Posted in: Disc Reviews by Gino Sassani on November 21st, 2024
"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present ... tonight."
The idea for The Terminator came to James Cameron in a feverish dream as he was struggling and about to get fired from Piranha II: The Spawning. He was overworked and stressed and ended up in bed. He immediately wrote a treatment with then-wife Gale Ann Hurd, and they approached Arnold Schwarzenegger quickly to make sure they retained control over the property. Eventually he lost it anyway, and that's why so many franchise films that were out of his control.
Posted in: Site News by Gino Sassani on November 19th, 2024
My name is Andrew and as a child at age 5, I suffered severe burns across most of my body which has left me with various lifelong disabilities. I have little running experience beyond some running up to 10k in University almost 15 years ago.
I plan to run the 34-mile Ultra Bach across the Swansea/Gower coastline this October - having never run a marathon or other longer race before. Major surgery in February 2024 has left me back at square one in my fitness.
Posted in: The Reel World by Gino Sassani on November 15th, 2024
At first glance it would appear that the crew for Red One is made up of folks who have had long associations with Dwayne Johnson, from director Jack Kasdan, who also directed two of the Jumanji films, to writer Chris Morgan, who wrote many of The Fast And Furious films including the Johnson-led spin-off Hobbs And Shaw. He also wrote the last Shazam film, which led to Johnson's spin-off black hole Black Adam. It's a working environment friendly to the actor. But the rumors from this set are loaded with tales of Johnson blowing off work and/or showing up late and unprepared. It's honestly not his usual vibe, and when you consider his divorce from Fast And The Furious's Vin Diesel revolved around Johnson throwing the same kind of shade on that actor's behavior, I was curious if the on-set issues and also word of a ballooning budget would show up on the finished product. I'm happy to report there doesn't appear to be any disrupted chemistry on the film, and it became easy to dismiss all of that with just a few minutes on the Red One ride. It's nearing Christmas, and every year a film or two vies for that potential future classic position that I don't honestly think has been achieved since the 1980's and A Christmas Story. I'd say the next most recent might be the Dickens romp The Man Who Invented Christmas. In any case. I won't be adjusting my traditional holiday viewing to accommodate Red One. That doesn't mean there isn't some fun to be had.
We first meet Jack, played by Captain America himself, Chris Evans, as a guy who is definitely ending up on the "naughty" list. This is the kind of lowlife who takes candy from babies ... literally. There's nothing but coal slated for this guy's stocking. He's a good tracker and bounty hunter, and part of what makes him so good is that he doesn't care what he has to do to bring in his guy. On the other side of the equation we have J.K. Simmons, playing a typical mall Santa. It's Simmons' second time playing jolly St. Nick. He voiced him in the 2019 animated feature Klaus. This mall Santa ain't no typical Santa, it turns out. He's got a huge bodyguard team that looks and acts like the Secret Service (just not when they're guarding Donald Trump). It's a well-oiled machine, and at its head is Callum Drift, played by Johnson. Turns out this is the real St. Nick, codenamed Red One, and he happens to enjoy getting out there with the real people during the holiday season. This is going to be Callum's last Christmas in charge. He has just lost that Christmas spirit, and the dickens of the thing is he's just not having fun anymore. He sees that "naughty" list grow and has kind of lost faith in humanity himself. Nick tries to talk him out of it, but that show has closed. It's a normal everyday Christmas prep back at the North Pole until someone breaches the security dome that protects and hides the magical land that brings Christmas to the hopeful boys and girls every year. They grabbed Nick, and now he's got to be found before Christmas rounds begin. And this doesn't do a lot to strengthen Callum's faith in humanity a lot, either. Neither will his future partner.
Posted in: No Huddle Reviews by Gino Sassani on November 14th, 2024
"My, what big teeth you have."
Werewolf stories go back to Little Red Riding Hood, and likely even farther than that. Lon Chaney, Jr.'s performance as Larry Talbot, the haunted soul who bears the burden of The Wolfman, is the version that still remains the standard. Before that Werewolf Of London in 1935 started Universal's dip into the Lycanthrope waters, and there have been a few classic retellings of the plights of these men plagued by the sight of the full moon. John Landis was the first to use modern technology to give us a most horrifying transformation in his iconic An American Werewolf In London back in 1981. The Underworld films have been my most recent favorites, and the Universal film is about to hit the box office with a remake of The Wolfman from the team that brought us the clever reimagining of The Invisible Man. Warren Zevon sang about them, and soon you'll be able to ride a Wolfman roller-coaster at Universal's new Orlando theme park, Epic Universe, with an entire universe land dedicated to the classic monsters. In the meantime, Mark Polonia has decided to mash-up the werewolf legends with the recent outbreak of "junkie" creatures. It's not just the Wall Street wolves and the elite soccer moms getting high on cocaine anymore. Forget your trendy addict rock stars. Lately everything from bears to sharks have been tooting the white powder, and the results have been ... well ... more amusing than horrifying. Now we have a Cocaine Werewolf, and it's all downhill from there. Downhill, yes, but somewhat amusing all the same.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2024
"Nuns, guns and gasoline."
