“This is the way the world ends…”
The Stephen King cycle has turned hot once again. With the enormous success of the two-part It feature at the box office, Stephen King is hitting the kind of popularity he had back in the 1980’s and 1990’s, when it seemed anything he put his name to had to be made into a feature film or some other grand project. The trend led to mixed results. Many of the films couldn’t live up to the visceral detail that has become King’s trademark. To do this, his books have taken on a large page count that has been nearly impossible to fit into a 2-hour feature film window. So there were attempts to expand that reach and use his material for the mini-series format. That’s the way It was handled in those days. But there are limitations in network television, particularly 30 years ago, that had no chance of capturing the imagination of a writer with such brutal imagery. The lesson has taken hold. It was released as two films. But back in the day, it appears that even seven hours couldn’t quite deliver a quality version of The Stand. Even with a brilliant cast and a script written by the horror master himself, the mini-series fell short of both expectations and the test of time. But like I said, Stephen King is back. He’s got a shared world television series, a two-part blockbuster horror film, and now this second attempt to take another bite at the apple that is The Stand. What better time to take a nostalgic look at the 1994 mini-series The Stand now out along with the brand new version CBS Home Entertainment.
The Stand (1994)
by Gino Sassani
The story opens with at a secret military base where biological weapons are being developed. There’s no time to investigate what these folks were working on or where it might have gone wrong. We jump in feet first as alarm bells are ringing and a gate guard flees to protect his own family rather than follow the order to seal the base. He and his family hit the road, but the genie is already out of the bottle. The family ends up halfway across the country in a little Texas town where they crash at a gas station. The plague spreads rapidly from there. As the song goes: “It’s the end of the world as we know it.”
The mini-series takes little time to show the spread of the illness. The next thing we know we have been invited into a world where a very small percentage of the population has survived. Civilization has fallen, and we’re left with just a few immune people to carry the torch for humanity. They stumble about this barren landscape and eventually get together in small groups. They are also each having very specific lucid dreams where they encounter an old woman named Mother Abigail (Dee). She encourages them to come find her, and clues are given to where she might be. The survivors are drawn to her location as if she were a beacon from God. But mother Abigail isn’t the only dream persona the survivors encounter in their sleep. There is also a dark figure who is often called The Walking Man, and he’s taken the human name of Randall Flagg (Sheridan). He is also compelling survivors to follow him. With the table set, we quickly understand that the survivors will be split into two camps. Those who follow Mother Abigail hope to create a safe place for them to continue. Others will flock to Flagg, who intends to bring a true hell on Earth to the devastated world.
Much of the series explores these factions and the individuals who make them up. On the Mother Abigail side you have:
Stu Redman, played by Gary Sinese. Stu was there when the base family crashed into the gas station. After being prodded by the government because of his immunity, he soon ends up on the road when it all falls apart. He’s a natural leader. Frannie Goldsmith is played by Molly Ringwald. She’s a small town girl who ends up by Stu’s side. She is going to have the new world’s first child. Judge Farris is played by Ossie Davis and represents something of the order of the old society. Adam Stroke plays Larry Underwood, who was just about to become a rock star. His first single was climbing the charts when it all came crashing down. He was looking forward to living an irresponsible life of sex, drugs, and rock ‘n’ roll, but finds an inner strength he didn’t know he had in this new reality. My Favorite Martian‘s Ray Walston plays Glen Bateman, a character with much more to do in the novel but becomes somewhat the emotional heart of this group dynamic. He’s a painter who along with his dog doesn’t really appear to have had his life changed much by the plague. Finally there is Rob Lowe as Nick Andros, a deaf/mute who befriends the simpleminded but bighearted Tom Cullen, played by Bill Fagerbakke. M O O N, that spells Tom Cullen.
The other side starts with Miguel Ferrer as Lloyd Henried, a crook who ends up stranded in a prison cell starving to death when the plague hits. He’s rescued by Flagg and becomes his right-hand man. Matt Frewer is Trashcan Man, a pyromaniac who is tasked with setting oil tanks ablaze as he makes his way to Vegas where Flagg has planted his … eh … flag, so to speak. Laura San Giacomo plays Nadine Cross, who is tasked with seducing members of the good guys and becomes his inside lady. She ends up pushing Harold Lauder (Nemec) to the dark side when he sees Stu take Molly, who he thought of as his girl since they were kids.
The rest of the series slowly brings these elements together for what is promised will be a final showdown. And that’s where it all goes off the rails. The mini-series spends a great majority of its time getting to know these characters, and there are some great moments there, to be sure. This is a solid cast, and the characterizations are the best part of the show. The fatal flaw is that there isn’t enough time left to truly embrace the conflict and all of the things that happen to these factions. King does a wonderful job in his novel, but here he takes too much for granted, and we get awkward time jumps with no explanation or reference points. He expects us to have read the book, but it really doesn’t work that way, and the show falls apart. Things happen far too quickly, and the end is so anti-climactic. Without King’s own nuances, the ending appears rather pointless and certainly not worthy of the events that lead us there. Honestly, the good faction ends up having no real input into the finale that comes from an internal struggle of the dark forces.
