Posted in: Disc Reviews by Gino Sassani on October 23rd, 2012
Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later.
Posted in: No Huddle Reviews by Brent Lorentson on October 23rd, 2012
The collection of episodes found here are supposed to be the rare and unedited recordings from the public access show Dr. Steve Brule once filmed. Of course the show is actually a fake one, but for those who have channel-surfed late at night I’m sure at some point the channel has stopped on a public access program. It was supposed to be a forum where anyone could go in and after some training on equipment be able to film their own program. Some would have the standard one show where the host would take random phone calls while discussing a variety of topics. In the case of Dr. Steve Brule (John C. Reilly) he tried to produce his own ‘on the town’ news program.
Posted in: Random Fun by Gino Sassani on October 22nd, 2012
Faithful readers might remember the name David Annandale. He's been a member of the Upcomingdisc family since it started. You may have also noticed he hasn't been reviewing much of late. That's because he's busy getting his novels published. That's right our man David is hitting the big time. We want you to check him out. So, here's an excerpt from his exceptional horror book: Gethsemane Hall.
In the dream, he was back at St. Rose’s Church, going through the funeral again. He knew he was dreaming because he felt the pain of repetition, sensed the sadism of a force that would make him experience ritualized loss once again. Knowing that he was dreaming didn’t diminish the pain. The anguish pressed him down, a granite weight, as he tried to stand for the hymn. The injustice of the re-enactment was colossal and could only be for the benefit of a cruel deity’s amusement. Something was laughing at him. He looked up. Standing above the altar was a large wooden crucifix, its Christ bigger than life. The Christ was laughing at him. Now he was looking at the face in close-up, was staring into its wide mouth, could see where the red paint of its throat had chipped, saw lips peeled back from tree-ringed teeth. He couldn’t see Christ’s eyes. He couldn’t see anything but the laugh, the maw of red disappearing to black. The laugh itself was looking at him, the mouth so contorted with mirth that the very expression had become sentient. He tried to yell back at it, to give back his hatred, but the laugh was too huge, too strong, visible even when he closed his eyes. The laugh grew from howl to tsunami roar. Its register climbed hysteria’s ladder, from exultation to frenzy, and finally it was the scream of the heart of the universe.
Posted in: Disc Reviews by J C on October 21st, 2012
“Patterns are hidden in plain sight. You just have to know where to look.”
You don’t have to be into numbers to enjoy Touch, but it certainly helps. Numerology deals with the mystical or divine meaning behind certain numbers. Detractors believe that people who place too much faith in such things will foolishly find significance in just about anything. Similarly, cynical TV viewers will scoff at some of the coincidences and connections in this Fox drama. Either way, it looks like your high school math teacher was right: you WILL be using some of this stuff as an adult.
Posted in: The Reel World by Gino Sassani on October 21st, 2012
Here's the thing. Fans of the franchise should be pleased with the latest entry. The series has been a solid October tradition for some time now. When you consider the low cost of creating one of these films with the proven box office numbers, this was all really a no-brainer, to say the least. You're going to get more of what you are expecting, and the film throws in enough new angles and tricks to keep the idea as fresh as possible. However, there is a flip-side to all of this. I don't think it's very likely that you can enjoy this film quite so fully if you have not seen any of the previous films.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2012
"Long story short, I want to reshape my navel, and allowance won't cover it."
Long story short is precisely the words I would use to describe Excision. You see, it started out as a short subject film and writer/director Richard Bates, Jr. decided to make it his first feature film. That was his first mistake. While I have never seen the short film that inspired this feature, I get the strong feeling that this was better served in that format.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2012
"I'm so proud of my boys. They never forget their Momma."
What did you do for your mother the last Mother's Day? Did you buy her some flowers and candy? Perhaps you took her out for a little adventure. You might have even cooked her a special meal. If you're like Ike (Coffin) and his brothers, you treat your mom to a show. You torture, rape, and kill a few women who happen to find themselves in the woods. Good times, right?
Posted in: The Reel World by J C on October 19th, 2012
Whenever the TV spots for Alex Cross promise that the movie features “Tyler Perry as you’ve never seen him before,” I can’t help but snarkily add “…in men’s clothing!” To put it lightly, I had my doubts when I heard the wildly successful actor/producer/director/playwright/crossdresser would be stepping into the title role, previously played on screen by Oscar winner Morgan Freeman. (Especially when Perry replaced the great Idris Elba on this project, though my giant man-crush on Elba possibly clouded my judgment.)
Posted in: No Huddle Reviews by Brent Lorentson on October 18th, 2012
Before Hollywood became obsessed with filming unnecessary remakes, throughout the 80’s and 90’s Hollywood was inspired to fill the multiplexes and video stores with as many horror sequels they could manage to churn out. Sure, I have a deep seeded obsession with Friday the 13th and the Nightmare on Elm Street franchises, but there are other franchises out there that were blessed with a slew of sequels when the originals, though they hold a soft spot in my horror-drenched heart, just didn’t need to continue the story; it was good as it was and should have been left that way. And that’s how I feel especially about Basket Case.
Posted in: Disc Reviews by J C on October 18th, 2012
“When is everything gonna get back to normal?”
Is a happy, well-adjusted Don Draper a good thing? That’s one of the biggest questions posed during Mad Men’s excellent fifth season, and it’s aimed at the other characters in the show as well as a passionate TV audience that has become seriously invested in Jon Hamm’s suave antihero.









