Posted in: News and Opinions by Archive Authors on January 16th, 2006
Sony Pictures Home Entertainment will release Capote, starring Philip Seymour Hoffman, on March 14th. This disc will be presented in a 2.35:1 anamorphic widescreen transfer, along with an English Dolby Digital 5.1 audio track. Extras will include two audio commentaries (the first with the director and Philip Seymour Hoffman; the second with the director and the films screenwriter), an extended behind-the-scenes documentary, an "On Truman Capote" featurette, and an image gallery.
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
The unfortunate part for me is that movies like this, and before that, Sling Blade, were only in arthouse theaters that are in downtown Washington, DC, and I really have a problem with driving 25-30 miles to pay $10 for 2 hours of joy, and possibly that same amount of time spent in traffic trying to get in and out of DC. If you want to call it laziness, I'll admit to that also, but I think my first excuse holds a lot more weight. It's gotten better lately, but there's still some work to be d...ne. Several years ago, there was a muted, but powerful push for a G-Rated film directed by David Lynch (yes, of Blue Velvet and Twin Peaks fame) to receive Oscar nominations, and the film defined the "has universal critical support but no one saw it" catchphrase. When this was available to rent, I did so, and found myself feeling good and happy, something a David Lynch film isn't supposed to do I thought. David Lynch films make you say, "What the hell did I just see?"
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
I was amazed that a film starring three Academy Award winners (Robert De Niro (Raging Bull), Kathy Bates (Misery), F. Murray Abraham (Amadeus) would be so ignored and passed over by the movie going public. Based on a novel by Thornton Wilder and adapted for the screen and directed by relative unknown Mary McGuckian, the film recounts a tragic incident where several people fell to their death from a bridge collapse. A monk by the name of Brother Juniper (Gabriel Byrne, The Us...al Suspects) tries to piece together the lives of the people involved in the accident, to determine if it was a larger act of divine intervention.
Posted in: News and Opinions by Archive Authors on January 14th, 2006
Fox Home Entertainment will release the first volume of American Dad on April 25th. All 13 episodes will be presented over 3-discs in 1.33:1 fullframe, along with Dolby Digital 2.0 (English) audio tracks. Extras will include episode specific audio commentaries (by Creators & Producers Mike Barker, Matt Weitzman, Seth MacFarlane and others), a making-of featurette, animated comparisons, a table read, deleted scenes, and more.
Posted in: Disc Reviews by Archive Authors on January 12th, 2006
I have said it before, and I will continue to say it as long as it is relevant... these Saturday Night Live releases are the perfect product for the PSP. They are short, funny and get right to the point with little depth or exposition required. It is easy to drop in and watch a skit here or there during your morning commute, waiting for a cup of coffee or while killing time before the big game. Of course, it is also easy to burn through a full hour by spinning the entire disc, as Ferrell is just so funny that it is s...metimes hard to stop at a single skit or two. In fact, out of all of the new SNL discs that have been produced, I feel that this particular title is the best of them all. The thing is, once you pick up one volume of the Will Ferrell set, you will most certainly go out and pick up the second. Fans of Bill Braski, Dubya and James Lipton, your time has finally come.
Audio
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Tessa Quayle (Rachel Weisz) is not your standard activist. She won’t be satisfied by simply standing on protest lines – she must be where the action is, and for her it’s in disease infested Kenya. When a pharmaceutical company sets up shop there to distribute a prototypical drug to the people, Tessa becomes involved in a conspiracy that will eventually costs her her life.
After Tessa turns up dead – and this is no spoiler – her death is featured in the opening scenes of the film, husband Justin (Ralph Fien...es) delves into her world – a world he has learned to accept as a diplomat – to find the reason behind her death. Upon his discovery he learns that his wife was an entirely different woman than the one he knew, a woman who regularly hid things from him. But why did she keep secrets? Was she having an affair? Was she protecting Justin from a life she knew he would not sympathize with as a government worker?
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
For fans of comedy, the influence that the original “Not Ready For Prime Time” players on Saturday Night Live was indelible, but did not deter from enjoyable sketch comedy after the group left in 1980. Sketch comedy was being done at an equally accomplished level with the Second City players, some of whom Lorne Michaels recruited for the initial cast of SNL. Those that remained provided some hysterical moments and quality comedy.
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
I’ve long held the somewhat chauvinistic belief that female stand up comedians are simply not funny. I’ve given people like Ellen DeGeneres, Paula Poundstone and Margaret Cho as much unbiased time as I can give, and I just don’t laugh at them. Their sense of humor is softer than any comparable male comedians, and is far more subtle. Does that make me a cro-magnon male with a large forehead? Probably.
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
Synopsis
The film focuses on the life of a family of nomads in the Gobi Desert region of Mongolia. Their camels are vital to their well-being, and when a mother rejects her newborn white calf, this is a serious problem. Two sons set off to a distant village to summon a magician is summoned, who, it is to be hoped, can perform the necessary miracle to save the calf.
Posted in: Disc Reviews by Archive Authors on January 11th, 2006
The Academy Awards ceremony continues to devalue itself by giving honors to films, which are mediocre at best, or films that try desperately to force a political agenda down the American people’s throats, while gems such as 2004’s Downfall linger in relative obscurity, and certainly do not receive the recognition they deserve. Director Oliver Hirschbiegel’s study of Hitler’s final days transcends the triviality of being considered a film and instead functions as a window into the past. And for a little more th...n two hours, it feels like we’re actually watching Hitler’s (and a country’s) downfall instead of a movie portraying the events. Part of this authenticity is due to the meticulous recreation of war-torn Berlin in the last ten days of the German dictator’s life. The filmmakers’ painstaking research, which consisted of hours-upon-hours interviewing several of the still-living participants, as well as taking a healthy dose of its story from the memoirs of Traudl Junge, Hitler’s secretary, succeeds in placing us right in the middle of the drama. But the proceedings would be nothing without the criminally overlooked performance of Bruno Ganz, who doesn’t just play Hitler; he becomes him. If Ganz cannot win a Best Actor Academy Award for what he does here, then the whole system no longer contains merit, and the little gold statue means nothing.
Of course, whenever Hitler’s involved in anything, there will always be a lot of controversy that surrounds him. It doesn’t help the film’s global acceptance that Ganz plays Hitler not as a two-dimensional dictator, but as a flesh-and-blood man with his own feelings of pride, uncertainty, and even warmth. But make no mistake. Any critic or viewer that tries to tell you Hitler is shown in a positive light did not even begin to watch the film closely enough. Thus, the only real controversy lay in the fact that Downfall de-poofs stereotypes of what a German under the Reich was… and more importantly, of what Hitler himself was. He is first and foremost a mentally unstable villain. But like all predators, he is not without his share of humanity which does invoke sympathy at times. All the while, the film never tries to justify Hitler. It just tries to understand him, and it is enormously successful in doing so.
