Posts by Gino Sassani

"All right, men, now here's the play we're gonna use. I don't think the guards know this formation. It's called 'incidental punishment after the ball is blown dead.' Remember, any man you tackle gets an elbow, knee, or kick in the mouth." 

In 1972 Albert S. Ruddy made motion picture history. He went from the writer of a television sit-com to landing a producer job at Paramount with almost no credentials but his nerve. Once there, this inexperienced producer delivered one of the most iconic films in history. That film was The Godfather, and it would shatter records at the Oscars and is considered one of the best films ever made. In my opinion it is the best film ever made. When the film was finished, it was a no-brainer that there would be a sequel. Sequels weren't quite so common then, but there was a lot of material in the best-selling novel to continue the story. Ruddy was offered the job of producer once again. He turned it down. He had another movie, one in which he wrote the story, that he wanted to do instead. Paramount gave him the nod, and The Godfather Part II. without Ruddy or Marlon Brando would go on to shatter records for sequels at all of the awards shows. But what happened to that passion project that Ruddy decided to do instead? That film never came close to hauling in the awards and cash that The Godfather Part II would rake in, but we do still remember that film today. You recall it, don't you? Well, in case it slipped your mind, it was a little football/prison hybrid called The Longest Yard, and while it can't compare to The Godfather in all of those mentioned metrics, it did accomplish something The Godfather never did, and never should do. It was remade twice since then. More on that later, and Kino Lorber has released it on UHD Blu-ray in 4K just in case you need a little help in remembering.

"The year: 1187 A.D. The Saracens of Asia swept over Jerusalem and the Holy Land, crushing the Christians to death or slavery."

The Crusades is the name of a 2023 comedy that was recently released, and it's a comedy in the Animal House tradition, and it's what you'll get if you try to do any quick title searches on that name. But buried beneath all of that beer and vomit, you might discover a more obscure (today) film from 1935 directed by the mythic Cecil B. DeMille. And you won't find any frat parties or beer kegs anywhere in this historical epic. The time and place are the Christian Crusades to liberate Jerusalem from the Muslim tyrant Saladin, the onetime Sultan of Islam. While this is far from DeMille's most enduring work, the fact that we're still talking about it nearly a century later says something for its lasting impression. I'm not sure the latest raunchy comedy will be remembered 100 weeks from now, let alone years. It's another in Kino Lorber's efforts to resurrect the classics and not-so-classics from a bygone era. It's the kind of cinematic history that many of us just can't get enough of. So pop the film into your modern player and find yourself transported to some other place ... and time.

"There is an old saying that blood is thicker than water."

We've had Keeping Up With The Kardashians, Gene Simmons with his Family Jewels, and even Snoop Dog's Father Hood. It's become a bit of a trend to follow these celebrity families around and watch the drama of their privileged lives unfold on our television screens. You might think it's a relatively recent phenomenon, but would you believe they were doing it back in the infant days of television when we followed around a musician named Ozzie and his wife way back in 1952? No, we're not talking about Ozzie Osbourne and his family. I'm talking about Ozzie and Harriet Nelson. They were television's darling family before we ever heard about Lucy and Desi. The show actually started on radio like many of the fledgling industry’s early hits including the likes of Gunsmoke. Four years after the radio brought us The Adventures Of Ozzie And Harriet, they moved to television. While their two sons were played by actors on the radio, both David and Ricky Nelson joined the television show, and it went on to make television history, breaking records, some still held today. It was the first television series to ever hit 10 seasons, finishing with 14 still a sitcom record. It lasted from 1952 to 1966, with 436 episodes. Until The Simpsons, it was the longest running scripted television comedy and remains still the longest live-action scripted comedy ever on television. And while the stories were, of course, fictional, most aspects of the show were quite real. Their television home was modeled after their real home. Many of the family's life stories found their way to the series. The four family members were quite real, and you just couldn't fake these relationships.

"This is the territory of Wyoming. The year: 1866. On this soft, solitary day of early summer, men from two different worlds have come together to talk. There is bitterness here, suspicion, and distrust. You remember your friends and loved ones who have been killed. You've seen the bleached ribs of their wagons. And still they come, pushing west with a vision, a vision of farms and of towns of land they can call their own. They come by the hundreds to reclaim the wilderness under your protection, the army of the United States."

George Sherman was one of the most prolific filmmakers in American cinematic history. Between 1938 and 1973, he made over 100 such films, including classics like Big Jake (director) and The Comancheros (as a producer), both with John Wayne, as well as episodes of television westerns like Rawhide with Clint Eastwood and Daniel Boone with Fess Parker in the iconic role that made coonskin hats a fad at the time. He was great at using little known locations to squeeze out extra production value with a limited budget and the real skill of making smaller films; he worked fast and usually ahead of schedule. While Tomahawk might not be one of his better known films, it's actually quite a gem and worth checking out.

"In all the bloody pages of history, no bloody chapter was more bloody than the bloody era of the buccaneers. Over the seven seas the Brethren of the Coast, as these bloodthirsty pirates called themselves, roamed at will. Killing, plundering and looting. Writing their names in blood across the bloody record of time. They were a murderous, bloodthirsty crew who feared neither men nor the Devil. But the bloodiest of all these bloodthirsty buccaneers was the bloody pirate: Bloodthirsty Dave."

There's more blood in that prologue than the entire Friday the 13th franchise. Throw in Michael Myers and Freddy Kruger and you still won't get enough blood. But take heart, mates. The film itself is a friendly spoof of the pirate film, and the only casualties are the ones who died laughing. Donald O'Connor was a kind of poor-man's Danny Kaye, and it doesn't take long to see the resemblance, if not in stature, then in technique. What we have here is a rather silly little story with some high seas action and more than a few laughs.

