Posted in: Highly Defined, News and Opinions by Archive Authors on January 15th, 2007
This may take a little while.
So did we enjoy our thoughts and impressions of what CES 2007 held and brought? Well, let’s take a look at things that didn’t relate to Apple, shall we? First off, it appears the new color to speak of is purple. You’ve got word of the Warner Total Hi-Def disc, which is a dual format disc. The packaging is even a compromise too, with the HD DVD red on one side, and the Blu-ray blue on the other. It costs slightly more than a HD/SD combo, but does certainly provide for some inter...sting screenshot comparisons, and a lot of laborious moving from one player to another. At least with that announcement
Posted in: Disc Reviews by Archive Authors on January 13th, 2007
Honestly, was anyone really surprised when Universal announced a sequel to the ultra successful (and ultra-good) film The Mummy? The easiest comparison one can make is that Universal was trying to create their Indiana Jones series ala Fox. Even though neither Mummy film will EVER approach the quality of any of the Indiana Jones films (even the weakest Temple of Doom), The Mummy films, especially The Mummy Returns, are damn fun to watch.
Rick O�Connell (Brendan Fraser) and Evie (Rachel Weisz) are a happily married adventure seeking couple. Having just returned from another treasure hunting trip (this time looking for the bracelet of Anubis). We zip to another scene where we learn that Anuksunamun is trying to bring her old love Imhotep (Arnold Vosloo) back to life. The only big problem is that this particular year, 1933, happens to be the year of the Scorpion (a little back-story is that The Scorpion King sacrificed his soul to the god Anubis in exchange for victory over his enemies). If someone gets a hold of this bracelet and puts it on, The Scorpion King will rise in seven days (which is exactly what Imhotep and company want as they hope to steal The Scorpion King�s power). Well imagine what exactly happens and you have a pretty solid (if loop-holed) film.
Posted in: Disc Reviews by Archive Authors on January 13th, 2007
Wolf Creek is an Australian horror film that is based on true events; with no certain event in specific it combines a few elements from some missing people�s cases in Australia. The actions of some of the characters mirror that of famous serial killers, most notably that of Ivan Milat who most have speculated is whom the movie is based on. According to Quentin Tarantino Wolf Creek is ��One of the great horror film heavies of the last 25 years� so it seems to be really promising.
Liz Hunter (Cassandra Magrath) and Kristy Earl (Kestie Morassi) are friends from England who are travelling Australia for a holiday. Here they meet up with Ben Mitchell (Nathan Phillips) with whom they plan to take a trip to Wolf Creek, a desolate area of Australia where a large crater formed by a meteorite lays. The Wolf Creek of the movie is based upon the real life Wolfe Creek in Australia, which you can see during the aerial shots of the crater in the movie. After driving to Wolf Creek and exploring it the group happily returns to the car ready for their next adventure. But fait would have it, or maybe someone else would have it, their car won�t start. Waiting in the car for hours finally they see headlights off in a distance approaching them. Out comes Mick, a Crocodile Dundee looking fellow who offers to tow their vehicle to his camp and will fix it free of charge. Although a bit hesitant the group decides to accept the offer due to their lack of money. After driving for quite some time they arrive at Mick�s camp, an abandoned mining site that he calls home. Here they all sit down and exchange stories, where Mick�s behaviour becomes a bit suspicious, but somehow he manages to woe them into a false sense of security. Before we know it everyone passes out and we skip ahead to day break where Liz, Kristy, and Ben wake up.
Posted in: Disc Reviews by Archive Authors on January 13th, 2007
Pulse is a remake of the 2001 Japanese film Kairo which was based on a novel of the same name. The movie opens with Josh entering a dark university library looking for someone named Zieglar, where he is instead met by some creepy old man and an entity that sucks life out of him. At this point everything seemed to be promising, although a bit out there. We soon find out that Josh was the boyfriend of Mattie (Kristen Bell) who is now worried as to where their relationship stands because Josh isn�t speaking with her anymore. She goes to his apartment where Josh is still alive but looking very pale and lifeless. Moments after he asks her to wait for him, he walks into another room and hangs himself using a wire, Mattie is left blaming herself. Shortly after his death Mattie and her friends begin getting messages from Josh online, believing it is a virus Mattie�s friend Stone goes to his apartment to turn off his computer, where he is in turn met by these entities. Basically the rest of the movie is Mattie and her new found friend Dex trying to figure out who these people are and how to stop them, while her friends are slowly being killed one by one.
The movie�s central theme is technology's negative impact on people; instead of connecting people together, it has in fact distanced us from personal and emotional relationships. But maybe that�s getting a little too deep, because that�s exactly the opposite of this movie�s intention. Instead, while keeping that as a core theme, the movie is essentially The Grudge combined with White Noise, The Ring, and Night of The Living Dead with the exception of digital zombies in the place of human-like ones. That�s right, two of the most overrated and weak horror movies, The Grudge and The Ring, essentially piled into one even crappier movie, Pulse. Referring to The Ring, as in Pulse a creature if you will comes from a television and kills people. With reference to The Grudge (another Japanese remake) you got someone wandering around trying to figure out some nonsense plot all the while leaving you to wonder when something scary is going to happen.
