“Hello, Sidney. Did you miss me? Nice little town you found, you and your pretty daughter. Reminds me of where we grew up.” 

Honestly, after the last film, in which the creators broke the tradition that the three O.G. characters (Sidney, Gale, and Dewey) always made it to the final credits, I thought was going to be the end for the franchise after all. Because if there was one thing I knew, which had held true for five films, was that those three were not to be touched. So when the powers that be made the decision to kill off David Arquette’s character (I know I shouldn't be revealing spoilers; however, if you haven’t seen the previous film, you shouldn't be reading a review for its sequel, so sorry not sorry), I was of the opinion that there was nowhere else for the story to go.

"We're not rock stars. We're human jukeboxes."

A little bit of quick background. I'm a recording artist with eight albums under my belt, so I likely approached this film a little differently than most folks. I wasn't really all that enthused about seeing the film. You see, I tend to hate when songwriters write songs about writing songs. I think it's pretentious. So what have I done? Written at least a handful of songs about writing songs, so I don't do a lot of practicing what I preach. That's the mindset I had going into the screening. It turned out maybe I do like songs about songwriting and just haven't had the guts to admit it. There aren't any maybes about one thing. I can tell you for certain that Power Ballad turned out to be one of the best films I've seen in the first half of 2026. Who knew? I think that director/writer John Carney knew. It's possible that Paul Rudd and Nick Jonas did. Now I know, and in a minute, so will you.

Let's just get this out of the way from the jump. I very much doubt that any film or filmmaker is going to ever come close to giving us the D-Day invasion of France in any better detail or realism than Stephen Spielberg did with Saving Private Ryan. There have already been countless documentaries. There have been enough films on the subject to make just about anyone a "Hollywood" expert on what is likely the greatest military campaign in the history of warfare. The only way you're going to get anyone's attention or leave any kind of mark on the cinematic history of D-Day is to find an angle that no one else has found. Good luck with that... or maybe there is an aspect that hasn't yet been mined. I didn't think so before I saw director Anthony Maras's latest film Pressure. The approach is so simple it's almost crazy that it hasn't been covered before. What is it everyone always complains about but no one ever does anything about? The weather.

“So, you wanna give that thing to a good person so they can save the world. I understand. But in order to save that good person, you’re gonna have to give it to a really bad person. In all my years, I've only ever seen one man come out on top in Vegas. We go to do it like he did. He rigged the game.”

I know what you might be thinking. It was going through my mind as well. It sounds a little bit like "Save the cheerleader. Save the world." Admit it, that's exactly where you were going with this thing. Even at its best ... or worst, Heroes was never as intense or dark as the video game television series adaptation of Fallout on Prime. With all respect to Zachary Quinto and his portrayal of Syler, Syler would be running home cryin' to mama if he ever came across Walton Goggins as The Ghoul in Fallout. Don't believe me? Now's your chance to find out, because Alliance and Prime have teamed up to bring the second season of Fallout to home video.

Lucille Ball was originally a radio personality starring in a popular comedy, My Favorite Husband. It was here that she began to develop the character she would continue to play for decades in television through several shows, all bearing her name in one form or another: I Love Lucy, The Lucy Show, Here's Lucy, and Life With Lucy. See the pattern? Anyone who was a fan of the radio show would instantly recognize the red-haired actress even though they had never actually seen her on the radio. That exaggerated cry was already a staple of her physical comedy, even when she couldn't be seen. She had also toured for many years with her real-life husband Desi Arnaz. When they could not convince a network to film a pilot of a show featuring both of them, they made it on their own dime. CBS was so impressed with the pilot that they reimbursed the couple, and in 1951 I Love Lucy hit the airwaves.

"Jack Shindo has made it back alive from Mars. but his reappearance will raise more questions than it answers. He has a secret that cannot be shared. He can tell no one that he is Ultraman, a savior from the stars."

Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship

“I'm warning you. I got a Saturn Award for Best Fight in a Feature Film, so don't mess with me.”

So, it goes without saying the success or failure of this movie rested solely on Karl Urban’s portrayal of Johnny Cage. Johnny Cage is among the most popular characters in the video game franchise. Not to mention, he was my favorite character back in my Sega days. For me, while I still enjoyed the first film, his absence was felt. I was thrilled when I heard that he was going to be featured in the second film. I will admit when I heard that Urban would be playing the role, I was mildly skeptical. While I know Urban to be a fantastic actor and hilarious, the physicality of the role, I initially thought would be too much for him. Luckily, it proved me wrong. It’s been five years since the reboot, and yet for the most part, the sequel feels like no time has passed at all. Especially given that everyone member of the cast from the reboot returned for the sequel, including a few that I wasn’t expecting. This of course includes some new additions as well as a bit of Chilling Adventures of Sabrina reunion.

"Welcome to Derry, home of Paul Bunyan."

I can still remember the It miniseries from a few decades ago. I thought Gary Oldman was just wonderful as Pennywise the clown at the center of Stephen King's novel of the same name. What I really never took into account was that being wonderful really wasn't the point of the character at all. With much love to Oldman and the many characters he's brought to life over the years, I never realized until 2017 was who Pennywise the clown was truly meant to be. Andy Muschietti and his sister Barbara went to work on a two-film attempt to bring It back to life, this time on the big screen. Like most people I was pretty skeptical of the whole thing, and a lifetime of failed Stephen King films that never lived up to his written word was the evidence I cited. Can't be done, I said. They'll only run it into the ground to be resurrected badly as if it had been buried in King's Pet Semetary.

"Why are you talking? Do you ever think about what you're gonna say or why you're speaking? Or do you just open your mouth and just blah blah blah blah blah? In about thirty seconds I'll be gone. We don't need to speak."

Die My Love is the latest film by director Lynne Ramsay whose best film is still We Need To Talk About Kevin. I say still is because Die My Love doesn't live up to the reputation. Ramsay was never quite a linear storyteller and this film is no exception. She loves to dabble in the subtle madness of a situation and here she does much more than dabble and while there are certainly attempts to be nuanced the film rages as out of control as her main character played by Jennifer Lawrence who takes a huge swing and a big chance here. It was the right idea but maybe not quite the right vehicle. Lawrence has been trying to distance herself from the Hunger Games franchise not because that wasn't good work

“You are a pig!” / “I’m a rural farm boy. It’s part of my charm.”

The quote above really sets the tone of The History of Sound (2025). It is a charming movie, a cinematographically soft motion picture, subtle and intimate in execution. It was directed by Oliver Hermanus and written by Ben Shattuck, premiering at the Cannes Film Festival on May 21, 2025. The movie has since won three awards and been nominated nine times. After watching it, I can see why, and I immediately knew I wanted to write an affectionate review for such an affectionate film. That said, I could write what the movie was about, and I could write what the movie was really about. The nuance in interpretation may sound minute, but worth exploring to understand in depth. The film is a soft gay romance, showing how two men fall in love. It centers around these two men, Lionel (Paul Mescal) and David (Josh O’Connor), although the story is essentially told from Lionel’s point of view. It is set at the brink of World War I in 1917 when David is drafted into the military.