“Down goes Frazier! Down goes Frazier!”

That is all that was heard when George Foreman won his first heavyweight championship. He entered that match an underdog despite his superior size and reach, and he shocked the world when he knocked the then-undefeated Frazier down six times on his way to TKO victory. However, that is just where he journey begins. Thanks to Big George Foreman, we get to see his journey in its entirety, in one of the most accurate and faithful biographical adaptations that I’ve ever seen. Key thing to know about me: I am a big boxing fan, so any opportunity I have to enjoy a movie about a boxing legend is a good day. This is no exception, as my knowledge about this hall-of-famer, such as his hard upbringing and the fact that he gave all his sons the same name, was limited; Big George Foreman, at least for me, shone a light on a boxing figure who probably doesn’t get the recognition he deserves.

In 1986, long before Luc Besson gave us such classics as Taken, The Fifth Element, or Leon: The Professional, he helped co-write and produce the wacky sci-fi/thriller Kamikaze.  I’m a fan of Besson, and not only had I never seen this film, I had never heard of it, so I was more than happy to check it out. In my opinion Luc Besson is one of the best action filmmakers out there. Whether he is writing, directing, or producing, he manages to put out an enjoyable product on a more consistent basis than many others.  If you are unfamiliar with the guy’s work, go ahead and take a moment to check him out on IMDB, and I’m pretty sure you’ll find a few titles on his resume that you’ve enjoyed.  Now in the 80’s you can say he was still cutting his teeth and trying to make a name for himself and had some moderate success. Subway (1985) is a fun little standout, and in 1988 he had The Big Blue.  In that time he handed off the script for Kamikaze to Didier Grousset, his Assistant Director from Subway, to direct the film, and as they say, the rest is history.

"The year: 1187 A.D. The Saracens of Asia swept over Jerusalem and the Holy Land, crushing the Christians to death or slavery."

The Crusades is the name of a 2023 comedy that was recently released, and it's a comedy in the Animal House tradition, and it's what you'll get if you try to do any quick title searches on that name. But buried beneath all of that beer and vomit, you might discover a more obscure (today) film from 1935 directed by the mythic Cecil B. DeMille. And you won't find any frat parties or beer kegs anywhere in this historical epic. The time and place are the Christian Crusades to liberate Jerusalem from the Muslim tyrant Saladin, the onetime Sultan of Islam.

This 1975 Burt Reynolds film is nothing like I expected, and for the most part I’d say that is a good thing. When I first picked up the title, I pretty much expected this to be a fun yet somewhat forgettable action film from the 70s, something in the same vein as Stick or Gator, but instead this is a more complex story that takes many strange twists and has an ending that was pretty unexpected. The film was directed by Robert Aldrich, who was fresh off of directing The Longest Yard and also to his credit directed one of my favorite war films, The Dirty Dozen.  Aldrich is one of those directors who I’d put in the same category as Don Siegel who were just fantastic at directing “tough-guy” films that just oozed testosterone in just about every frame.  In other words, directors that Hollywood would try to cancel in a heartbeat if they were working today. That being said, this is one of those films that is a product of the time it was made, and it has enough offensive moments that would make a modern audience want to stand up and protest, and, well, it’s what makes me like this film a little more than I should.

This remake of the 1936 screwball classic My Man Godfrey very much works as a snapshot of the time and how the wealthy as well as the social elite acted.  In many ways we can still see this behavior on display when we look at some of the modern celebrities (looking at you, Kardashian family) we can view it as harmless privilege or simply an abuse of wealth. Either way, when watching this film, though it has plenty of charm, there is plenty to cringe about when viewing the behavior of some of these characters.  When watching this, it’s best to go into it thinking of it as nothing more than a silly story and just ignore how improbable any of this could actually be. The film opens up with a chase taking place. Irene Bullock (June Allyson) is in hot pursuit of her sister, Cordelia Bullock (Martha Hyer) as they speed through the back streets of New York.  Irene is trying to catch up with her sister who has stolen a goat that she intends on using for a scavenger hunt. It’s when the pursuit is taken to a pier where the ladies encounter Godfrey Smith (David Niven) who is posing as a vagrant but in reality has illegally jumped ship when traveling from Austria in search for a new life.