Posted in: The Reel World by Brent Lorentson on August 24th, 2026
When you consider how many Texas Chainsaw Massacre films there are and how many of them are just not good, can you really get mad when a knockoff comes along that’s kind of fun? No, Dolly isn’t about a family of cannibals, but the character of Dolly is mostly Leatherface in a dress, replacing a skin mask for a doll mask and instead of a chainsaw, Dolly’s weapon of choice is a shovel. The film is also a nice departure from the typical psycho killer hillbillies running around the woods. No victims are being forced to squeal like a pig but instead are coddled like a baby, still creepy but just not as traumatizing. This is a film that certainly knows where it’s inspiration came from, and the result is a film that is ripe for watching late at night, and even better if you have a camping trip or hike planned in the near future. Does this mean the film's any good? Well, grab onto your nearest and dearest dolly or plushy, and I’ll tell you all about it.
Posted in: No Huddle Reviews by Brent Lorentson on August 18th, 2026
The “death whistle” is something I’ve seen gain some popularity with several of the paranormal YouTubers latching on to this artifact for content. The death whistle is basically an Aztec artifact that resembles a skull, and when you blow into it there’s a creepy screaming noise that comes out of it. Because it’s an artifact from so long ago, archaeologists basically have to guess about what it was used for. For the film they take some liberties and say it was used to conjure “death”, and basically death will track you down and kill you sooner than you were supposed to die. So is Whistle worth checking out, or is it a film that had me begging to blow into a death whistle because the film couldn’t end fast enough? The film has a fun opening sequence where we see a high school basketball player being stalked by death after scoring the winning basket for his team. This sequence follows many familiar tropes, setting up the rules of the film and showing us that death just can’t be reasoned with. We even see him destroy the whistle, but that does nothing, because he still ends up a victim.
Posted in: No Huddle Reviews by Brent Lorentson on August 7th, 2026
Back in the 80s and 90s, when the mom and pop video stores were thriving and the internet was basically science-fiction, the Faces of Death films were these taboo films that teenagers and gore-hounds would seek out as a way to gross out and shock friends. These films were in a category on their own, and not for the faint of heart. It was considered a part of “Mondo Cinema”, a style of film that came out of Italy in the 60s that were pseudo-documentaries or “shockumentaries” that were a collection of bizarre and often violent acts pieced together to look like an educational video. The 1978 film and the films that followed had everything from animal cruelty to executions, and for the longest time there was a debate about whether the films were real or fake or somewhere in between. When I first saw these films, I viewed them as a bit of a challenge. I loved horror and gore, and thought I could handle it at the ripe old age of fifteen. Let’s just say I’ve seen the films and the knock-offs, and my pupils have been scarred ever since. There are images from those films that still haunt me.
Posted in: No Huddle Reviews by Brent Lorentson on September 24th, 2025
“I am large; I contain multitudes.”
If The Life of Chuck doesn’t take home an armful of awards this year, it will be a criminal shame. I first read the Stephen King novella when it was released in his collection If It Bleeds (2020), It was a story that you can tell King wrote during the COVID-19 panic. I remember liking the story, but it wasn’t one of my favorites in the collection. What stood out the most was the unique way he wrote the story about the end of the world. It didn’t really surprise me that the story was being adapted into a film considering just how many Stephen King stories are brought to the big screen and streaming every year. It was the fact that Mike Flanagan signed on to write and direct that got me excited about this project. For those who may not know, Mike Flanagan has been making a name for himself in the horror genre. The Haunting on Hill House, Midnight Mass, Hush, Doctor Sleep, The Fall of the House of Usher and Gerald’s Game are all hits in his filmography
Posted in: The Reel World by Brent Lorentson on September 24th, 2025
Following the success of Only Murders in the Building, it was only a matter of time before we got more shows and films coming in to piggyback off the success. I’ll admit when I first saw an ad for The Thursday Murder Club on Netflix, I really didn’t think much of it, but I was glad to see the ensemble of actors continuing to get work as they age gracefully into their twilight years. With a film with a cast like Helen Mirren, Pierce Brosnan, Ben Kingsley, Celia Imrie, Jonathan Pryce and several more familiar faces I found myself compelled to give this film a chance. Oh, and how can I forget, though this came as a surprise to me as I watched the closing credits, to discover the film was directed by Chris Columbus? The man is a legend to me just for directing Adventures in Babysitting, a childhood favorite of mine, but he also directed Home Alone, Mrs. Doubtfire, Stepmom (in my opinion an underrated classic), oh, and the first two Harry Potter films
Posted in: Disc Reviews by Brent Lorentson on August 22nd, 2025
It would seem that ever since Hereditary came out in 2018, it kind of paved the way for the new sub-genre of horror, “grief-horror”, basically horror films that delve into the emotional horror of losing loved ones and the reckless attempts people may make to reach out to them in the afterlife. This isn’t subject matter most horror fans enjoy; for me I find an odd sense of comfort with these films. When Talk to Me came out, that film especially struck a nerve with me, and I absolutely loved that film from the first-time Australian filmmakers and brothers Danny and Michael Philippou. Talk To Me managed to bring something new to the supernatural genre, and the grief the main character was going through was very relatable for me, so of course I was going to be a little excited about what this duo would do next (at least before they tackled their sequel to Talk To Me). As it would turn out, I wouldn’t have to wait long for their next film, and Bring Her Back tackles the horror of grief in a manner that has stuck with me.
