Wow, someone took Dolan’s Cadillac, one of my favourite Stephen King short stories, and made it into a movie! Awesome! Cool, not a bad cast either. Christian Slater and Wes Bentley. Good actors. A little bit of edge to them. This might be alright. What’s that? It’s a straight to DVD release? Well that’s not promising. Hmm? It was made in Saskatchewan? By a Canadian sit-com director? Okay, now you’re just messing with me…

As it turns out, it’s all true. King’s sun-scorched tale of madness and revenge has indeed been brought to the screen, even if that screen is the one hooked up to your DVD player.

Troma Entertainment has harnessed a young group of Canuck filmmakers who go by the moniker ASTRON-6, and will be debuting their first feature film venture into the realm of bad taste. The film is called Father's Day and the trailer, which is filled to the brim with topless women and bloody, man-and-man rape, is already getting attention online. As well, it seems that Troma founder Lloyd Kaufman simply cannot stop talking about the film, based on the amount of clips available online (google Lloyd or Troma and soon find out).

As much as we may love Lloyd's ramblings, perhaps it is best for these bright and handsome purveyors of R-Rated gold to speak for themselves. I badgered them with numerous e-mails until all but one cracked and gave an interview (the last member presumably driven mad by my journalistic vigilance). Below is the fruits of my efforts:

The Ghost Whisperer has just released its 5th and final season on DVD. I had a chance to talk with Ian Sander, part of Sander/Moses Productions. Together with his wife Kim Moses, Ian help to guide the successful series from its conception through 106 episodes and 5 years. It was a wonderful chat. Bang it here to listen in on my conversation with Ian Moses

Check out Ian Sander and Kim Moses at Sander/Moses

Many of you might have noticed that our review of the comedy film Alien Autopsy brought with it a lively conversation in the comments. We heard from a couple of guys who have been dealing with the 1995 hoax since that time. Needless to say, they have some pretty strong opinions. Here at Upcomingdiscs, we welcome this kind of dialog. So, I invited Mark Center to talk about his feelings about all things Alien Autopsy. It was a great conversation. Now you can listen in. Bang it here to listen to my conversation with Mark Center

You can also follow Mark and his Mulder-like search for the truth at: Beyond Roswell

Written by Diane Tillis

October is my favorite month for several reasons. First, my birthday is only a month away…hint hint. Second, the cooler weather characteristic of fall finally reaches Florida, even if it only lasts a weekend. And finally, it is the month for horror films!! Finding a truly amazing (scream till I am white in the face, can’t sleep for fear of the boogie monster) horror film is something I love to do every October. I will collect some of the historic foreign horror films, throw in a little Hitchcock with a dash of Supernatural episodes, and put on my own horror festival. Thus when I had the opportunity to review a few screeners from the Fangoria Frightfest, I was tickled Bloody Mary red!

“Mentalist: Someone who uses mental acuity, hypnosis, and/or suggestion. A master manipulator of thoughts and behavior.”

I remember fondly Simon Baker’s last television series, The Guardian. It wasn’t exactly a great or groundbreaking show, but it chugged on somewhat quietly for five seasons. It didn’t seem like anyone was really noticing this quality show. So as much as I like this new series, I think what pleases me most is that The Guardian has made it to DVD. I’m not sure it would have happened if The Mentalist hadn’t broken out as the number one new series last year. And as much as I’d love to tell you more about that earlier series, I’m going to get that chance next month, so stay tuned.

Perry Mason did it for lawyers. Marcus Welby did it for doctors. From 1969 to 1976 and beyond, Robert Young was the face of the television doctor. The actor was so identified with his part that he dealt with fans and their medical questions his entire life following his portrayal of Marcus Welby. In those days there wasn't a medical doctor on the planet, real or fictional, who was more recognizable than Welby. The show pretty much wrote the book on the television medical drama. It doesn't matter if your a fan of House, ER, Grey's Anatomy, or any of a hundred other medical dramas that have come and gone since that time, each of those shows owes more than a little of its existence to Marcus Welby, MD.

In the 1950's Robert Young was that model parent in Father Knows Best. It's likely that audiences first fell in love with his wise and caring style. There was something about both the character and in the man himself that just caused America to trust him. It was no surprise that when the Marcus Welby creators were looking for a doctor that could, above all, exhibit those same qualities that Robert Young would get the call. And it didn't matter that Young considered himself retired from show business for the last 6 years. Marcus Welby was a role he just couldn't turn down. It was another gentle character with wisdom and common sense beyond his years. The Doc was a general practitioner in California. To him his patients were people. He would treat the individual as well as whatever ailment was proving to be the problem. He took the tough cases, often seeing some slight symptom that others would miss. That's because he paid attention to his patients, and they couldn't help but trust him with their lives. More times than not, that trust was rewarded with a full recovery. But, even when Welby couldn't beat a disease or injury, he always added something to the patient’s life. It might be helping them to come to terms with their own mortality. He might heal a family rift. Sometimes he just offered a kind word at just the right time.

Bo Burnham is one of those very young up-and-coming comedians that will either turn you completely off or make you very happy that you made his acquaintance. I think I'm one of those rare folks who finds himself in the middle after watching this hour-long performance.

There is no question at all that Burnham processes incredible talent. He is one of the most clever comedians I've seen in ages. He has an understanding of the English language that we haven't seen since the likes of George Carlin. There is a sophisticated intelligence at work here that is, unfortunately, easy to miss, if you don't pay particular attention. Burnham is manic in his delivery. He changes subjects and speeds with a suddenness that is liable to leave you with whiplash. Before you can really think about what he's said, he's already three subjects down the road flipping you the finger for not keeping up. And while I appreciate comics who push the limits of political correctness, there are moments that Burnham pushes the taboos much farther than he should. His 9/11 joke fell flat for the live audience. He uses Hitler and the holocaust a bit too much. It's almost as if he's hoping you'll tire of the routine. And then there's his age. Some of the more risqué sexual stuff just seems wrong from a guy who looks like he's a freshman in high school. He does a routine about Charlie Brown being molested. Way too far, dude.

This is the final seasons, so we are well into the series. Its groundbreaking nature (an unmarried professional woman as a central character) has obviously long since ceased to be a novelty, and the show is, by this point in its existence, what one might call a fixture. This is merely by way of observation, and not a criticism, because the writing remains as strong as ever, and the show has stood up well to the test of time. Not every joke is a winner, of course, and there are plenty of situations whose outcomes are visible a mile off. So name the sitcom for which this isn’t true. But it was the characters more than anything else that won audiences over, and the terrific chemistry of eccentricity and camaraderie is very much in evidence here. Humanity over ratings is typical of the show’s philosophy and spirit.

The Mary Tyler Moore Show is classic TV comedy at its best. This show is legendary, and still ranks amongst the top comedy sitcoms of all time.

The album, Holy Diver was released on May 25th, 1983. It was Dio’s best work featuring two singles that would hit the American top 40. It would actually take a full year for the album to hit Gold and almost 6 years to reach Platinum status. However, Dio remains popular today and is still listened to around the world. With that said, it is my pleasure to bring you the last recorded concert of one Ronnie James Dio as he plays the Astoria Theatre in London, England.

October 22nd, 2005. It is the final stop of an 11 date British Tour and Dio has hit the Astoria Theatre in London along Charing Cross Road. However, despite the band playing there a multitude of times, this one was a little different. Earlier in the year, Rock Candy Records had re-released the epic Holy Diver and the band had to figure out a way to best promote the re-release. They came up with the idea of playing the entire album, front to back in order.