Posted in: The Reel World by Gino Sassani on August 19th, 2023
"Batman's a fascist!"
Let's address the elephant in the room, shall we? Hello there, big guy. How ya doing? There now let's continue. I have to tell you it was hard to get motivated to watch Blue Beetle. I didn't want to like it, and I wanted to try to watch it without letting myself get too involved in the whole thing. This had nothing to do with the character. I know little about him and have only read a few comics featuring the character, mostly the Ted Kord character along with his buddy Booster Gold. But none of this had anything to do with my reluctance on the part of the film. It's Warner Brothers/DC and James Gunn. All we've been hearing lately is how this new regime is going to change EVERYTHING. It all starts with the upcoming Superman film, and everything we see before then is merely filler, I guess. Yes, the Snyderverse had a ton of issues, and I'm frankly glad to see it go away. But the franchise had some solid moments and pretty strong characters and actors starting with Gal Gadot as a powerfully compelling Wonder Woman. Yeah, the second movie sucked, but that had nothing to do with the actress or the character.
Posted in: Disc Reviews by Gino Sassani on August 18th, 2023
"It's always open season on princesses."
Roman Holiday is one of those classic films that had an extremely hard time getting made. Frank Capra had the rights to the story for several years. Most of what he had was based on a screenplay by Dalton Trumbo, but that was extremely problematic, as Trumbo was one of the original Hollywood Ten and was blacklisted. They were a group of Hollywood people who refused to answer questions before the Joe McCarthy-led House Un-American Activities Committee that was pretty much rooting out communist with little regard to whether they were there or not. The committee ruined thousands of lives, and in 1947 the group had turned their attention toward Hollywood. Many played along by attending the hearings, and some even passed on names of others to avoid trouble for themselves. The Hollywood Ten stood up to the madness, and it got them blacklisted.
Posted in: Disc Reviews by Gino Sassani on August 17th, 2023
"In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough-and-tumble fishing port of Monterey, fifteen miles away It's 1917 just outside of Monterey."
James Dean was somewhat of a brief candle. Very much like Marylin Monroe, he came upon Hollywood so bright and hot only to burn for a short time. And while Norma Jean had a few good years in which to shine, Dean would have less than a handful. In those few years he made three incredible films. His last was Giant, and before that was perhaps his best known, Rebel Without A Cause. East Of Eden was the first of this trilogy of films that would pretty much make up the career of James Dean. All three films were made in the years 1955-1956, and just as suddenly as Dean had come upon the scene, billed as the next Marlon Brando, he was gone.
Posted in: The Reel World by Gino Sassani on August 16th, 2023
Been waiting on this one for some time, ever since we were introduced to the character in the Justice League movie and it was announced that the film would cover the Flashpoint Paradox storyline, which is one of my favorite comic storylines. My enthusiasm was tempered a bit with the film being delayed and the actor’s subsequent troubles (for the purposes of staying on the topic at hand, that will be my only mention of that situation). However, it is finally here, and after viewing it I can say that it was well done and well received. It is also a bit bittersweet, as it signifies the conclusion of the DCEU as we know it. While I have complete confidence that the future of DC is safe in James Gunn’s hands, it is difficult to say farewell to the only thing that we’ve known since Cavill first donned the suit. Back on topic: in my opinion, while this adaptation does have some slight deviations from the source material, I can confidently say that the film does the source material justice (pun intended).
Posted in: No Huddle Reviews by Gino Sassani on August 14th, 2023
"Hello. My name is Robert Montague Renfield. And just like these decent folks, I'm in a destructive relationship. When I met him, I was a real estate lawyer hoping to make a deal that would change my life and my family's lives forever. Oh, and it certainly did."
After nearly 90 years, the Universal horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, the Wolf Man, and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula, directed by Tod Browning.
