Posts by Archive Authors

Written by John Delia

Just to make sure that the trailer for Drive doesn’t give you the wrong idea, NO, this is not a Jason Statham movie in the vein of the adrenaline pumping Transporter series.  Ryan Gosling holds his own in this rough surrealistic drama that inserts all the thrills shown in the preview and more.  If you like looking into the mind of a tough loner who is on a road to a life full of angst, then take a ride to Drive.

Written by John Delia

If you are looking for action and adventure then you will not want to miss X-Men: First Class, a top-notch production that thrills.  The explosive storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men.

Not all documentaries can make a mark in society, but I found Genius On Hold a remarkable film that takes a crack at big business and proves positive.  Genius On Hold is eye opening, courageous and extraordinary. It’s a father and son story of fate that intertwines life struggles, crime and monopolies, which decide their future.  If there’s one documentary you see this year, make it be Genius On Hold.

From a meager life to a chance at gaining a fortune, Walter HL Shaw starts out as the model for the epitome of the American dream.  Raising a family, Shaw took any job he could get leading to his union with Bell Telephone who discovered that he could invent things for Bell that others of his ilk could only take a back seat.  With his development of the telephone like two-way communications, feedback neutralization, etc. for the sole telephone giant Shaw was dismayed that he was not receiving credit or monetary recompense equal to the task.

Slick, compelling and gripping Contagion uses the fright brought on by past outbreaks of deadly virus attacks around the world to punch home a ‘what if’ plot that succeeds in scaring the pants off accepting moviegoers.  The recognizable actors saves the plot from being hard to follow as it jumps from country to country in this thriller that ‘could actually happen’.

Beth Emhoff (Gwyneth Paltrow) returns home from a trip with flu-like symptoms only to die a short time later after being rushed to a local hospital.  The doctors are puzzled as to the cause, her husband Thomas (Matt Damon) distraught that they could do nothing for her.  On the other side of the world and in other US states the airborne and contact virus is spreading.  Alan Krumwiede (Jude Law) has a blog on the web that exposes government cover-ups and his millions of followers are starting to get scared that the virus will be devastating causing panic in the streets.

Back around the time I was born, when Tom Cruise had an ounce of sanity, a little movie called Top Gun swept across the globe raking in over $350,000,000 worldwide, as well as sparking an interest in the US Navy and everything Tomcat, Skyhawk, and MiG related. Ever since its original release Top Gun has kept a hold on its audience, being played almost weekly, and now it makes its way into the world of high definition with its release on Blu-ray.

For the few of you out there who don’t know, Tom Cruise (Mission Impossible) plays Pete Mitchell, better known to the rest of us as Maverick. He’s young, cocky, and he pilots an F-14 Tomcat. His wingman Goose (Anthony Edwards, Zodiac) keeps him in check with a cool head, and is the more cautious of the two. After another pilot turns in his wings, the two are given the opportunity to join the Top Gun fighter pilot school in which only the top 1% of fighter pilots are invited. Upon getting into the school Maverick believes himself to be the best there and borders on the line of being reckless, creating an enemy of fellow pilot Iceman (Val Kilmer, Heat). As the movie plays out Maverick falls in love, contemplates his lifestyle, loses people close to him, and faces death well trying to make it through the training. The movie pretty much wraps up in typical Hollywood style with a bow on it, but still manages to be a good watch.

By Natasha Samreny

Lifetime movies are like rollercoasters for weak-stomached scare addicts. You know what you're in for, but you do it anyway. Not every time, but admit it: you'll put your butt in the seat if your friends are already strapped in. Halfway through you wanna throw yourself from the moving car, but you're going too frickin' fast and they beg you to stay, so you do.

By Natasha Samreny

The first time I watched Amanda Knox, the film caught competition with impromptu roofers who decided to finish their job directly above my screening room as soon as the movie started. But I have to say Knox won.

By Natasha Samreny

Scent of a Woman is a rich example of classic storytelling maintaining its power through the years. In this American remake of an Italian tale, Al Pacino, Philip Seymour Hoffman and Chris O'Donnell continue to captivate. If you love the film already and want to make it part of your collection, consider its HD-DVD or Blu-ray versions, released later. It seems neither color nor sound were improved for this film until then. To fans' dismay, Universal has yet to update any discs with special features beyond the outdated text-centered cast/crew list and bios.

I’ve got to admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where we start wearing large sweaters, hang out in pseudo-Starbucks coffee shops and talk about what happened on American Idol or some lame thing along those lines.

Well here I am, years later, apologizing for some of the things I thought about that film. I’d seen it before a couple of times through the years, but in putting my error out there for the world to read, I opened myself up for the scorn that comes with it. But at the end of the day, throwing away Hugh Grant (it was the role that launched him upon American audiences, but still) and Andie MacDowell (who I like to call Mrs. John Elway), the film’s story, written by Richard Curtis (most recently of Love, Actually) was a refreshing breath of air into a fairly dead (subconscious pun unintended) romantic comedy genre. With Mike Newell’s direction (Harry Potter and the Goblet of Fire), the film is funny, with some moments of poignancy and emotion.

I’ve got to admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where we start wearing large sweaters, hang out in pseudo-Starbucks coffee shops and talk about what happened on American Idol or some lame thing along those lines.

Well here I am, years later, apologizing for some of the things I thought about that film. I’d seen it before a couple of times through the years, but in putting my error out there for the world to read, I opened myself up for the scorn that comes with it. But at the end of the day, throwing away Hugh Grant (it was the role that launched him upon American audiences, but still) and Andie MacDowell (who I like to call Mrs. John Elway), the film’s story, written by Richard Curtis (most recently of Love, Actually) was a refreshing breath of air into a fairly dead (subconscious pun unintended) romantic comedy genre. With Mike Newell’s direction (Harry Potter and the Goblet of Fire), the film is funny, with some moments of poignancy and emotion.