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Open relationships have never really been in my repertoire. I’m a pretty committed guy. I find a girl or she finds me and we stick it out until one or both of us feel otherwise. Some people will argue that it is not natural to simply have one mate, instead we have to find multiple people to share relationships and intercourse with. In the movie Fling, it deals with an open relationship between Samantha & Mason. My money is on the fact that one of them goes too far in their openness and the relationship becomes strained. Let’s see how good my guesses are today.

Risk taking has never been my specialty. I tend to keep things pretty conservative and never really tried anything out of the ordinary, at least nothing I would consider dangerous. However, I have been interested by many forms of extreme sports. There is skateboarding, motocross, and of course, snowboarding. This beautiful sport combines flawless riders and picturesque snowy landscapes. So how would I take to a movie that tries to make a comedy out of snowboarding? Hopefully well. But then I saw that it included Tom Green and one of the guys from Jackass. This is not off to a good start.

"Chicano" is a term for a Mexican American (US born with Mexican ancestry).

El Chicano was and is a band that started in the late 60s as club players called The V.I.Ps (playing after hours at a Japanese restaurant in East Los Angeles) who became popular because of their jazzy approach to Latin rock. This musical approach was really defined by this band, as well as by Santana who started about the same time, and their songs became the anthems for the "Chicano Movement" around the late sixties and early seventies.

Zack (Seth Rogen) and Miri (Elizabeth Banks) have been friends since school, and are now terminally broke roommates. As their utilities are turned off one by one, and they face the prospect of eviction, Zack hits on the idea of shooting a porn flick to get out of debt. They gather together a motley collection of actors and crew, and, letting no setback stand in their way, start making their movie. But the real question is not whether they will succeed, but whether they will come to terms with their feeling for each other.

Barbra Streisand’s 1983 Historical Epic/Fable/Musical/Vanity Project comes to DVD for the first time ever in this deluxe release. Exciting news for a large chunk of our population, though in this instance it’s a case of “good news/bad news” for rabid Barbra fans. With Yentl, Streisand is in full-on quadruple threat mode, as director, producer, co-writer, and Star (yes, the capital ‘s’ is necessary), and her Herculean labours in getting this film made are probably as well known as the film itself. Her obvious passion for the project and the fact that she had a hand in it at every level gives access to a wealth of incredibly detailed information in the special features, including “Materials from Barbra’s Archive”. However, there are some technical shortcomings in this volume that will lessen the experience, even for fans.

Posted by Ken Spivey

What follows is a brief, yet accurate, recounting of the canine endowed cinematic masterpiece, “Marley & Me.” Jennifer and John Grogan (Jennifer Aniston & Owen Wilson) are a newly wedded couple who are enjoying their new life together. John is an up-and-coming journalist whose income allows the Grogans an increasingly comfortable lifestyle. John still hangs out with his old guy pals at the bar and holds on to some of the lighter points of bachelorhood while his married life remains rather carefree. This all changes when his wife's biological clock starts ticking. Grogan's best friend suggests that John get his wife a dog.

So, there have been approximately a godzillion zombie movies made over the years, and a goodly number of those just in the last few years. And there have been quite a number of very creative ones (Shaun of the Dead, Fido, 28 Days Later, but no, NOT the remake of Dawn of the Dead). Likely about to disappear from a theatre near you is one of the most interesting variation of late: Pontypool.

Frankly, if you need any information beyond the title of this release, then it probably isn't for you. It's The Sinful Dwarf, man! But if you really must know more, be it on your head. Mind-bogglingly stupid and broke newlyweds Mary and Peter (Anne Sparrow and Tony Eades, actors of an ineptitude that passeth all understanding) check in to the boarding house of retired (and scarred) burlesque performer Lila Lash (Clara Keller) her son Olaf (children's show host Torben Bille), the titular sinful dwarf. Mary hears noises in the attic, but Peter won't listen to her. He should, as Lila and Olaf keep a harem of women up there as prostitutes, ensuring their submission through forced injections of heroin. Now they have their sights set on Mary...

His name is Craig, Daniel Craig. Love him or hate him, we have to accept the fact that this blue-eyed rather rugged sculpture of a man is the face of James Bond, now and for the foreseeable future. I’ll admit to being more of a nostalgic Bond fan, and have the image of Sean Connery forever etched into my brain as the quintessential 007. But, it’s not only the drastic change in appearance and demeanor that makes this a hard film for me to embrace. For the first time in the franchise’s 22 film and 35 year history we have a Bond movie that is a direct sequel of the previous one.