Posted in: The Reel World by Brent Lorentson on October 7th, 2023
It’s October, so that means all the studios and streaming services are going to be unleashing some spooky new releases to please their viewers who are attempting to get into the Halloween spirit. This weekend Amazon Prime is releasing Totally Killer, a Blumhouse production that continues to ride the wave of 80s nostalgia with a time travel slasher film. The trailers looked fun and with Kiernan Shipka (The Chilling Adventures of Sabrina) in the lead, and I’m always in the mood for a new slasher with franchise potential. Does the film deliver the goods, or is this one dead on arrival? It’s time to strap in and travel back to 1987 and see what this is all about. In 1987 the town of North Vernon was terrorized by the “the Sweet 16 Killer” after he killed three high school girls, stabbing them sixteen times each. 35 years later, Pam (Julie Bowen) still hasn’t gotten over the murder of her three friends and has become very protective of her teenage daughter, Jamie (Kiernan Shipka). Now it is Halloween night, and Jamie is eager to go to a concert with her best friend, Amelia (Kelcey Mawema). Jamie is only allowed to go if her dad, Blake (Lochlyn Munro) drives them. As it turns out, this was a disastrous decision for Pam, because it’s this night that “the Sweet 16 Killer” has returned to finish what he’s started. In the aftermath of her mom’s death, Jamie goes to the science fair with Amelia. Her big project is to finish what her mother started back in the 80s to create a time machine. Things go awry with another appearance by “the Sweet 16 Killer”, and in an attempt to escape, Jamie is sent back to 1987 just before the murders take place.
OK, the first act of this film has a lot of narrative to set things up. I enjoyed the world that was being created here, and there are some fun characters, but when it comes to the horror elements of this film, well, to be fair, they are basically Goosebumps-level scares, but it’s only the first thirty minutes of the film, so I haven’t given up hope yet …
Posted in: Disc Reviews by Gino Sassani on October 6th, 2023
"My Mamma told me to pick the right one."
In 1982, Cheers first broke on the network sitcom circuit. It was a small Boston bar owned by a has-been baseball player living on the glory years he didn't really have. It was the bar where everyone knows your name. Behind the bar there was Woody. Woody was pretty much a kid who looked up to the owner in an almost hero-like way. He was naive and was easily and often taken for a rube. But he was kind, and no matter how out of it he might be, there wasn't an evil bone in that character's body. It was all an act. Of course, it was a television show where Woody was played by Woody Harrelson. For crying out loud, even their first names were the same. It wasn't hard for us to believe the two Woodys were one and the same. I know I did. It was an act, sure, but I didn't know it was that good an act. We all found out just how good of an actor Woody Harrelson was when he stripped away kind, innocent Woody the bartender and took on the vicious role of Mickey Knox in in Oliver Stone's brutal film Natural Born Killers. Later we found out that the actor's father was a convicted hitman for the mob and was busted trying to take out a judge. Today Harrelson has proven his awesome range over and over again in dozens of impressive performances. But in 1994, I wasn't prepared for Natural Born Killers or Mickey Knox, and so it's a film that has remained seared in my brain since that day.
Posted in: No Huddle Reviews by Brent Lorentson on October 6th, 2023
Paul Schrader is one of my cinematic heroes and despite his numerous accolades I feel he’s one of the most underappreciated artists to work in film. He has a way of capturing the underbelly of society through his writing and visuals that very few can equal. When he and Martin Scorsese worked together on Taxi Driver that was such a perfect pairing, it’s Schrader’s best screenplay he’s ever produced, and I know this is a controversial take but I feel it’s also Scorsese’s best film. Hardcore would be the second film that Schrader would go on to direct, eventually he’d end up with 27 directing credits, but Hardcore for me is his standout film where he worked as both writer and director. This film isn’t for everyone and despite it being released in 1979 the subject matter remains provocative but for those willing to take a walk into some seedy areas this is film that will take you for a ride you won’t soon forget.
The film opens up in Grand Rapids, Michigan. Schrader immerses us into the day to day life in this middle of America town and we meet Jake VanDorn (George C. Scott). Jake is a successful business man, he runs his own furniture company and is a devout Calvinist. Seeing the conservative values on display at the start of the film is important, and though we don’t see a lot of interaction between Jake and his daughter, Kristen (Ilah Davis), these moments that we see Kristen with her family and with the church group show us that she at least seemed happy and well “innocent”. The decent for the VanDorn family comes when Kristen goes on trip with her church group to California and she goes missing. Was she kidnapped? Did she runaway? No one has an answer and this leads Jake to travel to California and he hires a private investigator, Andy Mast (Peter Boyle) to find out what he can about Kristen.
