Posted in: Disc Reviews by Archive Authors on April 12th, 2006
Wonder Showzen is either the most brilliant post modern art piece that I have ever seen, or it's the work of a group of complete head cases. No matter what side of the fence you fall on, this show is undeniably offensive, creative, hilarious, disgusting... did I mention offensive? When I first heard that this show was a kids show parody for adults, I built up this image in my head of something between Pee Wee's Playhouse and South Park. I really couldn't have been more wrong. In fact, the show is...much more like what would happen if The Electric Company was created by a brain trust of some of the most offensive and secretly brilliant comedians on the planet. I have heard about shows that know no boundaries before, but this is by far the most boundary-free product I have ever seen. Honestly, I'm not sure if that's a good thing or not. I am all for comedy without limits, but this show is way, way over the line
Regular segments on the show include kids answers to inappropriate questions, disgusting and disturbing vintage footage, and a puppet who berates the public. One segment features a kid dressed as Hitler. Another shows a child drinking blood in a butcher shop. While this program is unquestionably fascinating and bizarre, and most definitely has some hilarious moments, that's not to say that it is always a pleasant thing to watch.
Posted in: Disc Reviews by David Annandale on April 11th, 2006
Synopsis
Jack Nicholson is a journalist in Africa, fed up with his job and his life. When an acquaintance in an adjoining hotel room dies, Nicholson, struck by the other man’s physical resemblance to himself, switches identities, allowing everyone to believe that he is the one dead. But his new self doesn’t turn out quite to be the escape he had hoped for, as the man he has now become turns out to be an arms dealer.
Posted in: Disc Reviews by Archive Authors on April 11th, 2006
Godzilla is now a hero after being feared for so long? Did I miss something? Anyhow, Godzilla – The Series featured 39 episodes created by Roland Emmerich and Dean Devlin shortly after the big budget remake. The show was run off the air in 2000 after pretty poor results. This is probably because Emmerich and Devlin transformed Godzilla from a huge monster to a practical little pet we would want to own. The animated series is worth a watch for children as there are only 39 episodes, but don’t expe...t anything groundbreaking. The Monster Mayhem DVD contains 3 random episodes listed below
For a show made for children, I’ll admit that the Godzilla series is not totally awful. The shows are somewhat entertaining, but really can’t be taken serious at all. They kind of remind me a bit of The Mighty Morphing Power Rangers in that the show provides 20 minutes of excitement for children. Maybe if I was a kid I could enjoy the show more.
Posted in: Disc Reviews by Archive Authors on April 11th, 2006
Synopsis
I like to consider myself both wild and out. Not knowing a helluva lot about Nick Cannon, other than he seems to be an entertainer that’s heavily produced to appear in movies and release the occasional rap/R&B album, kinda like a taller version of Bow Wow, with a little bit more emotional depth and a lot less charisma. The kind of guy that the ladies (that what I like to call them) take a fancy to, without knowing…what he’s famous for.
Posted in: Disc Reviews by Archive Authors on April 11th, 2006
It’s rather stunning to discover that My Neighbor Totoro was made way back in 1988, long before the days of CG and all automatic illustration. And perhaps that animation does detract from the overall experience from the film, but if that’s the only reason that it would be a problem, then people simply need to get their taste in order.
In another film from legendary Japanese film director Hayao Miyazaki (who made the Oscar-winning film Spirited Away), the film follows sisters Mei and Satsuki, w...o move with their father to the countryside, to spend more time with their mother. They do some exploring and encounter Totoro, a mystical being in the woods that can only be seen by children. Totoro helps the children experience a world of wonder that they never would have previously seen.
Posted in: News and Opinions by Archive Authors on April 10th, 2006
Fox Home Entertainment will release the 2006 remake of The Hills Have Eyes in separate R-rated & Unrated editions on June 20th. Each will be presented in 2.35:1 anamorphic widescreen transfers, along with Dolby Digital 5.1 and 2.0 audio tracks (the R-Rated version will also include a 1.33:1 fullscreen transfer). Extras will include an audio commentary (by director Alexandre Aja, screenwriter Gregory Levasseur & producer Marianne Maddalena), A behind-the-scenes documentary made up of a collection of featu...ettes, a music video & trailers.
Posted in: Disc Reviews by David Annandale on April 10th, 2006
Synopsis
Laurel and Hardy’s career highs were all at Hal Roach Studios, and these three films are from their Fox period, in the twilight of their filmography. It is hard to call any of these classics, but there is still some very worthwhile comedy.
Posted in: Disc Reviews by Archive Authors on April 10th, 2006
When MTV picked up The Tom Green Show, they opened the floodgates to a whole new (and bizarre) genre of television; reality pranks. "But what about Candid Camera?", you might ask. That show was close to this genre, but not quite the same. This new breed of prank show takes much more from reality shows such as The Osbourne's than their earlier counterparts. In these new shows, the prank is not really a one-time event as much as it is a lifestyle. The main target of Bam Margera's pranks are his loving and amazingly understanding parents. Viva La Bam is much less physically harmful than Jackass... and much more entertaining. Part of what made The Osbourne's so addicting was the fact that for as odd as the family was, it was clear that they still genuinely loved each other. There is something of that spirit here as well.
So the show is entertaining enough. However, there are only 6 episodes on this disc. It is as if the producers of the disk know that they are offering a poor product to the consumer, as a note on the back of the package clearly states, "This is not the complete first season and contains no bonus features." If that's not the studio's way of saying "this is a poor product", then I don't know what is.
Posted in: Disc Reviews by Archive Authors on April 10th, 2006
The original 1959 version of The Shaggy Dog is notable for two reasons. First, it is the first live action film that Disney ever produced. They had created some animated features, of course, but this was the company's first real foray into the live action market. Secondly, the film marks the screen debut of Annette Funicello, a name certain to be familiar to fans of later Disney films. Later known as “America's Sweetheart”, Annette became a staple of the popular teenage beach movies of the 60's.
This ...VD release is notable for a couple of reasons as well, though they are not nearly as positive. The box states that this disc contains the original theatrical release, but it then goes on to say that the cut includes 10 additional minutes of footage. How can the same cut include both the original theatrical version and 10 minutes of additional footage? The disc also contains a second, colorized version of the film. Any true cinephile will tell you that colorization is a horrendous practice that completely changes the original vision of the filmmaker. So what consumers are left with is two versions of The Shaggy Dog, neither of which is the original. Clearly, this disc was released solely as an additional money making scheme to tie-in with the theatrical release of the remake, but at the very least I was expecting to find the film in its original format. That's just common courtesy. This is just the kind of horrible decision making that has plagued Disney over the past several years. Walt Disney would never have let such poor decision making go unchecked.
Posted in: Disc Reviews by Archive Authors on April 10th, 2006
John Singleton burst on to the scene in 1991 with the gritty urban drama Boyz N Tha Hood. While this excellent film brought him critical acclaim, I think it also brought some misconceptions about who he is as a filmmaker. While he certainly has an urban element to his films, he is not content to keep re-making urban films throughout his career. What made Boyz N The Hood so good was not the fact that it was an urban drama, but that it was a genuine story about the love that a parent has for a child.
Four Brothers brings this theme full circle. Again, we have a non-traditional urban family. Again, we are given access to the first good look at a rap artist with real acting chops in Andre Benjamin from Outkast. Instead of focusing around gangs, however, this is a film that explores just how far children will go for the mother that they so dearly love. When it comes to the love of a family, there are no good people and bad people, there are just families.








