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When the idea came to remake Willy Wonka and the Chocolate Factory, many wondered why would this need to be done? What in the world could be accomplished that Willy hadn’t previously done? Naturally that never stops Hollywood from making a film now does it? Thankfully, Warner Brothers decided to hire a feasible director in the visionary Tim Burton to helm this remake. Having made such previous visual masterpieces including The Nightmare Before Christmas, audiences knew they were in for quite the ...reat when the film would come out. However, when the film came out, I kept on hearing that the film was very odd and almost too scary. Johnny Deep’s portrayal of Wonka was odd and confusing to audience. Still, this didn’t stop the film from making some extreme bank at the box office. Having never seen the film, I figured I’d give it a shot on the newly released HD-DVD version.

While the original Wonka focused on a more cheerful story, this version tells of a story 15 years before where Wonka, one day, simply closed his factory, laying off all of his employees in the process. One of the employees happened to be Grandpa Joe (David Kelly), grandpa to Charlie (Freddie Highmore). Grandpa revives old memories and let’s us know that Wonka was a delightful man who simply loved his business and all his workers provided everything he could for them. Charlie asks his grandpa how could chocolate still be being made if all the workers went home? That is one of the mysteries of the factory, a place Grandpa Joe wishes he could see one more time. Well, as many of you know, this is the part of the film where Wonka’s Oompa-Loompa’s go out into the night posting signs about a contest Wonka is holding. He has placed five golden tickets inside five of his chocolate bars. The five lucky souls he can obtain these tickets will win a tour of the factory lead by Wonka himself with one of the five winning a special prize. As we all know, Charlie does obtain the last ticket, but not without some suspense (particularly the candy bar sequence his parents get him for his birthday).

(In my best John Lennon sound-alike voice)I’m so tired…

Forgive the drowsiness, I’ll do what I can with what I have. The big news is that Sony has apparently postponed their Blu-Ray player yet again, from late October (this week I believe) to early December. Perhaps this was done to strike on both flanks with the PS3 furor, perhaps they’re still trying to get the bugs out of the machine. At this point, it’s anybody’s guess. In other hardware related news, Samsung has released a firmware upgrade (their first..., which includes fun things like, well, I don’t know. Hopefully, it deals with the noise reduction issue that had been a problem in some units.

The Butterfly Effect 2 is a direct-to-video release, and for good reason. While the original film was a surprise hit back in 2004, this sequel is nothing more than a quick cash-in.

At least, that’s what I thought I’d be writing for this review. I definitely had low expectations for this film, especially since while I’ve heard good things about the original, I’ve yet to see it, and I still question its somewhat-acclaimed reputation. So surely this sequel must be a piece of junk, right? But it’s not.

Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.

Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.

I must admit that I fully expected to hate this film. Turns out, I didn’t. The truth is, Little Man, the latest comedy from the Wayans brothers, is too harmless for such a vehement reaction.

Sure, Little Man is not very good, but if you can manage to check your brain at the door, you’ll probably get some laughs out of it. Then again, they’re probably the same laughs you had watching the trailer. My problem with comedy like this is that it’s really much better suited to short sketches than feature films.

Synopsis

As if the urge to capitalize on the spirits and success of the Pokemon children’s franchise weren’t enough, someone decided it would be best to create an American version loosely based on the addictive game, or hobby, or whatever the hell it is that makes Pokemon so popular, and at least as of this writing, heading into it’s fourth season of episodes.

Boffo! Tinseltown’s Bombs & Blockbusters is all about the magic of movies. It’s about doing it right and doing it wrong, and how there’s no sure thing. This HBO documentary doesn’t get very technical about making films, but it certainly does get personal with some of Hollywood’s heaviest hitters.

Through a well-crafted collection of interviews and clips from some of the best and worst movies of American cinema, this documentary brings us the perspectives of folks like Steven Spielberg, George Clooney... Richard Dreyfuss, Peter Bogdanovich and Morgan Freeman. Every single one of the interview subjects is dynamic and entertaining, and while their experiences and methods are all different, they all seem to agree on one thing: making a successful film is really hard to do.

Written By Jeff Mardo

TNT is slowly becoming the poor man's HBO. Their programing quality has improved dramatically over the past couple of years, and even their original films are starting to look more like features than made-for-TV time wasters. More often than not, they provide quality programming that is a step above what you usually find on cable television.

Jack Black says when he’s embarrassed, he knows it’s funny. He must have been pretty confident about the success of Nacho Libre, because as Ignacio (Nacho) – the friar by day, wannabe wrestler by night – he embraced one embarrassing moment after another.

Black stars as a friar at a Mexican orphanage run by the sort of God-fearing folk who think wrestling, or Lucha Libre, is a sin. All his life, Black has longed to be a luchador (wrestler), which is a bit of a conflict. His only jobs at the orphanage are cooking duty, and dead-guy duty. The latter only serves as an amusing side joke, while the former drives the story. You see, Ignacio’s bosses don’t provide him enough money for decent ingredients, so his food sucks. When the beautiful Sister Encarnacion (Ana de la Reguera) shows up at the orphanage, Black is smitten, and inspired to impress her with better food. But for better food, he needs money for ingredients.

Japanese horror films are all the rage these days, with the originals hitting DVD in the States, and the remakes showing up in the theaters. Therefore, it stands to reason that even Criterion would get in on the trend, offering up a film from famed director Nobuo Nakagawa, widely regarded as the father of the Japanese horror film.

Jigoku is both strange and fascinating. The film tells the story of two friends that are involved in a hot-and-run accident. While one of the young men is cool, calm and collected, the other is wracked with guilt over their actions. While the family of the murdered man begins to close in on the guilty parties, strange things begin to happen to the man with a conscience.