Posted in: Disc Reviews by Gino Sassani on June 14th, 2011
For ten years we watched Jack O'Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff'a Tealc' enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old-fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before. On this show we met new friends, new bad guys, and had new adventures. The location might have changed. The faces might have, at first, been unfamiliar, but the missions and the entertainment value didn't let us down. For 15 seasons we enjoyed a spectacular tale to rival the myths of the Greeks and Romans themselves.
I'm told that all good things must come to an end. When Atlantis was finally cancelled, I was made almost immediately aware of the plans to continue the franchise. First reports started coming out that the show was going to be called Stargate Universe. Soon my inside contacts started giving me tidbits about the story. Details began to emerge about the Destiny, an ancient ship abandoned in another universe far away. The ship was on some kind of predetermined course and would sport an unsuspecting crew of humans that would be left stranded on the ship for an indeterminate amount of time. It was starting to sound a lot like Star Trek: Voyager to me. Of course, this is Stargate, so there has to be some gate travel, one would assume. The ship would come with a gate, and the vessel would come out of faster-than-light travel from time to time and dial up a local planet for exploration. The ship was ancient not only in its origin but in its duration in space. There were going to be a lot of system failures, as the equipment was long past its expiration date. The ship itself would know what resources it needed to continue to operate. Searching its vast planetary database, the ship would locate planets with the essential resources, allowing away teams to get such vital raw materials. Unfortunately, the ship didn't always give a good indication of what to find or where on the planet it might happen to be. Oh, and did I mention the countdown? The ship would decide how much time it would allot for each mission, instituting a countdown. When the clock reaches zero, the ship goes back to FTL, and whoever's not back in time gets left behind.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2011
“Corporations… They have all the money. They have all the power, and they use it to make people like you go away. Right now you’re suffering under an enormous weight. We provide the Leverage.”
The series centers on Nathan Ford (Hutton), an ex-insurance investigator. His life was turned around when the very insurance company he recovered millions for turned down his child for treatment to keep her alive. He quits his lucrative job and forms a team to help people who are backed against the wall by large corporations. Cases include: a soldier looking to get medical care, a family ripped off by a mob boss, a company that has allowed dangerous chemicals to harm children, and a real estate mogul trying to take a church away from its congregation.
Posted in: Contests by Gino Sassani on June 13th, 2011
Our very good friends over at Phase 4 are at it again. They have given us a great new drama to give away. Enter to win a copy of Guilty Hearts on DVD. This new release has an all-star cast that includes: Eva Mendes, Kathy Bates and Charlie Sheen. To win a copy of this prize, follow these instructions.
Contest is now closed Winner was Patric Krueger
Posted in: Disc Reviews by Gino Sassani on June 10th, 2011
"My father said the army makes all men one, but you never know which one."
There have been a lot of movies about Vietnam over the years. Some are quite political, while others try to capture the sheer horror of war...any war. It's been long enough now that there are even lighter works about the conflict. But this might just be the smartest film about the war ever made, because it never actually goes to Vietnam.
Posted in: Disc Reviews by Gino Sassani on June 10th, 2011
"Two can keep a secret as long as one of them is dead."
Posted in: Disc Reviews by Gino Sassani on June 8th, 2011
"People scare better when they're dyin'"
Mention the name Sergio Leone and you immediately think of Clint Eastwood and their Man With No Name trilogy. The truth is that Leone was the master of the spaghetti western and largely responsible for making Clint what he is today. When the Italian director decided to try his hand at Hollywood, he was welcomed with open arms, except they weren't interested in anything but an American copy of a spaghetti western. Leone had something else in mind. He had a "been there, done that" attitude about the westerns and wanted to do an epic called Once Upon A Time In America. But Hollywood was hearing none of that. So they compromised. If Leone delivered a stylistic western, the studio would spring for the epic he wanted to make. The result of that parlay turned out to be Once Upon A Time In The West.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2011
"Since the birth of time, humanity has endeavored to restrict evil men in prisons. But since Cain fled the murder of his brother, evil men have fled the walls of punishment. So it doesn't matter if you're a badass mother on the run because you think you're better than everyone else and somehow entitled to do what you gotta do. No, because you see, badass mothers are never fast enough. In the end, they will be accounted for."
