“Where the hell did you come from?”

When you consider just how many films have been made about Bram Stoker’s novel Dracula, I’m surprised it has taken this long to get a film like The Last Voyage of the Demeter. I’m not a huge fan of the novel, but the chapter that centers around Dracula’s voyage from Carpathia to London is a section that I always enjoyed. It’s a chapter told through journal entries from the captain of the ship and how the crew is killed one by one by a mysterious menace aboard the ship. In the movies that have come before, this moment of the film is usually mentioned as an afterthought or simply gets a couple of minutes of screen time. So is this the fresh take on the beloved horror icon that cinema goers have been waiting for, or is this just a lame attempt to revive the vampire genre?

"How much do you know about the family business?"

Well, for over 20 years, the family business over at CBS has been the NCIS franchise, and another decade longer if you consider it was a spin-off of JAG, which lasted 10 years on its own. It's been a busy 20 years, I can tell you that. About seven years into the original show's run, we got our first NCIS spin-off with NCIS: Los Angeles. That show focused more on action and a lot of explosions. The show just finished its final year after 14 seasons. Then there was NCIS: New Orleans that brought the focus to the unique culture and tastes of The Big Easy. It lasted seven years, and there's an upcoming NCIS: Sydney which is about to take us down under to grab that shrimp on the barbie. Things continue to expand, and now we have NCIS: Hawai'i, which expands the franchise and solves a situation at CBS. For decades they have kept a Hawaiian studio on the islands.

In 1995, I remember very vividly going to see Mortal Kombat on the big screen during my summer off from college (when very often I had nothing else to do).  I was instantly wowed by all of the characters that I had played with in the first two video games and seeing them brought to screen.  The music was absolutely fantastic (and still one of the best soundtracks I have ever heard).  However, what I have carried with me most from that experience is my utter love of one character.  Johnny Cage.  Fast forward nearly thirty years, and we finally have a film where he is the main character and no longer some sort of side gag by all those involved.  Let's go to the Cage Match!  Join me, won't you?

It's a genuinely rewarding experience when you find a new director that you find intriguing.  Mostly because as the consumer, it's then a research project to find everything that person has ever done and then dissect which films you can go find to watch immediately.  When I watched Wheel of Fortune and Fantasy, I had that experience instantly.  I wanted to see more of Rysuke Hamaguchi's films.  So I bought a Criterion Blu-ray copy of Drive My Car back in July.  Shortly after that, I saw that his student film, Passion, was going to be released by Film Movement on Blu-ray, and I was eager to get a copy.  Luckily, I didn't have to wait too long, because the opportunity to review presented itself even before the release date.  Let's dive into this film and see the early workings of a true master of the conversation.

"Jack, we have done our jobs and done them well. This fight was passed down to us and will continue with or without us. But we will always be better than the institutions we serve, and that is what matters when it matters most. There are no heroes in our profession. But occasionally there are good men. Men who act on what is right, not simply doing what they are told to do. I have not always lived my life with honor. But perhaps I have done enough to die with it. I hope the same for you." 

Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits

"I met him fifteen years ago. I was told there was nothing left. No reason, no conscience, no understanding, even the most rudimentary sense of life or death, good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face and the blackest eyes ... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil."

Blumhouse and David Gordon Green recently finished a sequel/reboot of John Carpenter's Halloween with mixed results. He got Jamie Lee Curtis to return for all three films in the trilogy. Most of the various sequels and reboots did not include the original film's star, but Green was not the first one to get her to return to the role of Laurie Strode.

When it comes to watching films at the theater, often I will want to see a movie sometimes three, four weeks into their release.  The crowds have quieted down, and I can often focus on the movie rather than the person next to me who might be munching on their popcorn a little too loudly or on their cell phone.  However, with many films not sticking around as they should, it can often be difficult to make that work.  This past Sunday, I was fortunate enough to see A Haunting In Venice, a film that opened in mid-September to honestly rather tepid box office earnings.  I had seen Murder on the Orient Express on 4K disc and Death on the Nile with my wife in theaters, so I certainly wanted to see the third film in the Kenneth Branagh's version of Hercule Poirot.  So quality time aside, was this film actually worth our matinee dollar, or was it better spent at the local sandwich shop?  Let's take a look.

"What do you think evil is? I'll tell you what I think evil is..."

It's sequels/reboots made by filmmakers who haven't got one single clue what made the original such a classic. The Exorcist was a masterpiece of filmmaking and is truly one of the most compelling horror films even 50 years later. There are a lot of reasons for that. Unfortunately, David Gordon Green couldn't name a single one if you gave him a cheat sheet in one hand and William Friedkin's complete notes in the other. Blum House took a huge risk after they finished their Halloween trilogy. The films were hit and miss with some good moments. But most fans of the original never could completely bond with the films. So Blum House decided they liked this 3 film reboot/sequel idea and took a chance on committing $400 million for a trilogy of The Exorcist. Like the Halloween trilogy it would ignore all but the original film and take it's story directly from that moment onward.

It’s October, so that means all the studios and streaming services are going to be unleashing some spooky new releases to please their viewers who are attempting to get into the Halloween spirit. This weekend Amazon Prime is releasing Totally Killer, a Blumhouse production that continues to ride the wave of 80s nostalgia with a time travel slasher film. The trailers looked fun and with Kiernan Shipka (The Chilling Adventures of Sabrina) in the lead, and I’m always in the mood for a new slasher with franchise potential. Does the film deliver the goods, or is this one dead on arrival? It’s time to strap in and travel back to 1987 and see what this is all about. In 1987 the town of North Vernon was terrorized by the “the Sweet 16 Killer” after he killed three high school girls, stabbing them sixteen times each. 35 years later, Pam (Julie Bowen) still hasn’t gotten over the murder of her three friends and has become very protective of her teenage daughter, Jamie (Kiernan Shipka).

"My Mamma told me to pick the right one."

In 1982, Cheers first broke on the network sitcom circuit. It was a small Boston bar owned by a has-been baseball player living on the glory years he didn't really have. It was the bar where everyone knows your name. Behind the bar there was Woody. Woody was pretty much a kid who looked up to the owner in an almost hero-like way. He was naive and was easily and often taken for a rube. But he was kind, and no matter how out of it he might be, there wasn't an evil bone in that character's body. It was all an act. Of course, it was a television show where Woody was played by Woody Harrelson.