Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
There hasn't been a show quite like Human Target on television. There are certainly action shows, and there have been many shows that have taken on the "private" bodyguard or dedicated do-gooder. But I haven't seen a series yet that managed to capture the kind of action that you only find in big-budget feature films on the smaller scale and more limited budget of television. That is, until I saw the 12 episodes of the first season of Human Target. I remember seeing a huge advertisement blitz around the time of the Super Bowl, but I've seen a ton of these dramatic previews that only seemed to lose the sizzle over the course of a season, or even a single episode.
Christopher Chance (Valley) has a mysterious past. We get the idea he was a paid assassin for some sinister organization. He, at some point, has had a change of heart. It's an incident that is only hinted at until the final episode of the season. He now works with former San Francisco detective Winston (McBride). They provide protection services for people who find themselves in danger or in need of being rescued. They function outside of the normal boundaries of the law. Winston has some pretty impressive connections that allow them to have access to sensitive information. These connections also come in handy during a pinch. Many of these people are folks that they had already protected at some point in the past. The team is often assisted by Guerrero (Haley). He is another former bad guy from Chance's old organization. Their old boss is trying to track down Chance. We don't completely understand the relationship Chance had with his boss, but we know that they were close and the Boss considered it a personal betrayal when he left the company. We know that the falling out involved a woman named Katherine, and she's a source of great guilt for Chance. Of course, much of this will be revealed in the last episode of the season.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
Charlie Sheen is an unlikely actor to star in a television sit-com. Even after watching the show, I’m not sure how anyone came up with the idea in the first place. He has little to no comedic timing, and he’s about as funny as a funeral. The thing that works here, however, is that he really doesn’t need to be all that funny to make this show work. Sheen pretty much deadpans his entire performance, which generously enough works rather well teamed with the more manic comedy of Jon Cryer. Throw into the mix a rather extraordinary young child actor in Angus T. Jones, and suddenly a show that looks terrible on paper turns out to be pretty dang funny. We’re not talking Fred Sanford funny, but I caught myself laughing far more often than I expected to. I had only caught the show before in bits and pieces and was never all that fond of what I saw. Watching these DVD episodes from the third season shed some new light on the show for me.
Charlie Harper (Sheen) is your typical womanizing bachelor. He’s got plenty of coin because he writes those annoying jingles you hear on commercials. He also happens to go through plenty of women. He’s got a swank place on the beach, and life is pretty much one big party until his brother Alan (Cryer) shows up on his doorstep along with his son Jake (Jones). In typical Felix Unger/Oscar Madison style, Alan’s been kicked out by his wife of 12 years and needs a place to stay for “just a little while”. Of course, Alan’s lifestyle is drastically different from Charlie’s. He’s got the responsibility of raising his son, and he’s rather obsessive-compulsive. As I’ve already mentioned, there is no escaping the obvious Odd Couple revival at work here, down to the slob vs. the neat-freak mentalities. Here we add the presence of an impressionable child. Most of the best laughs come when Charlie is trying to educate young Jake to his own philosophies of life. Naturally Alan considers him a bad influence, but then again, he is a guest in Charlie’s house. Helping to spread the humor out a bit, we get some great supporting work by Holland Taylor, who plays the boys’ smothering mother. Every good sit-com needs the nosy or pesky next door neighbor, and Melanie Lynskey fits the bill as the rapid staler, Rose. Some ethnic humor is provided by bossy housekeeper Berta, played by sit-com veteran Conchata Ferrell. New to the cast in season three is April Bowlby as the brainless Kandi dating Alan. As a particular treat, we get a visit from Charlie’s real life padre; Martin Sheen is an extremely off-the-wall character, the guys’s… what else… dad. If all of this sounds a bit complicated, it really isn’t. My best advice is not to ask too many questions, and enjoy the ride.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
There were a lot of changes in store for the Bunkers in the seventh season. The Jeffersons, long a source of irritation for Archie and a ton of laughs for us, moved to their own show, on up to the East Side and that big de-luxe apartment in the sky. Mike and Gloria finally move out of the house, but only as far as next door in the vacated Jefferson home. Most importantly, little baby Joey joins the family. New characters would join the show in the seventh season. It's been a rough ride for the Bunkers, to be sure. The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.