Mike Mendez released his first film in 1997. Killers was also just released on Blu-ray from Synapse films. The better of this Synapse double release is The Convent. For me this was the peak of Mendez's low-budget horror films. Synapse must agree with that assessment, because they decided to give The Convent a UHD Blu-ray release in 4K, and that ended up being somewhat of a trick-or-treat combination, with The Convent absolutely being the treat here. Made in 2000, the film took a long time to make it to anyone's screens. There was a distribution deal in place, and it fell through at the last minute. It's the kind of luck Mendez has dealt with his entire career. His friend and co-writer on Killers lost his house when it was mortgaged to pay for that ' creation. He debuted the film at Sundance, and he had hoped for a wider release, at least on home video, but it took 2 years to finally happen.
Posted in: No Huddle Reviews by Gino Sassani on November 9th, 2024
"The holiest of holiest days. Merry Christmas, Dad. Boom! Stocking stuffers, Mom? Boom! Inspired. The flicker of yuletide lights, off-green artificial tree, carolers, the patter of eight tiny reindeer and the small jingle bells. Oh, what a silent night; that is, of course, unless you wanna count the 27 double-buck rounds which are blasted pounding and ripping into both you and your better half..."
There's an ongoing argument about the classic Bruce Willis film, Die Hard. Is it a Christmas movie, or merely a movie that happens at Christmas time? If you think that's a tough one, wait until you get your hands on the latest release from Synapse Films. It's Mike Mendez's first time as a director, and the film is Killers. It's 1997, and Mendez still has a few small-budget gems in Christmas yet to come, Big Ass Spider and The Convent being two of his best. Mendez would get his first large attention project with the television series Masters Of Horror. But it all started here with one of the craziest films you will ever see. So is it a Christmas movie, or a movie that happens at Christmas? Boom!
Posted in: No Huddle Reviews by Gino Sassani on November 8th, 2024
"The following film contains graphic sexual content. Due to its extreme erotic nature this program is NOT SUITABLE FOR CHILDREN!"
Duh. I suspect that when we are all dead and gone, there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2024
" I think their whole family's like some weird medical experiment. I think they're, like, circus people."
Be honest, who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for 31 Nights of Terror as well as the release of the animated version comes the of The Addams Family: Family Values on UHD (4K), featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family: an odd, wealthy, aristocratic clan who delight in the macabre and are seemingly unaware, or do not care, that other people find them bizarre or frightening. For me, these movies were my introduction to this family, as the TV series was bit before my time, but a gothic family unaware of their difference from other people.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2024
"One … two… Freddy’s coming for you, three… four… better lock the door, five… six… grab your crucifix..."
Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. You know the story already, so I'll stick the main idea. Freddy was a child molester and killer before the parents of Elm Street decided to burn him to the ground in a boiler room. Good homestyle justice goes wrong when Freddy reappears in the nightmares of the children of Elm Street. He has become a demon of sleep where he is able to manipulate the world into the most terrifying images possible for his victims trapped by their own slumber.
Posted in: No Huddle Reviews by Gino Sassani on October 17th, 2024
"How much do you know about the family business?"
Well, for over 20 years, the family business over at CBS has been the NCIS franchise, and another decade longer if you consider it was a spin-off of JAG, which lasted 10 years on its own. It's been a busy 20 years, I can tell you that. About seven years into the original show's run, we got our first NCIS spin-off with NCIS: Los Angeles. That show focused more on action and a lot of explosions. The show just finished its final year after 14 seasons. Then there was NCIS: New Orleans that brought the focus to the unique culture and tastes of The Big Easy. It lasted seven years, and there's an upcoming NCIS: Sydney which is about to take us down under to grab that shrimp on the barbie. Things continue to expand, and now we have NCIS: Hawai'i, which expands the franchise and solves a situation at CBS. For decades they have kept a Hawaiian studio on the islands. First it was a remake of Hawaii Five-O, and then a remake of Magnum P.I. recreated history just as it happened in the 1970's. Now Magnum is gone once again, and so CBS slid a new NCIS show right into those production facilities. What we have is another unique location and another NCIS crew out there solving Navy crimes.