Posted in: No Huddle Reviews by Gino Sassani on October 5th, 2023
"Here comes Gordy."
In the 1950's Gordon McLendon owned a series of radio stations throughout Texas along with a string of drive-in movie locations. Those drive-ins needed films to draw crowds, and Gordy wasn't happy with the cost of some of the distribution deals that came to him. So he decided to team up with a couple of guys and try his hand at making his own movies. The first guy he teamed with would become well known to television audiences, but not for the movies he helped produce with Gordy. Ken Curtis would become the beloved Gunsmoke character Festus, a deputy who had more in common with Don Knotts than Marshal Dillon. He may not have been the sharpest point on a tin star, but America loved him. They might have thought twice if they knew about this partnership. The third leg of this tripod was Gordy’s father, B.R. McLendon. Together they would make Hollywood history, or is that Hollywood infamy? That's for you to decide. They made three movies in total, but the first two are where that history was made.
Posted in: No Huddle Reviews by Gino Sassani on October 3rd, 2023
"That's the most important thing. Just have fun."
You shouldn't need a primer on the NCIS franchise by now. Unless you've been living under a rock for the last decade or longer, you're up to speed on these guys. If not, you still could have some fun and enjoy the CBS DVD release of NCIS: L.A., but NCIS has been around for over 20 years, and this particular version has been around for 14 seasons now. That's a lot of characterizations under the bridge and a ton of character evolution and stories that can't help but give you maximum mileage out of the release. If you aren't up to speed, you can check out over 30 seasons of various NCIS reviews by just banging it here: NCIS Reviews. That should keep you busy long enough to get you to the point that we're here talking about Season 13. So hopefully you are up to speed, and we can get on with it. Shall we?
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2023
"Have you ever heard of exorcism? It's a stylized ritual in which rabbis or priests try to drive out the so-called invading spirit. It's pretty much discarded these days, except by the Catholics who keep it in the closet as a sort of embarrassment. It has worked, in fact, although not for the reason they think, of course. It was purely the force of suggestion. The victim's belief in possession helped cause it. And just in the same way, this belief in the power of exorcism can make it disappear."
By now we've all heard of The Exorcist. The film was based on a best-selling novel by William Peter Blatty. Blatty himself based the story on a real exorcism of a young boy many years earlier. And that's where the true power of the film begins. The monsters of horror movies often allow us a sense of unreality that protects our inner selves from being truly terrified. Yes, they may frighten us, but it's fun to be frightened, isn't it? It's rare that a horror film touches on something inside of us and delivers an experience that is truly terrifying. It's arguable that The Exorcist has done this in a way that has rarely, if ever, been repeated in horror movie history. Whatever your religious beliefs might be, there is that little voice deep in our minds that fears what we call evil and can't deal with the possibility that we can be taken over by such evil. Devil. Demon. Mental illness. It doesn't matter. We're all afraid of losing control of who we are to some invading force within our minds. Within our very souls.
Posted in: The Reel World by Gino Sassani on September 30th, 2023
The first Paw Patrol movie opened up in August of 2021 during the pandemic era where barely anyone wanted to go anywhere that wasn't a grocery store (because somehow that was safe). It still managed to pull in forty million domestic and another hundred million internationally. With the built in audience from the television series, a sequel was almost a no-brainer. I remember taking my family to go see the first Paw Patrol (the theater was quite bare) and actually enjoying it quite a bit. It certainly helped to bring all of the key elements from the television series and produce something that wasn't nauseating and over-the-top. However, sequels of movies based on popular properties often go the wrong direction. Let's see what the Mighty Pups have in store for us in their second outing.
As is the case with many Nickelodeon films, we get a cartoon short to start off the show. This one has Dora the Explorer, who is apparently getting a new CGI series in 2024. This short is entitled Dora and the Fantastical Creatures. Dora (voiced by Diana Zermeno) and her companion, Boots (voiced by Asher Spence) the monkey are going on an adventure to the land of Alebrijes, where they have the most colorful and magical creatures in the rain forest. It appears that someone has taken the glowey. We later find out that it was Swiper (voiced by Marc Weiner). Swiper is taken down by making him realize that he did a bad thing, and he gives back the glowey. So it's a totally realistic cartoon. Much eye-rolling did occur, and I realized that I'm glad that my son never picked up on this show. However, he might have momentarily picked up the phrase, "Swiper, no swiping." Curses! Let's get on to the feature presentation.