Posted in: No Huddle Reviews by Gino Sassani on August 11th, 2023
“In the 1940’s, a new genre – film noir – emerged from the world of hard-boiled pulp magazines, paperback thrillers, and sensational crime movies. These films, tough and unsentimental, depicted a black and white universe at once brutal, erotic, and morally ambiguous.”
Film Noir officially started in the 40’s, but the movement was well underway by the early 30’s. You can trace its roots to the Great Depression and the arrival of the dime pulp magazines. These were highly stylized, mostly mystery stories that provided cheap escapism for the masses who were not having a good time of it. Writers like Raymond Chandler crafted the mold that was easily transferred to the silver screen. These were low-budget films that were intended to be second billing with the more mainstream releases. They were shot quickly. Many have a very flat look, created intentionally. The lighting was often minimal, crafting odd shadows and unusual textures. The dialog wasn’t intended to be natural or realistic. These characters usually spoke in clichés and had names like Mac, Griff, or Dollface. There was often a shade of gray to these characters.
Posted in: No Huddle Reviews by Gino Sassani on August 11th, 2023
"There ain't any jail of steel or stone that can hold a body prisoner as tight as one built of old age ... and lack of money."
If I Had A million is a rare kind of film for 1932. The industry was barely out of the silent era, and stories needed to be tight and usually short. Short was the word of the day for this film. It became the first feature film to be released as an anthology with plenty of A-list stars and several directors, each taking on their own little piece of the pie. It was a rather brilliant idea for the time, but sadly this style of filmmaking wouldn't really start to catch on until the 1970's, starting almost exclusively with horror films and later creating its own little niche genre in mainstream filmmaking.
Posted in: The Reel World by Gino Sassani on August 9th, 2023
"Of all the threats you've faced from your past and future, you've never faced anything like this."
In 2018 the Transformers franchise began something of a ... well ... transformation. Michael Bay stepped down as the franchise director while maintaining a producer role. The focus also shifted from the continuing story started with the first film and transitioned to the idea of standalone films set within the general continuity established from the beginning. The new focus also allowed the films to go to different times in the mythology. So Bumblebee became more than just a Transformers film. It was a rather charming 1980's period piece and it was actually a better movie than some of the original run. That tradition is continued with Transformers: Rise of the Beasts. The film is rather loosely based on the Beasts Wars story from the early cartoons and takes us back, but a decade later than Bumblebee. Now we're in 1994, and a couple of your film favorites have returned for the next chapter in the Transformers legacy.
Posted in: No Huddle Reviews by Gino Sassani on August 4th, 2023
"I cannot - yet I must. How do you calculate that? At what point on the graph do "must" and "cannot" meet? Yet I must - but I cannot!"
Often it seems some films were made to collect a mantle-full of awards. For some it's the Oscars they covet. For others it might be a Golden Globe award or even a People's Choice Award. As a member of two critics’ guilds, I have to make these assessments every year. I know how important these accolades can be for a film and the people who created it. But there's one award that films (almost) never set out to obtain. Still it can provide endurance for a film and help new audiences to embrace it. I'm talking about those Golden Turkey awards, and few films ever made deserve the Golden Turkey than 1953's Robot Monster. When you hear folks talk about how monstrous that movie is ... they're not talking about the creature itself.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2023
"Man gets shot that's got a gun, there's room for reasonable doubt. Man gets shot that hasn't got a gun, what would you call it? But, you knew that already; otherwise you wouldn't have set things up the way you did."
Rio Bravo (1959) stars John Wayne as John T. Chance, a small-town sheriff facing the fight of his life. His town is infected by a gang of 30-40 men, professional bad guys on the payroll of Nathan Burdette (John Russell), whose brother, Joe, Chance has locked up for murder. Burdette is dead-set on freeing Joe, and the only help Chance has got is his former deputy, Dude (Dean Martin), who’s been drunk for two years since he got involved with the wrong kind of woman, and Stumpy (Walter Brennan), an old, trigger-happy cripple. The trio has six days until the U.S. Marshall comes to collect Joe, but that’s a long time to wait when you’re surrounded by the enemy.