I have some hopes for the new attempt. Another mini-series might be the way to go, but only because the landscape of television has changed quite dramatically since the 1990’s. There is cutting-edge stuff appearing on the cable networks, and the production tools available today are light years ahead of anything they had in the mid 1990’s. I hope they find a way to maintain this wonderful character development but also take us deeper into the story. This release is a good way to catch up on what came before, but this isn’t as good as I remembered. It didn’t quite hold up to the test of time. Mother Abigail, “How did you not see this coming?”
The Stand (2020)
by Jeremy Butler
Steven King. Now there is a name that has become synonymous with science fiction. And it is in the vein of science fiction that is iconic novel, which served as the subject matter for this latest miniseries by CBS All Access. The Stand is widely regarded as one King’s best novels, having been included among Rolling Stones, Time, and Amazon’s best books of all time list, just to name a few. A classic story of good versus evil, it is easy to see the appeal. In fact, the novel is so popular that this is not the first miniseries incarnation of it; it has in fact seen multiple several adaptations. Among them, is the 1994 Gary Sinise-led version which also featured Molly Ringwald, Jamey Sheridan, Laura San Giacomo, and Rob Lowe. With such a star-studded cast for the 94 series, it was a prerequisite that this version come with a cast of equal proportions. And I believe they did, with established talents such as Whoopi Goldberg, Alexander Skarsgard, James Marsden, J.K. Simmons, and Greg Kinnear, as well as new talents in the form of Ezra Miller (Justice League), Katherine McNamara (Arrow), Nat Wolf (Death Note), and Jovan Adepo (Overlord). The list goes on.
A killer plague dubbed “Captain Tripps,” wipes out a majority of the world’s population, leaving only a select few with an unexplained immunity alive. These few find themselves inexplicably drawn into the ultimate battle between good and evil in this new post-apocalyptic reality. With humanity hanging in the balance, these strangers find themselves pulled in two directions: towards the light, which is inhabited by Mother Abagail (Goldberg), a 108-year-old prophet, and towards darkness, which is inhabited by the enigmatic and charismatic Randall Flagg (Skarsgard), the ‘Dark Man.’
So, the main question I reckon all you have is how close does the miniseries follow King’s original vision? It’s been quite some time since I’ve read the original novel, and briefly refamiliarizing myself, I will say that I found the series follows the plot of the novel pretty closely, as does the 94 version, so in terms of continuity I was satisfied. The character arcs are relatively the same, such as the Harold’s jealousy over the budding relationship between Stu and Frannie and how that led him down a particularly dark path. Also, the deal with Nadine and her being drawn to Randall Flagg. However, it is to be expected that these storylines could not be drastically altered, as it would impact the overall story, but even so it is not without precedent for such a thing to happen with adaptations. Either way, these plots tended to be central to the series, and it was good to see that they remained intact.
Another nice throwback was that Mr. King himself makes a cameo appearance in the series, much like he did in the 94 version. However, in this iteration, it is more of a blink-and you-could-miss-him type situation, rather than in the 94 version where he played the character of Teddy Weizak. Even though it’s not a long appearance, it was still nice to see him. It was almost like a stamp of approval for the adaptation in a way.
I will say that with some many different character plots and flash-forward sequences, there were periods of time where I was lost in the sauce, but overall, I was able to follow the story. The inclusion of flashback and flash-forward sequences does impact the overall narrative a bit, and the constant switching between characters makes it difficult to get comfortable story-wise. In some respects, there are some interesting aspects that come out of them such as in the first episode, where it shows that the spreading the virus was actually subtly manipulated by a certain nefarious character. Then there was the flashback regarding the connection with Flagg and Nadine, which didn’t really do anything for me in the long run. So, it’s kind of hit or miss in that respect.
The pacing was kind of slow for me. The story unfolds over nine hour-length episodes in comparison to the four ninety-minute episodes of the 94 version. This of course means that more story can be told, but if I’m honest, I feel that the episode count could have been reduced in order to speed up some of the action. Things tended to unfold a little slowly for my taste. Take for example the final two episodes. While I enjoyed the mock trial, there was still a lot of sitting around contemplating followed by brief moments of action. The film’s triumph is its depiction of good versus evil and how easy it is to become seduced to dark side, as was the case with multiple characters.
All in all, I found The Stand to be an entertaining and acceptable addition to Stephen King’s legacy. While there were lull periods, something of intrigue occurred in every episode, making the series tolerable. While The Stand is not among my favorites of King’s work, I have no doubt that avid fans will be satisfy with its depiction in this incarnation.