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Natalie Portman stars in V for Vendetta, cast in a role unlike what I typically expect from her, a dialogue driven action movie with a serious tone to it. This movie even got me thinking a little bit about mankind’s intolerance of other man and how far society has to go to protect itself. I enjoy movies of this nature, you know the kind taking place in a not to distance future and not so distant problems, but a drastically different way of life. Something these movies always have in common is the civil rights ...hat are stripped from society for “beneficiary” reasons and leadership is in the form of a dictatorship. Basically, mankind takes a step back and a docile society is brought forward. Curfew and the inability to freely express oneself via certain forms of art and music plague a futuristic England. The real question here being, would you rather live in a world with few forms of expression and the inability to be a non-conformist but with crime almost non-existent? Comparable to the movie Equilibrium before it, the people in this future must sacrifice these certain rights in order to live in a “safe” environment.

The movie also has obvious Nazi undertones; the most obvious would be the rise and rule of Chancellor Adam Sutler, which shares similar traits and action of Adolph Hitler. The way the speeches are conducted, and the way the personal army of the Chancellor have rule of the streets all seem to remind me of the Nazi regime. I believe this element of the film makes it much more real to the viewer, seeing as fear tactics have and still are being used by government officials today.

Synopsis

With Casino Royale now out in theaters and being shown to a mostly positive audience, let’s all take a step back and remember that James Bond just celebrated an anniversary in 2002 with the release of Die Another Day. The film was the twentieth in the Bond legacy, and Brosnan’s fifth (and last) in the role. How does it stack up?

(Portions of this review have been pulled from the original one-disc version of Ronin, which can also be found in the reviews portion of the site)Synopsis

I think the only thing I remember about Ronin initially was that Robert DeNiro (Heat) was involved in some scandal involving a French "house of ill-repute" or something along those lines. But when Ronin was released, people quickly forgot about that mess, as what came from it was an action film that put a little more e...fort into the characters than other action films. But that’s not to say the action scenes were neglected; the car chase scenes that negotiate through winding French country roads, and through city sidestreets so narrow you couldn’t open either car door to get out of the car, are some of the most nail biting in recent memory. Based on J.D. Zeik’s story and rewritten by Richard Weisz, a.k.a. David Mamet, Ronin’s introduction is a title card about Japanese samurai without a master, who are mission-less assassins. As a US operative named Sam, DeNiro is introduced almost immediately to the group, who include Frenchman Vincent (Jean Reno, Leon), the Russian, Gregor (Stellan Skarsgard, Dogville) and the Brit, Spence (Sean Bean, Lord of the Rings). Their liaison between them and their employer is the Irish lass Deirdre (Natascha McElhone, Solaris), and their object is a briefcase whose contents are mysterious.

Synopsis

Back when it first aired on Comedy Central in a previous incarnation as a television series, Strangers With Candy was an interesting enough premise. Take a menopausally challenged, recently released prisoner named Jerri Blank (Amy Sedaris, Elf) who decides to return home for the first time in over three decades to try and get a new start and throw her into high school. Now, not knowing how good or bad the show did, it must have had some sort of following, because there’s a movie out ...ow from which said television series is inspired.

Synopsis

The concept of JAG is pretty simple, I mean, it’s A Few Good Men on the small screen, using sets and footage from other recent armed forces films and hopefully enough pretty people that viewers will enjoy it. However, that wasn’t the case initially, but JAG is one of those shows that helps prove how sometimes you’ve got to give enough time for people to catch onto it before it takes hold.

Synopsis

John Steinbeck, looking and sounding remarkably like James Ellroy, and coming across as surprisingly two-fisted given the overall tone of the movie, introduces a quintet of stories by O. Henry. “The Cop and the Anthem” features Charles Laughton as a dignified bum trying unsuccessfully to get himself arrested so he can spend the winter in a nice, warm prison (Marilyn Monroe is one of the top-billed, but she has only one brief scene here). “The Clarion Call” has Dale Robertson as a detective w...o realizes that a wanted murderer is, in fact, a childhood friend to whom he owes a huge debt. The friend is played by Richard Widmark, who shamelessly recycles his psycho act from Kiss of Death, right down to the hyena laugh. In “The Last Leaf,” Anne Baxter struggles to convince her pneumonic sister (Jean Peters) that life is worth living. “The Ransom of Red Chief” is the tale of two con-men (Fred Allen and Oscar Levant) who kidnap a young boy and very quickly wish they’d never clapped eyes on the holy terror. And “The Gift of the Magi,” the most famous story of the bunch, is the Christmas tale of a young couple (Jeanne Crain and Farley Granger) who give up their most treasured possessions in order to buy each other a special gift.

Synopsis

This is another film one feels a little silly summarising, given that it must be an exercise in redundancy. At any rate, Macy’s department store gets a new Santa, and this one (a marvellous Edmund Gwenn) insists that he is the real thing. He sets about restoring the sense of wonder in hard-nosed Maureen O’Hara and her skeptical daughter (Natalie Wood), and John Payne winds up having to prove that our boy is who he says he is in a memorable court case.

Synopsis

Michael Caine is a down-on-his-luck PI in LA. He’s hired to find the long-lost daughter of a man who is now wealthy, though being hunted by goons. Caine heads off to house of the presumed daughter’s adoptive parents. There are two women the right age here. Which one is he looking for? Could it be Natalie Wood?

I’ll come right out and say it. I don’t see what the big deal is with actor Owen Wilson. Sure he was funny in Wedding Crashers, but he always seems to play that super annoying character in his films that you just want to hate, but seemingly can’t sometimes feel sorry for. Such is the case in his recent 2006 affair with Kate Hudson and Matt Dillon entitled You, Me and Dupree.

Carl (Matt Dillon) and Molly (Kate Hudson) have just gotten married in the beautiful Hawaii islands. Dupree (Owen Wilso...) is Carl’s best friend and best man at the wedding. Life for the newlyweds is running smoothly until Carl learns that Dupree has been fired from his previous job for taking the week off to attend Carl’s wedding without informing his boss. Now Dupree is homeless and living on the street with no job. Naturally, as any best friend would do, Carl invites Dupree into his home for a few days in hopes that he’ll get back on his feet. Antics after antics result in Carl and Molly realizing that their genuine hospitality toward Dupree may have been overly nice. As the film’s tagline goes ‘Two’s company, but Dupree’s a crowd.’

I thought Pen & Teller were magician-comedians. When did they get a T.V. show? Call me out of touch, but I hadn�t heard of Pen & Teller: Bullsh*t! until this third season set was sent my way to review.

Obviously, I�m in no position to make comments like, �season three of Bullsh*t! (for short) is by far the best yet.� I can say it�s the finest season of Bullsh*t! I�ve ever seen in my entire life, but that means jack-all since I�ve already explained that it�s the only season of Bullsh*t! I�ve watched.