"Till I run up against you, Nazi was just a word in the newspapers to me. Now it's another way to spell cockroach. Well, this place needs cleaning up, and for the next two minutes, I'm a one-man Board Of Health." 

Lucky (Ladd) runs a New York crime gang. He's dealing with two very big problems. His second, Slip Moran (Leonard) is trying to have him killed, so he employs lookalikes and doesn't let on to Slip that he's wise to his efforts. Also, his number has come up, but it's not because of Slip. It's WWII calling, and he's trying to dodge the draft. His lawyer tries one scam after another, but nothing is working. He even hires an old lady, Ma (Paige) to pose as his dependent mother but blows the scam when he gives a grand a week as his payments to her. There's nothing to be done. Lucky is going into the army, and Slip is going to be taking over the mob.

"I remember when I was 17, my father asked me what I wanted to be. Would I like to be a barber like him? I laughed in his face. I wanted to be a successful gangster. In retrospect I asked myself if what I chose was worth 25 years of my life. The answer is no, not 25 seconds. I married this life, and after keeping my mouth shut for all these years, I'm gonna see if it married me back." 

Sylvester Stallone plays mob guy Dwight "The General" Manfredi. It's his first television role, and he couldn't have chosen better than to appear in a Taylor Sheridan show on Paramount +. Sheridan pretty much owns the streaming service, all of it except maybe the Star Trek shows. He knows how to create characters and to then put the right actor in that role. I've seen it happen a thousand times now, from Yellowstone to Mayor of Kingstown and a couple of Yellowstone spin-offs. The part appears made just for Sly, and he makes it worth everything he has, all the while making it look effortless. That's Sheridan's magic, of course. Create and cast well, and no one has to really work at all. Yeah, that's a bit of an oversimplification, but it sure looks that way, doesn't it?

Last season saw huge changes, and now the sixth season of SEAL Team hits DVD from CBS Home Entertainment. For the first four seasons the show has enjoyed a pretty well-rated run on CBS's prime time schedule. Season 5 started out exactly the same way until after the first four episodes. The series was switched suddenly from the television network to the Paramount + streaming service, and with the switch there are several huge changes. The first is in the number of episodes shot for each season. On CBS most shows run from 20-24 episodes a season. Last year because of it being a hybrid year, you got 14 episodes. Starting this season, you will get only 10 going forward. Another change is that the production values are going up, with a wider span of locations for the team's missions. Finally, you will notice they can now do and say things they could not on network television. They make a pretty big deal of the first time they dropped an F-bomb, and there are several now as the sixth season progresses. Mostly it's good news, with the exception of the episode count. You can judge for yourself here in the first completely streamed season.

All David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn't get at all pigeonholed or typecast. In Buffy the Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he's the field leader of a Navy SEAL team, and he's going to be dodging bullets and RPG's for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn't be surprised if a decade from now I'm talking to you about the 16th season of SEAL Team.

"During the war between Maximillian and Juarez in 1865 there was a small territory on the Mexican side of the Rio Grande River known as Zona Libre - Free Zone. It was dominated by a man who called himself General Eduardo Calleja, and he made it a haven for any man outside the law. This is the story of Zone Libre."

Clete Mattson (McCrea) is swimming across the Rio Grande to the place Zona Libra with Union cavalry soldiers hot on his tail. They're shooting at him while men on the Zona Libre side makes bets on whether he'll make it. One of those bets is placed by Carmelita (De Carlo). She rushes to his side as he collapses on the riverbank. He's alive and is taken to be cared for. The General (Armendariz) agrees to meet with the man calling himself Jim Lake. But he already knows his real name and why he's here. He's a Confederate leader who has stolen $2 million in gold from the Union troops. He's here to use that gold to buy arms and supplies for the Confederate army. Of course, the General would very much like to get his hands on the gold for himself. He's not the only one. As word spreads, quite a few of the town's population of crooks want in on the deal. Clete demands fair exchange for the money and is willing to hold out until he gets it. Once a deal has been made, it's time to retrieve the gold. All the while he has been getting closer to Carmelita, who is the General's girl. But too many people know about the gold, and the film becomes a chase to get the gold.

When I was a young boy I loved playing with my toys. We didn't have Transformers in those days, but we did have Major Matt Mason, plastic dinosaurs, Hot Wheels, and Creepy Crawlers Thingmaker sets. Yeah, in those days a toy could cause third-degree burns and no one really worried about getting sued. Kind of takes the fun out of being a kid today. You know who else, I bet, loved to play with his toys? Michael Bay. I bet he had the coolest toys in his neighborhood. He probably wasn't the best guy to be friends with, however. He didn't invite the kids over to play with his toys. He likely charged you a nickel to watch him play with them. It's many decades later, and Michael still has the coolest toys on the block. Only now you have to cough up twenty bucks if you want to watch him playing with them. Sadly, that is what the Transformers film franchise has been reduced to. We're all watching the rich kid playing with really cool toys.

I had a decided advantage going into the Michael Bay extravagance that is the Transformers film franchise. Unlike the majority of the film franchise’s target audience, I have had almost no exposure to the other incarnations of Transformers. I was already too old for the toys when Hasbro launched them, and so it was true for the cartoon and comic versions that quickly followed. Like everyone else I had a passing familiarity with the things, but nothing more. How is that an advantage, you might very well ask. Like any film franchise that dares to attempt material often considered sacred by its followers, Transformers had to play the game of expectations. I don’t carry any of the baggage that often keeps an audience from enjoying a film because they already think they know what it should look like. Armed with just the most basic of knowledge, I was able to approach them each freshly and enjoy each as a standalone entity. With that said, I had a pretty rockin’ time of it.