Posted in: Disc Reviews by Archive Authors on January 13th, 2007
Written by Jason Smilovic, Lucky Number Slevin is an adaptation from the 1961 Japanesse film Yojimbo. Maybe a more referable title, 1964�s A Fistful of Dollars with Clint Eastwood which was also based on Yojimbo, or even another film starring Bruce Willis, Last Man Standing. Basically Lucky Number Slevin keeps the main plot elements, a protagonist playing off both sides of a gang rivalry, but retells the story in modern times along with a handful of notable actors. Among them...include; Bruce Willis, Lucy Liu, Stanley Tucci, Josh Hartnett, Morgan Freeman, and Ben Kingsley. I think it goes without saying that its rare that an action movie disappoints when its headlined by Bruce Willis, not to mention the ensemble of other great actors its backed by, so how does Lucky Number Slevin end up?
The film opens up in an undetermined airport terminal where an old man in a wheel chair referring to himself as Smith (Bruce Willis) tells the story of a fix on a horse race back in 1979 leading to the deaths of an entire family. The sole listener of the story is enthralled, thus becoming distracted at which point Smith stands up and snaps his neck, killing him instantly. At this point in the movie this has no relevance to the audience, other than introducing Bruce Willis� character, the world famous assassin Mr. Goodkat.
Posted in: Disc Reviews by Archive Authors on January 11th, 2007
While this is not a film that has specific comedic elements, James Garner seems to be the perfect choice to play this role. Up until this point in his career, almost every role that Garner had fulfilled on the big screen had been that of a soldier. Now, halfway through his TV stint as Maverick, he returns to the silver screen to bank on his new popularity as the star of a unique war film.
When I come across movies like this one, I think of films like Behind Enemy Lines and Spy Games; ente...taining and slightly above average films that will sadly not be remembered as time marches on. The fact is, only the best of the best films stand the test of time, while there are plenty of perfectly entertaining, well made films that just fade away from our collective consciousness.
Posted in: Disc Reviews by Archive Authors on January 11th, 2007
Certain Christian churches and organizations in North America preach something often called �the prosperity gospel.� In a nutshell, this refers to the idea that God wants us to be rich, physically, emotionally and materially.
It�s a pretty controversial message, but also a very attractive one. After all, what could be better than marrying Christianity to the American dream?
Posted in: Disc Reviews by Archive Authors on January 9th, 2007
Border Radio is an independent film written and directed by Allison Anders, Kurt Voss and Dean Lent. The film serves as more of a curiosity than a great film on its own merits. Released in 1987, the film fell in amongst the wave of indie filmmakers making an impact at the time, including Quentin Tarantino and Robert Rodriguez. In fact, Anders directed one of the segments in the film Four Rooms, which also featured stories by these two filmmakers, in addition to Alexandre Rockwell. While Tarantino and Ro...riguez have gone on to amazing success, many of their contemporaries never took off on a grand scale. Anders, Voss and Lent fall into this category, with Lent and Voss later directing a string of "B" movies, and Anders turning her efforts toward directing television programs.
Still, this film is an excellent example of the advice that all indie filmmakers give to aspiring filmmakers; "just make your movie!!" The goal of a debut feature is not always to make the next Reservoir Dogs as much as it is a chance to gain experience and show the world that you can handle the strain of a feature-length production. Maybe neither director went on to direct a $30 million blockbuster film, but they created a career for themselves through their work in a self-funded production.
Posted in: Disc Reviews by Archive Authors on January 9th, 2007
Four years after Jackass: The Movie took the popular MTV franchise to the big screen, Johnny Knoxville and his gang returned to theatres with Jackass - Number Two. The sequel is bigger, bolder and much more disgusting. But is it better?
In my humble opinion, the sequel equates to more of the same. If you loved the original, you'll eat this up. If you hated it - and we both know those are the only two options - you can happily make indignant remarks to any friends or family in the "love it" camp.
Posted in: Disc Reviews by Archive Authors on January 8th, 2007
After seeing Casino Royale it's hard to look at a Bond film the same way, and when Roger Moore inhabited the guy who likes martinis, fast cars and dangerous situations, it may have been a little cheesy. Granted, Moore did appear in a couple of notable Bond misses, but in the tenth release of the James Bond franchise, The Spy Who Loved Me stands as one of his best, if not the best Moore film.
From a screenplay by Richard Maibaum (his 7th Bond film) and Christopher Wood (his first) and directed by Lewis Gilbert (his 2nd Bond film), this new situation finds James at first in Austria, being chased by assassins, with everyone on skis. The end of the chase, whether you like it or not, is one of the better (maybe the best) in Bond film history. Once he gets settled, he is sent to find out why nuclear submarines are going missing. Complicating things is that James has to work with a Russian agent, a striking female named Major Anya Amasova (Barbara Bach, Caveman). Together, they find out the cause of the disappearances, a reclusive businessman named Stromberg (Curt Jurgens, The Longest Day, The Enemy Below) and his henchman, the ginormous guy with metal teeth, lovingly nicknamed Jaws (Richard Kiel, The Longest Yard).