Posted in: No Huddle Reviews by Jeremy Butler on June 18th, 2026
“I'll drink to that.”
Directed by the legendary Sidney Poitier, Fast Forward was part of a cycle of mid-late 1980s dance movies which included Fame, Flashdance, Footloose, Dirty Dancing, Breakin' aka Breakdance, Electric Boogaloo: Breakdance 2, Salsa, Beat Street, Heavenly Bodies, Rappin.' In this addition to the mid-1980s dance movie craze, a tight-knit group of eight high school students from a small town in Ohio form a dance troupe called "The Adventurers". Driven by pure ambition, they pack their bags and head to New York City to chase their big break. The film served as the debut theatrical feature film for most of the cast members, though there were a few recognizable faces. Such as Debra Varnado (All the Right Moves), who played Debbie Hughes, and Don Franklin, who played Michael, who I recognize for a host of tv show appearances. The movie wasn’t really the breakout film it was hoped to be, particularly given the stiff competition during its era. And unfortunately, while I did find it intriguing at times, I’m skeptical that the film will find new life amongst this newer generation.
Posted in: No Huddle Reviews by Gino Sassani on June 16th, 2026
"And that's the way it happened. Give or take a lie or two."
That oft-used phrase in the film Sunset is a pretty good way to describe the entire production. Blake Edwards had a pretty good run with his Pink Panther franchise until Peter Sellers died and the franchise became somewhat of a spoof of itself after his death. That might have worked, except the franchise was already pretty much a spoof. But Blake Edwards has also had some luck with more serious subjects, and Sunset is likely the best example of such an attempt. That doesn't mean the film doesn't deliver plenty of humor and light moments. But for Blake Edwards, this was as serious as it gets. He bought the rights to an unpublished novel by Rod Amateau, who had mostly written for television. The film was set to star James Garner as Wyatt Earp and Robert Duvall as Tom Mix. The production budget couldn't handle the demands of both stars, and Garner was retained while Edwards would pass on Duvall.
Posted in: No Huddle Reviews by Gino Sassani on June 15th, 2026
On and on goes the debate. Is Die Hard a Christmas movie? I have always come down on the no side. It appears like such an odd thing, but there have literally been books about the subject, and Bruce Willis himself has gone from no to yes over the years. If that kind of debate is of interest to you, then you should enjoy playing the same game with Cold Steel. It's a bloody action movie that also takes place at that jolly time of the year. Of course, not so jolly for the characters in the film. The original story for Cold Steel was developed and written by Dorothy Ann Puzo. You might not recognize her, but I'm sure you are familiar with the last name. Her father is the celebrated author and screenwriter for The Godfather movies. And if the Godfather movies have taught me anything (I mean, beyond not letting anyone outside the family know what you're thinking), it's that daughters don't necessarily inherit the abilities of the father.The casting of Sofia Coppola by her father in that franchise's third film made that very point. But Dorothy Ann Puzo isn't quite the dramatic drop in talent that Coppola was, and the film certainly has its moments. Coppola also directs, and this is her first and last feature film as either writer or director, so I think we can safely say this film didn't set any box office records, and this is actually the first time I've seen it.
Posted in: The Reel World by Jeremy Butler on June 12th, 2026
“If you found out we weren't alone, if someone showed you, proved it to you, would that frighten you?”
This movie marks the 30th collaboration between Steven Spielberg and John Williams. Their first was The Sugarland Express, over 50 years prior. This is even more noteworthy, given that when Spielberg initially approached Williams about making the score, Williams first suggested four other composers take the job, since Williams had retired from film scoring. Spielberg insisted Williams score the film himself, and Williams finally agreed. This film also marks a personal achievement for Steven Spielberg, directing at least one sci-fi movie in each decade of his career: Firelight (1964), Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982), Jurassic Park (1993), The Lost World: Jurassic Park (1997), A.I. Artificial Intelligence (2001), Minority Report (2002), War of the Worlds (2005) and Ready Player One (2018).
Posted in: No Huddle Reviews by Gino Sassani on June 11th, 2026
"It's funny how much training I've had in taking a life. Years with the 3rd Calvary, the Regiment, Special Ops. A lifetime of experience. I can tell you to the exact second how long it will take you to bleed out if I make an inch-long incision in your carotid artery. Tactics. Weapons. Munitions. Covert ops. Black ops. Battlefield triage. The logistics of death. I've studied it all in great depth and detail. I've been taught all there is to know about taking a life."
