"O joyful. O delightful. O fortunate one. Weep no more, this departed son. Read these words. Sound thy voice. Revel and sing. Rejoice! Rejoice! Life's for the living, not for the dead. Forget tomorrow. Live now instead. This night you breathe, while they cannot. So dance ye soul on their resting spot."

It's another double feature from Lionsgate and AfterDark. This one offers one of the best of the series with a rather flat companion.

Written by Diane Tillis

You know him from Baywatch, Knight Rider, and America’s Got Talent. After nearly four decades in the entertainment business, David Hasselhoff created quite a name for his career as a pop icon. Now at a point in his dwindling career, Hasselhoff takes the plunge to be the center of attention at a Comedy Central Roast production. The man of a thousand voices, Seth MacFarlane (Family Guy), hosts the production.

A young dreamer named Power is fired from his mining job just before his union-leader father instigates a strike. Wishing he could be a drummer, but never getting the chance to play an actual kit, Power does not know what to do with his constant ambitions that make him air-drum 24/7. Fate steps in and he discovers an underground movement of air-drumming that all leads to a major event in New York city where he will have a chance to face off against a billionaire country-music star, who just so happens to be the son of the evil Copper Mine owner who is treating his Union friends, and family, so unfairly.

Philip Seymour Hoffman has become quite the acclaimed movie star by working in many well nominated flics such as Capote, Doubt, and Charlie Wilson’s War. However, Mr. Hoffman does a great deal of stage work when he is not performing in front of a camera. His recent directorial debut involved a piece of stage work that he brought to film, Jack Goes Boating. Let us see how this plays out.

This is one of the biggest prizes we've ever offered. Our friends at A&E Home Entertainment have given us a copy of Zorro: The Complete Series to give away. This collection features 15 discs. That's 88 episodes. You get over 35 hours of stuff to watch here. This release includes a special bonus disc. To win a copy of this exciting 1990's television show, follow these instructions.

Contest is now closed Winner was Leanne shellington

We have a copy of Kathleen Madigan Gone Madigan on Blu-ray to give away.
To enter to win a copy of this stand-up concert, just follow these two steps...

Contest is now closed Winner was Aidan Louis

Our very good friends over at Synapse have given us a diabolically wonderful prize for all of you horror fans out there. They've given us 2 copiies of Hammer's classic Vampire Circus high definition Blu-ray to give away. With Hammer's triumphant return this year in the release of Let Me In, here's your chance to relive some of the glory days. This release is loaded with incredible extras. To win a copy of this exciting vintage horror masterpiece, follow these instructions.

Contest is now closed Winners are Garnet & Daniel M

George Papdapolis (Alex Karras) and Katherine Calder-Young (Susan Clark) meet on a Greek cruise, and, after a whirlwind romance, return to Chicago. They're a bit of an odd couple – she's a blue-blood, complete with male secretary, and he's an ex-football player. The cross-class romance is barely underway, however, when they suddenly find themselves the guardians of the unspeakably adorable seven-year-old Webster (played by twelve-year-old Emmanuel Lewis) after his parents die (George had agreed to be his godfather back in the day).

Well, I've been about a month off since my last review and the rest was sorely needed. I visited my folks, thought about my future and spent the holidays enjoying life and trying to do somethings I wouldn't normally do with my paying job and my writing gig. So, the first movie I crack open is Fire on the Amazon with Sandra Bullock, Craig Sheffer and produced by Roger Corman. Wait, Roger Corman, king of schlock and “B” movies? Hrmmm, I feel another vacation coming on.

Johnathan Swift's Gulliver's Travels was never meant to be a children's tale. It is one of the most corrosive satires in the English language, one that has lost none of its brilliant venom over the passage of centuries. But endless bowdlerizations have given its first two sections (the voyages to Lilliput and Brobdingag) the reputation for being children's classics.