Posted in: Disc Reviews by Gino Sassani on May 21st, 2011
"Do you believe in Sin?"
The Exorcist was one of the most chilling films ever made. William Friedkin used subliminal images as well as those quite famous scenes of Linda Blair being taken over by Satan himself. Ever since that time filmmakers have been trying to cash in on the phenomenon. Exorcism movies have become almost a sub-genre in the horror field. There have been everything from no-budget to mega-budget attempts. There have been both sequels and prequels to the original film. Some of these efforts have been truly worthy films with effective moments and compelling plots and performances. None have come close to the original film. The Rite is another attempt to create a modern version of The Exorcist. It's not a bad film at all, but it's not even close.
Posted in: Disc Reviews by Gino Sassani on May 20th, 2011
"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present... Tonight."
Where were you on Judgment Day?
Posted in: Disc Reviews by Gino Sassani on May 19th, 2011
"The heat is on..."
Posted in: Disc Reviews by Gino Sassani on May 18th, 2011
"The two most infamous mass murderers battle for the top spot."
Posted in: Disc Reviews by Gino Sassani on May 17th, 2011
"You unlock this door with the key of imagination. Beyond it is another dimension— a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone."
Posted in: Disc Reviews by Gino Sassani on May 17th, 2011
In 1972 he made us an offer we couldn't refuse. A couple of years later he followed it up with one of the finest sequels in Hollywood's history. Of course, I'm talking about Francis Ford Coppola. His movies are often considered epics. When Coppola paints, he tends to paint big. But it wasn't always like that for the once young director. He learned his trade, oddly enough, from the master of the B movie, Roger Corman. It was there that he learned to do more with less. It was there under the tutelage of Corman that Coppola and Jack Hill gave us one of the most atmospheric films to come out of the B movie machine: Dementia 13. It was another one of Corman's attempts to squeeze everything he could out of his resources. Coppola was working, mostly as a sound designer, on Corman's The Wild Racers. He offered Coppola the remaining resources to crank out one of his quick specials. Coppola put together a quick script that was intended to capitalize on the Psycho craze of the time. The result was a creepy film that might have been better than the feature the funds came from, at least horror fans think so.
Louise (Haloran) is arguing with her husband in a row boat when he has an inconvenient heart attack and dies. The inconvenience for him is quite obvious. For Louise it means she won't be getting her hands on any of his family's money when Mother (Dunne) finally kicks the bucket. So Louise develops a quick plan. She dumps hubby in the lake and arranges things so it looks like he had to leave suddenly for business in New York. Meanwhile, she'll stay with his family at their castle and estate in Ireland. But, things don't go as planned. The family is still mourning the death of Kathleen (Dowling) many years ago in a drowning incident. Each year they have a private little ceremony, and the event has shaped their very existence at Castle Haloran. There's also someone with an axe to grind, preferably in the heads of unlucky victims. Good old family Dr. Caleb (Magee) plays detective and has the pond where Kathleen died drained, revealing an even deeper mystery. Who killed Kathleen and now members of the Haloran clan and anyone else unlucky enough to be in the wrong place at the wrong time?
Posted in: Disc Reviews by Gino Sassani on May 17th, 2011
There were a lot of changes in store for the Bunkers in the 9th and final season. The biggest change was the addition of Stephanie played by Danielle Brisebois. She was the daughter of one of Edith's cousins. The girl was originally left with the Bunkers for what was supposed to be a temporary situation. Of course, the couple gets stuck with the 9-year-old girl and have to raise her. The matter is made worse when Archie discovers she's Jewish. Mike and Gloria have moved out to California but are not completely out of Archie's life. Archie and Edith make a trip out to see them and their grandson in a three-part episode, only to discover they have split up. This would lead to yet another All In The Family spin-off called Gloria. The release includes the three-part All In The Family Retrospective hosted by Norman Lear.
The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2011
"Once upon a time in the projects..."
Eddie Murphy co-created this controversial situation comedy that aired first on Fox and was later picked up by the WB. It was quite an original undertaking. The show was made using stop-motion. The process was very much like the traditional claymation process that brought such classic favorites like Gumby to life. But since the models were made of foam instead of clay, the process was dubbed foamation. There's a bit of a coincidence at play here since Eddie Murphy often played a version of the Gumby character on a regular basis during his stint with Saturday Night Live.
Posted in: No Huddle Reviews by Gino Sassani on May 12th, 2011
"Beyond any terror ever known, The Black Sleep, it wakes the dead, plunging you into a reign of terror."
London, 1872. Dr. Cadman (Rathbone) has discovered an ancient drug that mimics death in every way. It puts the person in a deep sleep he refers to as the black sleep. He considers it to be an important step in his surgical experiments. He needs a capable assistant. Dr. Ramsay (Rudley) has been convicted of killing a man. He is about to be executed when Cadman uses his drug to help the condemned man escape the noose. Now using the alias of Dr. Gordon he is taken to Cadman's secret laboratory. There he discovers that Cadman has been experimenting on unwilling subjects and turning them into deformed creatures he keeps chained in a dungeon. Cadman believes that anything is justified in the name of science, particularly when he's trying to learn all that he can about the functions of the human brain so that he can cure his wife, 8 months in a coma brought on by a brain tumor. Ramsey wants no part of the hideous work and tries to escape with the help of Cadman's young assistant Laurie (Blair).
Posted in: Disc Reviews by Gino Sassani on May 11th, 2011
Of all the straight-to-video titles I didn't expect to see, Street Kings 2 would be high on the list. The original film was a predictable film with bad pacing. The box office was no better. That film pulled in about $26 million and quickly faded into obscurity. But here we are two years later and the title has been attached to a direct-to-video release from Fox. None of the original characters or actors are found here. The title merely suggests a similar story, this time in the Motor City, Detroit.
The film opens with a drug bust gone horribly wrong. Detective Marty Kingston (Liotta) is injured in the violence and spends his recovery at a desk and playing a department crime dog mascot at elementary schools. When his partner turns up shot and killed, Kingston injects himself into the investigation led by a green detective Sullivan (Hatosy). At each turn the investigation appears to paint an ugly picture of the deceased detective. He was as dirty as they come and mixed up in all sorts of seedy deals. It seems hard to believe that Kingston wasn't aware of his partner's dirt. Then other cops implicated in the corruption end up killed, and soon we understand Kingston's motives for being a part of the case.
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