If any of this sounds like something you've heard before, you're not too far off. It calls back to Liam Neeson talking to the guys who are in the process of kidnapping his daughter. He's telling him all about that "specific" set of skills he happens to have to make their brief remaining lives pretty brutal. That's what we get from Milla Jovovich. She's a highly trained killer, and now some bad guys have kidnapped her daughter. She gets there almost in time to stop it, but just not quick enough, and you don't have to read this or any film synopsis. You don't need to read any spoilers to know you're about to go through 90 minutes of this one-woman army trying to save her daughter and leaving a lot of gory destruction in her wake.
Posted in: Disc Reviews by Jeremy Butler on June 10th, 2026
“Hello, Sidney. Did you miss me? Nice little town you found, you and your pretty daughter. Reminds me of where we grew up.”
Honestly, after the last film, in which the creators broke the tradition that the three O.G. characters (Sidney, Gale, and Dewey) always made it to the final credits, I thought was going to be the end for the franchise after all. Because if there was one thing I knew, which had held true for five films, was that those three were not to be touched. So when the powers that be made the decision to kill off David Arquette’s character (I know I shouldn't be revealing spoilers; however, if you haven’t seen the previous film, you shouldn't be reading a review for its sequel, so sorry not sorry), I was of the opinion that there was nowhere else for the story to go.
Posted in: The Reel World by Gino Sassani on June 6th, 2026
"We're not rock stars. We're human jukeboxes."
A little bit of quick background. I'm a recording artist with eight albums under my belt, so I likely approached this film a little differently than most folks. I wasn't really all that enthused about seeing the film. You see, I tend to hate when songwriters write songs about writing songs. I think it's pretentious. So what have I done? Written at least a handful of songs about writing songs, so I don't do a lot of practicing what I preach. That's the mindset I had going into the screening. It turned out maybe I do like songs about songwriting and just haven't had the guts to admit it. There aren't any maybes about one thing. I can tell you for certain that Power Ballad turned out to be one of the best films I've seen in the first half of 2026. Who knew? I think that director/writer John Carney knew. It's possible that Paul Rudd and Nick Jonas did. Now I know, and in a minute, so will you.
Posted in: The Reel World by Gino Sassani on May 29th, 2026
Let's just get this out of the way from the jump. I very much doubt that any film or filmmaker is going to ever come close to giving us the D-Day invasion of France in any better detail or realism than Stephen Spielberg did with Saving Private Ryan. There have already been countless documentaries. There have been enough films on the subject to make just about anyone a "Hollywood" expert on what is likely the greatest military campaign in the history of warfare. The only way you're going to get anyone's attention or leave any kind of mark on the cinematic history of D-Day is to find an angle that no one else has found. Good luck with that... or maybe there is an aspect that hasn't yet been mined. I didn't think so before I saw director Anthony Maras's latest film Pressure. The approach is so simple it's almost crazy that it hasn't been covered before. What is it everyone always complains about but no one ever does anything about? The weather.
Posted in: No Huddle Reviews by Gino Sassani on May 26th, 2026
“So, you wanna give that thing to a good person so they can save the world. I understand. But in order to save that good person, you’re gonna have to give it to a really bad person. In all my years, I've only ever seen one man come out on top in Vegas. We go to do it like he did. He rigged the game.”
I know what you might be thinking. It was going through my mind as well. It sounds a little bit like "Save the cheerleader. Save the world." Admit it, that's exactly where you were going with this thing. Even at its best ... or worst, Heroes was never as intense or dark as the video game television series adaptation of Fallout on Prime. With all respect to Zachary Quinto and his portrayal of Syler, Syler would be running home cryin' to mama if he ever came across Walton Goggins as The Ghoul in Fallout. Don't believe me? Now's your chance to find out, because Alliance and Prime have teamed up to bring the second season of Fallout to home video.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2026
Lucille Ball was originally a radio personality starring in a popular comedy, My Favorite Husband. It was here that she began to develop the character she would continue to play for decades in television through several shows, all bearing her name in one form or another: I Love Lucy, The Lucy Show, Here's Lucy, and Life With Lucy. See the pattern? Anyone who was a fan of the radio show would instantly recognize the red-haired actress even though they had never actually seen her on the radio. That exaggerated cry was already a staple of her physical comedy, even when she couldn't be seen. She had also toured for many years with her real-life husband Desi Arnaz. When they could not convince a network to film a pilot of a show featuring both of them, they made it on their own dime. CBS was so impressed with the pilot that they reimbursed the couple, and in 1951 I Love Lucy hit the airwaves.