People have been breaking out of Hell since the days of Dante. In recent years we've had two very good television shows on the subject. Brimstone suffered an early death but was a wonderful character piece with John Glover as the Devil and Peter Horton as a cop and resident of Hell he uses to track down his escapees. Reaper took a more comedic route and had Ray Wise as Satan utilizing the efforts of Jack Black clone Tyler Labine helping out damned soul Bret Harrison to bring in the escaped. Enter Nicolas Cage in the underachieving action film Drive Angry.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2011
One of the best signs that a film is a disaster is when the movie's own star can't seem to stop telling the world just how terrible it really is. Mickey Rourke at first had nice things to say about the film and particularly Megan Fox, calling her the best young actress he knew. Later he backtracked and qualified the statement about Fox. But his rantings about the film Passion Play have not been softened at all. He calls the film "Terrible" and a "Train wreck" while trying to assure us that he still loves director Mitch Glazer. We'd ask Mickey himself to write the review for the film here at Upcomingdiscs, but we tend to try and remain family friendly, and he's not above dropping a few F bombs to make his point. I guess the job of evaluating this rather strange film falls to me, %$@(&.
Okay, I guess we'll start with one of the most ridiculous stories I've ever seen made into a movie. Meet Nate (Rourke). He's a washed-up trumpet player who used to be pretty well known. Now he plays in nightclubs owned by mobsters for small change, small change he likely as not turns into booze. Unfortunately, Nate couldn't help but sleep with the boss's wife. Now Happy (Murray) wants him dead. A couple of his thugs take him out to the middle of the desert for an old-school hit. Nate is miraculously saved by a strange group of white ninjas. He wanders the desert and stumbles into a sideshow where he sees Lily (Fox), a woman with bird's wings. When he finds out they're real, he breaks her out of the control of the abusive carnie and falls in love with her. But not before he sells her out to Happy in an attempt to trade her for his own life. Of course, he regrets the decision and wants to save Lily from Happy's clutches, but she doesn't necessarily want his help. You know, because of the whole betrayal thing. The ending leaves a few questions, but I'm not sure the answers are worth thinking much about. Mickey's right. This is a train wreck. Couldn't have said it better myself.
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2011
Did you ever see a movie that might have been pretty good, but it reminded you so much of other things that you just couldn't keep your concentration on the film at hand? That was my experience with the After Dark original film Seconds Apart. At almost every turn I couldn't help thinking of other films. Often times it was such a distraction that I'm afraid I never fully appreciated the one I was watching. And, there is a lot to like about Seconds Apart.
The story is pretty simple. Jonah and Seth, played by real-life twins Edmund and Gary Entin, are not your normal twins. They share more than an uncanny fraternal link. Together they can enter inside of a person's mind and cause them to do all sorts of nasty things that usually end in the victim's death. The hold hands to focus the power. It might just be me showing my age here, but I couldn't stop thinking about the 1970's Saturday morning cartoon, The Super Friends. The show featured the powerhouse members of the DC comics universe along with a boy and girl known as The Wonder Twins. One could take the shape of anything made out of water, while the other could become any animal. Every time these guys held hands to perform their evil deeds in someone's mind, I couldn't get that Wonder Twins image out of my head, and I kept expecting them to chant: "Wonder Twins power activate". Silly, I know and it's entirely possible that no one connected with the film was even aware of the image. So the fault is entirely mine, to a degree.
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2011
"From cradle to grave."
Lionsgate is really starting to crank out some original horror films under the After Dark label, and if this is any indication of what's in store for us down the road, I'm eager to see a few more of these titles hit the shelves. The films are direct-to-video low-budget films that have a more independent feel. While I wouldn't call the film terribly original, it does offer a slightly fresh face on the haunted house theme. The movie carries a sub-theme of family secrets and histories. Talk about your skeletons in the closet.
![Tigerland [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/tigerland-blu-ray-large.jpg)
![Once Upon a Time in the West [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/once-upon-a-time-in-the-west-blu-r-large.jpg)
![Drive Angry [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/drive-angry-blu-ray-large.jpg)
![Passion Play [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/passion-play-blu-ray-large.jpg)