It’s perhaps a sad commentary on the level of political correctness that Archie Bunker could never have graced network primetime in 2010. Archie was ignorant and an incredibly vocal bigot. Archie was an equal-opportunity bigot. He didn’t just hate certain minorities … he hated everybody who wasn’t white blue-collar protestant. Carroll O’Connor, who brilliantly portrayed Archie, was without a doubt one of the best actors to grace a network sit-com. Just watch his eyes and you’ll understand. All in the Family holds a record for spin-off series. The Jeffersons, Maude, Good Times, and Archie Bunker’s Place are just a few of the highly successful shows that owe their roots to All In The Family. Rob Reiner, Meathead, has since followed in his father Carl Reiner’s footsteps as a highly-acclaimed producer.
Posted in: Podcasts by Gino Sassani on October 11th, 2010
Today I had the pleasure of talking to America Olivo. You might remember her from the Friday The 13th remake or the independent film Neighbor, which we reviewed here at Upcomingdiscs. She's had a cameo in Transformers: Revenge Of The Fallen and got to go full action mode in Bitch Slap. You can also find her in Circle. Currently she's getting ready to appear in the Spider-Man Broadway musical. Listen in on our conversation. Bang it here to catch our exclusive interview with America Olivo
Posted in: Contests by Gino Sassani on October 9th, 2010
Just in time for the release of the new Predator film on home video, win the original 2-disc version. Watch the 2 Governors: Schwarzenegger and Ventura battle a hunter from space. To enter to win this science fiction / horror original follow these instructions:
Contest is now closed Winner is Jim Morton
Posted in: Disc Reviews by Gino Sassani on October 7th, 2010
"You are what they eat."
In 1964 Herschell Gordon Lewis brought us the classic gore-fest Two Thousand Maniacs. It was pretty much like all of his films. It was generous on the naked babes and the blood. Lewis was one of the pioneers of the slasher film and was producing low-budget gore films long before they were popular in the mainstream. The man continues to be a legend in the genre. It's been a long time since an original Lewis film has been released, but his influence can be felt everywhere in the genre. So, when I first heard about a "sequel", of sorts, being prepared by Tim Sullivan, I was intrigued, to say the least. This could either be a ton of fun or a complete disaster.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2010
"Every government has its secret service branch. In America it's CIA, England MI5. A messy job? Well, that's when they call on me, or someone like me. Oh yes. My name is Drake, John Drake."
Posted in: Contests by Gino Sassani on October 6th, 2010
The good folks over at Anchor Bay have given us yet another copy of Evil Dead on high definition Blu-ray to give away.
To celebrate 31 Nights Of Terror we’re giving you a second chance to win this high definition prize.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2010
The legacy of Walt Disney and the studio he created requires little explanation. The studio invented the idea of a feature-length cartoon and has been on the cutting edge of animation since the 1930’s. No other studio can claim ownership of as many animated classics as Disney. From Mickey Mouse to Pixar, the studio has churned out one masterpiece after another for over 60 years. What tends to get lost in this great body of feature-length classics is that the studio was also producing some very high-quality shorts over these years. Whether it’s Disney favorites like Mickey, Donald, Minnie, or Goofy or it’s strictly one-off characters gathered to tell a wonderfully animated story, Disney has a record that simply hasn’t been and likely will never be matched.
The Disney magic faded for a little while during the 1980's. There were still animated features, but they weren't the groundbreaking triumphs of the studio's golden age. All of that changed as we entered the 1990's. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2010
We all remember the classic underdog film from 1984. Then it was awkward child star Ralph Macchio and Pat Morita in the lead roles. It was a coming-of-age story that taught some valuable lessons about discipline and patience. It was an immediate classic that pulled in a much more than respectable $90 million at the box office. It spawned three sequels which did not do near as well as the original. Now we find ourselves in an age where just about any movie ever made has to be remade/reimagined/rebooted/ or merely capitalized upon. Should there have been a new Karate Kid?
The box office would indicate that the move was a good one. The take was nearly double that of the original film. You also have to remember that 16 years have come and gone and $176 million doesn't buy you what it used to. Still, it's a huge number for a remade film, so I suspect the folks behind the film feel justified. Don't be surprised to see another group of sequels to follow.