Posted in: Disc Reviews by Gino Sassani on October 19th, 2010
A&E has brought together a collection of television episodes from three British series that have featured prominently on the network over the years. The shows each feature one of the greatest detectives in literature. The long-running shows have used the original literary works as the basis for most of the episodes. But long before they were played on television, we knew who they were. The exploits of Sherlock Holmes, Miss Marple, and Hercule Poirot have engaged the minds of mystery lovers for nearly a century now. For the first time, you have the wonderful opportunity to enjoy them at your own leisure, together in one massive collection called Great Detectives.
Here's what you'll find in this impressive set:
Posted in: Disc Reviews by Gino Sassani on October 19th, 2010
Mention the name Roger Corman and several things spring instantly to mind: boobs, blood and gore. The man has been the king of the low-budget film since the 1950's. His movies often graced the screens of drive-ins all over the country. There wasn't an idea in the movies that Corman didn't try to exploit at one time or another. He also gave some of the most successful and influential filmmakers their start in the business. People like James Cameron and Martin Scorsese started in the Roger Corman factory. When you went to see a film produced by Corman, you knew exactly what you were going to get. There were no pretenses that he was engaging in some serious film contributions. He was out to make a buck, and all he cared about was that he managed to entertain a bit along the way. The one thing you don't expect is a healthy dose of feminism. It seems kind of a contradiction in terms, but the Slumber Party Massacre films were Corman's nod to the feminist movement.
Many of the Corman films have stood the test of time. They might be good for a few laughs along the way, but they usually entertain as well today as they did upon their release. Unfortunately, I just can't put the Slumber Party Massacre movies on that list. I tried. I really tried to enjoy these films. I understand them for what they were, but they really don't hold up as well as the better Corman material. Each sequel is worse than the one before. The characters are just bad, and the story is even more absent than you'll typically find on these kinds of films. But they have their cult following, and that's the audience that this DVD collection is tightly targeted on, to be sure. If you're just a little curious, remember what happened to that cat. There are so many better Corman films to satisfy that morbid curiosity. This collection is strictly for the already-initiated who have developed some unnatural attachment to the material. Not so bad, after all. The set is considerably cheaper than the therapy necessary to cure that itch.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2010
"I never wanted a war. I just wanted people to know what happened here. 98 men, women, children ... my husband. And yet no one believed. They rebuilt the town. Life went on. But I was already dead inside. I never wanted a war."
In October 2007 30 Days Of Night was unleashed at the box office to less than stellar numbers. In fact, the film took in only $39 million off of a $30 million budget. That's not usually a good sign for any potential franchise. But the film was received very well by the folks who did like it. I was one of those people. I found myself defending the film to a lot of others who were obviously not so impressed with the take on the vampire legend. The film was about a mythical town in Northern Alaska that experiences 30 days of nightfall each winter. The residents either leave or they dig in for the duration of the month-long darkness. As it turns out, the setup was the perfect situation for vampires, who could feast on the remaining citizens without fear of a rising sun putting a wet blanket on their free-for-all picnic. The film followed a few survivors as they fought back against the creatures of the night. It was based on a cult-favorite graphic novel. It all seemed like a pretty solid idea. But it wasn't the location and month-of-darkness scenario that seemed to turn many horror fans away from the movie. What caused that unfortunate movement was the same thing that I found to be the film's strength.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2010
Regan MacNeil (Linda Blair) is going through more than the usual puberty traumas. She pees on the carpet, curses a blue streak, causes objects to fly around the room, and speaks in the voice of Mercedes McCambridge. Her mother Chris (Ellen Burstyn) takes her to every medical professional under the sun, to no avail. With her daughter's life in the balance, she turns to Father Karras (Jason Miller), asking him to perform an exorcism. But not only is he skeptical, he has his own problems, not least of which is losing his faith. Meanwhile, Regan's symptoms of possession grow steadily worse...
