe for disaster. That disaster turns out to be a gangster kidnapping Linguini as way to get Anne to pay off her mother’s debts. If this sounds silly and ridiculous, I can assure you it is even more absurd than it sounds, but that’s OK; Awkwafina and Sandra Oh make this work.

Just how do these oddball siblings get out of this mess, you may ask? Jenny has decided to become a life coach and wants to make Anne her first project. Jenny has seen that her sister is pretty much Rain Man when it comes to her quiz show, and she plans to make Anne a contestant on the show and win it to get the money and pay off the gangster and get her adorable pug back … I did say this got more absurd, right? As the film progresses, there are several entertaining characters, and one little surprise appearance along the way that I couldn’t help but smile about. I feel like when you see it, you’ll know what I mean. Will Ferrell does great here. It’s hard not to think about his portrayal of Alex Trebek on SNL, but he injects a bit more charm in this role; and then there is Jason Schwartzman, who seems to be having fun playing a smarmy returning game show champion.

Warner Brothers has done an impressive job when it comes to their live action DC Universe television shows.  Everything from Arrow, The Flash, Swamp Thing, Doom Patrol, Pennyworth  and Titans have been fun entertaining experiences, but after a decade of television, it seems the powers that be have wanted to bring all the DC shows to an end.  When I first heard about Titans, I wasn’t sure what to think, considering I wasn’t much of a fan of the animated series, but I’m so glad I came into this show with an open mind, because this show is jam-packed with coolness.  Since this was made for a streaming service and not broadcast television, not only do we get superheroes dropping F-bombs, but we get some edgier storytelling along with some violent action you may not expect.  Seriously, this one is not for the kids.  And with this being the final season, it shouldn’t come as much of a surprise that that the gloves really come off in this series to deliver a satisfying conclusion to its 4-season run. 

“When the blood moon is full, the world will fall to evil.”