Posted in: The Reel World by Jeremy Butler on September 29th, 2023
“Then we have something in common. You aren’t going to heaven because you aren’t a good person, and I’m not going because I’m not a person.”
So, this film focuses on a interesting viewpoint: what if Skynet weren’t the bad guys? In this Gareth Edwards directed film, John David Washington plays a hardened ex-soldier, grieving the disappearance of his wife, who is recruited to hunt down and assassinate the Creator, an elusive architect responsible for creation of advanced artificial intelligence that humanity has been at war with since a nuclear attack years earlier. Sound familiar? As previously mentioned, while one can draw parallels between the early events of this film and the future that Sarah Connor tried to prevent for her son, in that story, artificial intelligence becoming sentient was the cause; in The Creator, AI appears to be on the losing side of the battle with humanity. Score one for humanity. As a result, they only have one refuge: Asia, or to be more precise, New Asia. I found this to be an interesting viewpoint that was worth exploring with this film. Unfortunately, while the film has moments of intrigue and John David Washington gives an above-average performance as the protagonist (pun intended, given his character’s name in Tenet), things didn’t come fully together in this film.
Posted in: Disc Reviews by Brent Lorentson on September 28th, 2023
Coming up on its 40th anniversary, Staying Alive continues to be one of the most bizarre sequels to be made by a major studio, starring John Travolta and co-written and directed by Sylvester Stallone. The film was intended to be a sequel to the massively popular Saturday Night Fever, but when Staying Alive came out, disco was pretty much dead, and really there isn’t much that connects the films but for the character Tony Manero (John Travolta) and that there is dancing in the film. When the movie came out it was a financial success, but it was pretty well hated by critics of the time to the point that even one of the film’s stars, Finola Hughes, was awarded a Razzie for her performance. Apparently the film has a loyal cult following, but now after 40 years I’m here to give this film a fair shake and decide for myself: is it as bad as people say, or is it a gem from the 80s that will make us all nostalgic for when there were several movies with the cast in leotards, headbands, and over-the-top dance numbers?
It’s been a few years since Tony Manero (John Travolta) was dancing through the disco tournament, and now he is a dance instructor who is trying to make it to the next level of his dancing career to be a part of a Broadway stage production. The biggest change I feel we’ve seen in Tony is that he’s managed to become more arrogant and has coasted by on his good looks and dancing, though he’s pretty far from living the dream. He has a causal relationship with Jackie (Cynthia Rhodes), who is also a dance instructor, and the pair struggle together with auditions for various productions. For the viewers it is easy for us to want Tony to settle down with Jackie. She’s good for him, and in many ways too good for him, but Tony just always has his eyes on something bigger. He expects greatness for himself and will settle for nothing less. His opportunity comes along with the Broadway production of “Satan’s Alley”, where he lands a part and falls for the lead in the performance, Laura (Finola Hughes). She’s out of his league and is only using him for a good time, but Tony is blissfully ignorant, and this only creates drama for the production.
Posted in: No Huddle Reviews by Brent Lorentson on September 28th, 2023
In 1987 when Malone was being released, the peak of Burt Reynolds’ career was behind him. He was still successful and was doing films and TV shows after that, but there was a distinct change in the quality of the films he was putting out. At this time there was a bit of a shift with what an action hero looked like. Guys like Reynolds and Bronson were being nudged aside for Stallone and Schwarzenegger. This was the rise of the action hero who reigned well into the late 90’s. Thankfully the smaller studios understood there was still an audience that wanted to see Burt Reynolds on the big screen, and that’s where Malone fits in. It isn’t a film that is trying to be anything special, and I feel its ultimate fault is that it is so generic, so familiar, that it becomes so forgettable at the same time.
Richard Malone (Burt Reynolds) is a CIA hit man who has hit a crossroads in his career. Basically he’s tired of killing people for the government and decides to call it quits and just live the rest of his days as a drifter. While travelling the Pacific Northwest he has some car trouble, which leads him to a small town that is being bought up one business and home at a time by a local millionaire Delaney (Cliff Robertson). Malone befriends the town’s local mechanic, Paul Barlow (Scott Wilson) and his daughter Jo (Cynthia Gibb). They’ve taken in Malone to give him shelter while they repair his car, and during this time Malone witnesses some of the violent and underhanded tactics Delaney uses to muscle the locals. While this is going on, Malone’s ex-CIA partner and lover, Jamie (Lauren Hutton), is hired to find Malone and to kill him.
On The Web
Sponsors
