Posted in: Disc Reviews by Bob Ross on April 9th, 2011
Everybody loves dolphins. We marvel at their graceful rolls among the waves. We enjoy watching trained ones do tricks for Sea World audiences, and some of us even pay big bucks to swim with them at specially built facilities. But behind these glimpses of intelligent marine life, there’s a deadly, disgraceful hypocrisy. There are mega-millions being made at the expense of innocent creatures, and the people behind the conspiracy will stop at nothing – including murder – to preserve their lucrative, dirty business.
The Cove exposes the evil, bringing the documentary format into the world of cinematic thrillers. Hidden cameras, hostile authorities and horrible slaughter are key elements in this eloquent but depressing documentary that won dozens of awards last year, including a well-deserved Oscar.
Posted in: Disc Reviews by Bob Ross on March 30th, 2011
A newspaper article infuriates the White House, which retaliates with all its political might to discredit the story, crush its author and cover up its own internal corruption. Sound familiar, like maybe All the President’s Men? If that’s among your favorite docudramas, then make room on the shelf for Fair Game, a real-life paranoid trip that unfolds across continents but finds its emotional center in a quiet suburban home.
There are striking similarities between the 1976 Redford-Hoffman classic and the inexplicably overlooked Fair Game. There are also major differences: The ’76 film exudes the idealism of its era, while the new one is steeped in the cynicism of modern media. The older movie is told from the viewpoint of hustling young reporters, while the one released this week on video comes through the eyes of a married couple -- respected officials whose careers collide in a cataclysm of government disinformation. Yeah, there’s another huge difference to point out: This time, the good guys don’t win.
Posted in: Disc Reviews by Bob Ross on March 17th, 2011
Connections between Eastern and Western cinema aren’t new, but they do seem to be proliferating. Back in 1964, Italian maestro Sergio Leone borrowed from Japanese genius Akira Kurosawa, turning Yojimbo into A Fistful of Dollars. Just last year, Korean writer-director Lee Jeong-Beom looked to the West for multiple influences, and the result is The Man From Nowhere, a psychological action-thriller that alternately engages, confuses and kicks major butt.
The film was a late-summer hit in its homeland, but it’s probably OK that the rest of the world had to wait until now for this technically superb Blu-Ray release. Subtitled gangster yarns don’t sell well in the American market – at least not the ones that rely on gritty plotting instead of high-wire special effects. In other words, this is no Crouching Tiger, kids. That’s more of a Chinese development. Like Leone’s Man With No Name, The Man From Nowhere is an enigmatic antihero, and the main reason you root for him is because everyone else in the picture – rival gangs and creepy cops – is more disturbed than he is. The exception is an innocent young girl who becomes a kidnap victim whom our hero vows to rescue.
Posted in: Disc Reviews by Bob Ross on March 10th, 2011
If you don’t already know and love the format, you will be inclined – and well advised – to stay far away from Jackass 3. For some oversensitive souls, the sight of adult males getting smacked, slugged, stomped, shocked, slimed, kicked, catapulted and covered with excrement is simply unappealing. I know, sissies, right? But if you relish the notion of seeing men take abuse that makes them moan, bleed and barf, then the third and final (please, Lord) pseudo-documentary in the series is a guaranteed gross-out of a maximum degree. Heck, if you’re lucky, you might even toss your cookies as violently as some of the movie participants themselves.
Johnny Knoxville, the only real actor among these delinquents (he was excellent in The Ringer, A Dirty Shame and Grand Theft Parsons), demeans himself once again, presumably for cash, and possibly because he knows that by turning 40 on March 11, he knows darn well that he better not let himself be run over by a buffalo or crushed by a professional linebacker ever again. And ringleader Knoxville takes the gentlest bashings in the bunch. Experienced victims Bam Margera, Ryan Dunn and Steve-O go through ordeals that are designed to make the audience cringe and the Jackass gang guffaw like drunken donkeys. (There is a real donkey in the film, by the way. It gets the honor of repeatedly kicking one of the guys in the crotch.)
Posted in: Disc Reviews by Bob Ross on March 5th, 2011
There are two ways to address a familiar film plot. The easy route, of course, is to dismiss it as recycled fluff, reciting the similarities to its predecessors. The more discerning course is to give the newcomer a chance to prove itself as a creative variation on the theme. That’s how you can give Due Date its due. In the first few minutes, you’ll notice the script verges on carbon-copying Trains, Planes and Automobiles, the 1987 John Hughes hit about two utterly mismatched men on a comically catastrophic cross-country road trip.
Check the parallels: One of the guys is an uptight, super-straight, slightly pompous type who has a powerful reason to get home by a certain time. In the original, it’s Steve Martin struggling to make it for Thanksgiving. In the update, we get Robert Downey Jr. , desperate to witness the imminent birth of his first child. Each man’s plans are shattered by a walking disaster – a free-spirited jinx whose apparent sincerity is overshadowed by an uncanny ability to turn any given situation into pain, inconvenience and humiliation.