Posted in: The Reel World by Brent Lorentson on August 14th, 2025
Some people may think I’m crazy, but as a lifelong horror fan, I feel right now we are in the Golden Age of horror cinema. When you look at the box office this year and last, horror has simply been a dominate force, and I’m loving it. What’s even better is that it is new material that is raking in the money rather than seeing tired retreads of IPs that have been exhausted over and over again. Sinners, though it wasn’t my cup of tea, dominated the box office, and even though I’m not the film’s biggest fan, I still like seeing horror rake in the money. I’m loving that we’re getting all kinds of horror lately, where an indie slasher like Terrifier is going to be featured at Halloween Horror Nights, and we’re getting all sorts of experimental horror. For instance, later this year we’ll get Goodboy, a paranormal story told through the perspective of a dog. (Sure, it sounds silly, but I’m all for it.) This brings me to Barbarian. For me this has been my favorite horror film in the past five years, and that’s saying a lot, because there has been A LOT of good horror lately. From the moment I heard about Zach Cregger’s next film, Weapons, it immediately shot to the top of my list of most anticipated films.
Posted in: The Reel World by Brent Lorentson on August 1st, 2025
I have to admit it is hard to believe that Happy Gilmore came out nearly 30 yeas ago. It’s a hard pill to swallow, because I remember seeing it in the theater with my friends, and, well, that pretty much reminds me that I’m getting old. I’ve been a fan of Adam Sandler since his time on SNL, and it’s been interesting seeing how his career has grown. For me, I’ve remained a loyal fan not because I feel his films are great; honestly, he’s had quite a few duds along the way, but it’s because he seems to be one of the few guys in Hollywood who hasn’t changed with fame. You never hear about scandals. He just seems like a down-to-earth guy who really isn’t so different from his fans. When it comes to Happy Gilmore 2, this film has been something fans have been wanting for a while, though many of us just really didn’t think it was going to happen. After 30 years, was it worth the wait? Well, I’ll say this much: this film was certainly made for the fans.
Posted in: The Reel World by Brent Lorentson on July 26th, 2025
When it comes to video game adaptations, I learned a long time ago to not get my hopes up. Sure, there have been a few films that manage to do the source material justice, but for the most part the films tend to just fail in spectacular fashion. Until Dawn is honestly a game I never expected to see turn into a film or TV show, mostly because the game play is basically like a “choose your own adventure” style, and it just didn’t seem like something that could work. The approach the film takes is something different and takes the story into a Groundhog Day direction, only every time the characters re-spawn it becomes a different sub-genre of horror film. While I feel this is a terrible videogame adaptation, this actually turned out to be a fun premise for a film. So how does the film stand on its own? Well, a lot better than I had anticipated.
Posted in: The Reel World by Brent Lorentson on July 17th, 2025
I have to admit that when I heard about Heads of State being a buddy action film with John Cena as the President of the United States and Idris Elba as the Prime Minister of the United Kingdom, I was totally on board. Then when I saw that this was heading directly to Amazon Prime, my excitement fizzled. When you have an action film with those two on the marquee, it just seems like the perfect summer film, and with the director of Nobody and Hardcore Henry at the helm, it just adds to the expectation of pure dumb popcorn bliss. Only Amazon Studios can find a way to mess this up. Still, I tried to go into this with an open mind, but the end result is an action comedy that underwhelmed in such spectacular fashion that I’m somewhat impressed at how mediocre this film turned out despite all its opportunities to impress.
