Posted in: Disc Reviews by Archive Authors on January 18th, 2006
Disney continues to pull its disappearing acts on DVD with their limited time offers, this time using the new Toy Story 2 2-disc release as the proverbial carrot in front of the mule. While such marketing tactics may be a little annoying to those of us that don’t like to be told when we can or can’t see a movie, there should be no greater incentive to pick this up if you haven’t yet claimed a copy of the film. Toy Story 2 cemented Pixar’s name in quality animation and continued to prove the little studi... that could, could continue to knock one after the other out of the park.
In this outing, Woody’s the one in trouble. A yard-sale robbery has placed him in the hands of the villainous Al from Al’s Toy Barn. Al (voiced by Seinfeld’s Wayne Knight) needs Woody to complete his Woody’s Round-Up collection, and now that he has him, he plans on selling the entire display to a Japanese toy museum. That’s when all the lovable toys from Andy’s toy box come together for one of the greatest rescue missions in Disney animation history. Highlighted by moments of spot-on satire, kid-friendly humor, heart-felt poignancy (as in the teary-eyed memories of Jessie, the Yodeling Cowgirl), and an unforgettable airport finale (with its own share of twists, turns, and thrills), Toy Story 2 equals its predecessor and takes Pixar to the next level of superior entertainment.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
After the MTV show Jackass closed production, MTV scrambled to try to find a show that would secure the ratings that Jackass had been doing for so many years. What resulted from that scrambling? The moderately entertaining Viva La Bam which features a majority of the Jackass outcasts and ‘losers’. Since this is the review for the fourth and fifth seasons, one can imagine that Viva La Bam did succeed in finding that audience that would make MTV more money.
While the show original...y began by finding the stars adjusting to their new found success and stardom, the show slowly has become less and less funny as the years drew by. The main reason lies in the editing room. The editing of the show almost makes the characters look cartoonish causing the viewer to lose focus on what the show was originally about. The show was very funny because it was a type of insanity that was sporadic giving the show a unique feel from Jackass. Episodes in this season seem to almost have that sitcom feel to them, which is NEVER a good thing.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
Synopsis
Toni Collette and Cameron Diaz are sisters. Collette is the older, sensible one, who has made a career as a lawyer. Diaz is the hard-drinking, terminally selfish party girl. After a series of disasters, which culminate in Diaz sleeping with Collette’s beau, the sisters have a seemingly irreversible falling out. Collette’s life is in ruins, but the pieces are gradually picked up by a co-worker who has loved for from afar for years. Diaz, meanwhile, discovers that she has a grandmother she nev...r knew about (Shirley MacLaine), and heads off to the Florida retirement community. She starts off as a sponge, but gradually begins to mature as a human being.
Posted in: Disc Reviews by Archive Authors on January 17th, 2006
Jodie Foster stars in this film as a propulsion engineer named Kyle Pratt who decides to take her six year old daughter Julia on a transatlantic flight aboard a brand new jumbo jet (which she helped design). Aboard the plane, her daughter goes missing. Naturally she has no clue what is going on as the captain (Sean Bean), nor the sky marshal (Peter Sarsgaard) are of any assistance. Foster calmly looks around the plane for her daughter wondering what has happened to her. We learn more and more facts about the daughte... as the movie progresses, some of which will definitely surprise you. That is what makes this film so overly effective. How it takes a fairly common plot but adds more flare and spark to the plot by having certain areas jump out at us.
Flightplan is being compared to Foster 2002 film Panic Room due to the similar concepts (Woman and a daughter are in peril). However, the problem Foster faces in Flightplan is far more inquisitive and far more interesting. Did her daughter suddenly disappear or was she kidnapping? How could all of this occur on a airplane with tons of passengers? Foster is a usual form in this film. She comes off a resourceful and extremely brave woman. As the plot progresses forward, Foster’s response continues to change as do her overall tactics. She tends to scream out, as would any of us in a similar situation. The director, who I will get to later, seems to know how an audience’s mind work as he constantly has Foster’s character think ahead of what she will do, almost anticipating the next development of the film.
