Posts by Gino Sassani

At the turn of the millennium a decade ago, lists were pretty popular. It didn't matter if you were into the world of sports or movies, everybody was looking for the all-time best of everything. The American Film Institute got into the trend by releasing top-100 lists. Heroes, villains and memorable quotes all got the treatment. We all argued about the "classics" we felt were unfairly slighted and the "idiotic" choices that did make the lists. If only the lists were so much larger. Then everyone's favorites would be included and we could all finally find a list we could agree on. But, what number would that be? 100 was too small. A million was just too large. What number might be just right? 1001?

The millennium passed and the manic number of lists subsided. 2007 came and we all learned what a Bucket List was. We all started thinking about those wonderful things we felt we simply must experience before we kick that figurative bucket. If you're reading these pages, you likely included a list of films that you had to see before you die. It seems that the folks at Barron's Publishing have attempted to answer that question for us with their encyclopedic book: 1001 Movies You Must See Before You Die.

"Within the FBI's Behavioral Analysis Unit are rapid response teams known as RED CELLS. These nontraditional teams operate outside the bureaucracy of and report solely to the Director of the FBI. "

It started as a back-door pilot last year on an April episode of Criminal Minds called The Flight. We are introduced to the Red Cell Team. The team is headed by one Sam Cooper, played by Forest Whitaker. Sam's talent is that he can really get inside of a killer's head. He has a kind of empathy for the killer and can easily put himself in the killer's shoes. Of course, it takes a mental toll, and he suffers for the skill. Don't confuse empathy for feeling sorry for the killer. Michael Kelly plays his right-hand man John Sims, or as he's affectionately called, Prophet. He's an ex-con who has received a full pardon for his crimes. He dedicated himself to using his insightful abilities to predict behavior for the good guys. Next up is Gina LaSalle, played by Beau Garrett. She's the heart of the team and the brains. Matt Ryan plays Mick Rawson who is an ex-military sharpshooter and one of the coolest behind a long-range rifle. The weak link of the group was not actually in the back-door pilot. Irritating as hell Janeane Garofalo might have single-handedly brought the promising show to its knees and off the schedule after a mere 13 episodes. She plays Beth Griffith, who is just as bleeding-heart and outspoken as the actress who plays her. She's been fired from unit to unit only to settle on this squad. It's obvious that someone on the crew is a huge fan of this idiot and decided she'd make a wonderful addition to the team. They figured we'd love watching her abrasive personality and thin acting skills on a weekly basis. Yeah, how's that working out for ya?

The folks at Warner have doubled down for the readers here at Upcomingdiscs. In honor of their release A Cinderella Story on DVD they have offered a copy of the film to a lucky Upcomingdisc reader. They've also provided a wonderful playground online to celebrate the release. To win a copy of this prize, follow these instructions.

Contest is now closed Winner was Judy W

Please join me in welcoming our latest member of the Upcomingdiscs family.

John Delia has been writing reviews for decades. He's been a popular contributor to local Tampa radio and many newspapers and publications.

“Ride into this world all alone. God takes your soul. You're on your own.
The crow flies straight, a perfect line on the devil's back until you die.
Gotta look this life in the eye”.

When these guys send a message, they don’t use Western Union. Not only will they blow up your warehouse, but they’ll catch one of your guys and plant a stick of dynamite in his butt cheeks to set off the explosion. That’s the world of the motorcycle club, the Sons Of Anarchy. In the wake of The Shield, FX stays true to form with the latest from that show’s alumni Kurt Sutter. Sons Of Anarchy has a familiar tone and quality to it for fans of that now-gone cop drama. There’s a lot of handheld camera stuff, and you have very similar themes.

Imagine a time when Joel and Ethan Coen weren't household names. The two have become something of Hollywood legends with films like No Country For Old Men and the superior remake of True Grit. But every legend has to have a beginning, and the story of the Coen Brothers goes back to 1984 and a quirky little film called Blood Simple. The film had only a limited release and pulled in a mere couple of million bucks in its initial release. Even the cast with the notable exception of M Emmett Walsh was pretty much unknown at the time. The movie came and went without very much fanfare. It would be about three years later with Raising Arizona that the Coen Brothers would finally arrive in our collective consciousness where they have continued to have a strong impact through the present day.

Blood Simple is not a great film by any standards. The pace is quite slow, and it fails to fully realize the film noir nature that it so strongly emulates. In truth, it deserves to be overshadowed by the many Coen Brothers films that have come since. That doesn't mean it's a particularly bad film either. MGM has released the bare-bones Blu-ray more for an eye toward the historical value that the movie offers. It was not directed by both of the brothers. In those days they still functioned less as a whole. Only Joel is credited with directing the film, but if you believe that then I have some prime swamp property here in Florida I'd love for you to take a look at. They collaborated on the script and the film is a wonderful peek at their developing style. Already many of the trademark Coen Brothers style points are clearly on display. It all started here from the intense close-ups of trivial objects to the odd angles and rather dark lighting. It's all on display in a movie that no fan of the duo should not see at least once.

"A family is a place where minds come in contact with one another. If these minds love one another, the home will be as beautiful as a flower garden. But if these minds get out of harmony with one other, it is like a storm that plays havoc with the garden."

"Every story has a beginning, but ours doesn't start the way you might think. Sure, it begins on a street that looks like most and with a family that was, for the most part, normal...ordinary."

Superheroes are big business these days. I'm not just talking the blockbuster tentpole films, either. Television has enjoyed a bit of a resurgence thanks to shows like Heroes. All we've been waiting for was someone to come up with a fresh take on the whole thing. We almost got that with No Ordinary Family. It came close, but you remember what they say about horseshoes and hand grenades. The show had great potential and some rather impressive star power. And, as the man on the box of rice keeps telling us: "With great power comes great responsibility". After watching a full season in just under a week I found that I was underwhelmed more than I was wowed. And to think it all started out so promising...

Timing is everything, and it is no coincidence that this nearly forgotten film version of Captain America is just now seeing the light of day on DVD, even if only as a manufactured on demand release. It would be so very easy to compare this film with the big-budget affair that was released this past summer. Easy, but certainly unfair. The 1990 production looks very much like a made-for-television film, but it wasn't at all. It did sit on the shelf for over two years before it was finally released to a limited American audience. It's a bit ironic that the United States was literally the last to see a film called Captain America. Heck, most of it wasn't even filmed in North America. The exterior locations were all filmed in what used to be Yugoslavia.

The film attempts to cover the origins of both Captain America and his main arch-villain The Red Skull, just as the new film has done. There are a few other notable similarities. Both films have Captain America crashing in the arctic trying to stop one of The Red Skull's weapons and later resurrecting in modern times. Both films feature a shootout during Rogers' transformation scene. That's about all that these films have in common. The 1990 movie takes most of the action after he is thawed out, while the latest film uses that part of the story more or less as a coda. Of course, the size of the budgets and the 21 years of improved f/x date the older movie pretty badly. The Red Skull makeup is unimpressive. But it's not really the technology that makes this film such an inferior effort.

"Where life had no value, death sometimes had its price. That is why the bounty killers appeared."

If you had asked Clint Eastwood about the chances of Fistful Of Dollars being at all successful, he admits he hadn't given it much of a chance. The film took a lot of chances with what was already a tired genre. Add to that the fact that it was a low-budget European effort and there really was no chance that the movie would be remembered a year later. But the film did pretty good money and made a ton of international noise. The men involved ended up with more than a fistful of dollars in their banking accounts. Who could blame them for wanting A Few Dollars More?