Posted in: Disc Reviews by Archive Authors on January 17th, 2006
The Gospel is the first mainstream film to come out in quite sometime that deals with the role of the African-American church. Reading the title of the film, one must think The Gospel is an overly heavy religious filled film right? Well, I am very happy to say that the film is not particularly a religious film, but what a film that has the type of characters that can make a viewer become a believer. Not necessarily the type of believer of the church, but the type of believer in the music that is sung in...The Gospel. The film deals with the economic and social function of the whole church mainly how the church operates as a stabilizing force, a stage for random personalities, an area for various power battles and a business that must find a way to make a profit otherwise it will find itself going out of business.
The films features such well-known singers as Yolanda Adams, Fred Hammond, Martha Munizzi and ‘American Idol’ finalist Tamyra Gray. Even though the film does have a plot, the film never spends too long on one area only to return to the musical performances, which is where the film become so enjoyable.
Posted in: News and Opinions by Archive Authors on January 16th, 2006
Sony Pictures Home Entertainment will release Capote, starring Philip Seymour Hoffman, on March 14th. This disc will be presented in a 2.35:1 anamorphic widescreen transfer, along with an English Dolby Digital 5.1 audio track. Extras will include two audio commentaries (the first with the director and Philip Seymour Hoffman; the second with the director and the films screenwriter), an extended behind-the-scenes documentary, an "On Truman Capote" featurette, and an image gallery.
Posted in: News and Opinions by Archive Authors on January 14th, 2006
Fox Home Entertainment will release the first volume of American Dad on April 25th. All 13 episodes will be presented over 3-discs in 1.33:1 fullframe, along with Dolby Digital 2.0 (English) audio tracks. Extras will include episode specific audio commentaries (by Creators & Producers Mike Barker, Matt Weitzman, Seth MacFarlane and others), a making-of featurette, animated comparisons, a table read, deleted scenes, and more.
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
I was amazed that a film starring three Academy Award winners (Robert De Niro (Raging Bull), Kathy Bates (Misery), F. Murray Abraham (Amadeus) would be so ignored and passed over by the movie going public. Based on a novel by Thornton Wilder and adapted for the screen and directed by relative unknown Mary McGuckian, the film recounts a tragic incident where several people fell to their death from a bridge collapse. A monk by the name of Brother Juniper (Gabriel Byrne, The Us...al Suspects) tries to piece together the lives of the people involved in the accident, to determine if it was a larger act of divine intervention.
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
The unfortunate part for me is that movies like this, and before that, Sling Blade, were only in arthouse theaters that are in downtown Washington, DC, and I really have a problem with driving 25-30 miles to pay $10 for 2 hours of joy, and possibly that same amount of time spent in traffic trying to get in and out of DC. If you want to call it laziness, I'll admit to that also, but I think my first excuse holds a lot more weight. It's gotten better lately, but there's still some work to be d...ne. Several years ago, there was a muted, but powerful push for a G-Rated film directed by David Lynch (yes, of Blue Velvet and Twin Peaks fame) to receive Oscar nominations, and the film defined the "has universal critical support but no one saw it" catchphrase. When this was available to rent, I did so, and found myself feeling good and happy, something a David Lynch film isn't supposed to do I thought. David Lynch films make you say, "What the hell did I just see?"
Posted in: Disc Reviews by Archive Authors on January 12th, 2006
I have said it before, and I will continue to say it as long as it is relevant... these Saturday Night Live releases are the perfect product for the PSP. They are short, funny and get right to the point with little depth or exposition required. It is easy to drop in and watch a skit here or there during your morning commute, waiting for a cup of coffee or while killing time before the big game. Of course, it is also easy to burn through a full hour by spinning the entire disc, as Ferrell is just so funny that it is s...metimes hard to stop at a single skit or two. In fact, out of all of the new SNL discs that have been produced, I feel that this particular title is the best of them all. The thing is, once you pick up one volume of the Will Ferrell set, you will most certainly go out and pick up the second. Fans of Bill Braski, Dubya and James Lipton, your time has finally come.
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