The most successful horror film of all time (and, adjusting for inflation, still the ninth most successful film ever made) works as well as it does for a number of reasons. The performances, especially from Burstyn and Miller, are grounded and very convincing. The visual effects still hold up, but the sound design is as powerful as it ever was. It's also a smart, adult horror film, such that even if one disagrees with its philosophical and ideological stance, it remains no less compelling, no less interesting.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2010
Lee Holloway (Maggie Gyllenhaal) is a young woman utterly lacking in self-confidence and given to deliberately cutting herself. She gets her first job as secretary to E. Edward Grey (James Spader), as tightly wound and ferociously self-isolated an individual as you could imagine. What happens when the sadist meets the masochist? Sparks fly. Low key and sharply sly, this winning film shows (along with Amelie and Kissing Jessica Stein) that there is life in the romantic comedy genre after all, and that original work can still be done with the formula. Spader and Gyllenhaal are superb, with Spader’s icy calm every now and then cracking with sudden spasms of emotion, and Gyllenhaal giving her all in brave, vulnerable, and utterly heartwarming performance. The plot structure is a little messy towards the end, but this winds up being of minor concern, given how delightful the film is.
Secretary is presented in its original aspect ratio of 2.35:1. The 1080p image is arrived at with an AVC/MPEG-4 codec at an average of almost 30 mbps. The format looks like 1.78:1 to me, but I suspect the original format is more like 1.85:1. What is particularly suspicious is the fact that some credits during the title sequence wind up far too close to the right edge of the screen. Even if there is some cropping, however, it is not enough to ruin the nice, deep focus compositions that are no small part of the joy in looking at Spader’s elaborate office (think Belle de Jour meets The Shining). The colors are good, with terrific shifts from the green/brown alternations of the office color scheme, to the sudden bright primary colors of Gyllenhaal’s fantasy sequence. There is quite noticeable grain in an early exterior shot, but this is the exception rather than the rule.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2010
"In 1539 The Knight Templars of Malta paid tribute to Charles V of Spain by sending him a Golden Falcon encrusted from beak to claw with rarest jewels --- but pirates seized the galley carrying this priceless token, and the fate of the Maltese Falcon remains a mystery to this day."
What is not a mystery today is the significant role that The Maltese Falcon has played in cinema history. The film itself was a remake. In fact, it was actually Warner's third attempt to film the Dashiell Hammett novel in a single decade. The first version came in 1931 and stared Ricardo Cortez as Sam Spade. That film also featured Dwight Frye as Wilmer Cook. The film was a moderate success but never really delivered on the potential of the source material. Five years later Warner would attempt a comedy version of the story in Satan Met A Lady. It was a total flop. It would only take another five years before the studio took its third crack at the material. In this case, the third time certainly was a charm.
Posted in: Disc Reviews by Gino Sassani on October 13th, 2010
By 1948 John Huston had proven his ability as a director with just his first film, The Maltese Falcon. Since then he had returned to Humphrey Bogart in Across The Pacific and again in The Treasure Of The Sierra Madre. Each of these films presented the star in very different surroundings and situations. His Dobbs character here couldn't have been any farther from his Sam Spade character. But in each case Huston relied on his leading man to dominate the screen with his trademark mannerisms and his ability to liven up even the most cliché of dialog. Now Warner is bringing these classic Huston and Bogart collaborations to Blu-ray, and it's about time.
Dobbs (Bogart) and Curtin (Holt) are down-on-their-luck men trying to make a living in Tampico, Mexico during some rough times. Dobbs has taken to street hustling for enough to buy a meal or a shave. The two try working on a work crew but get ripped off by the foreman. It seems as though there is no way for the two men to get ahead. They hear a story from old-timer Howard (Huston) who regales the two with stories of striking it rich prospecting the mountains for gold. He claims to have a nose for finding the stuff in remote areas that no one else would think of looking. All he needs is a stake. When Hobbs hits a small lottery, he combines his money with Curtin’s and the three buy the supplies they need to set off after the mother lode. In what turns out to be the worst luck in the world, the three find a strong deposit and pull out over a hundred thousand bucks worth of gold dust. The success leads to suspicion, particularly for Dobbs who no longer trusts his two partners. They have to defend themselves against bandits and eventually each other in order to get off the mountain with their "goods" as they call the gold, or even their lives.
Posted in: Random Fun by Gino Sassani on October 12th, 2010
Once again Upcomingdiscs found themselves the guests of Busch Gardens and their annual Halloween event, Howl-O-Scream. Each year the friendly amusement park employees turn in their mandatory smiles and courtesy for chainsaws and scarred flesh. The park's normally pristine nature areas are converted into terrifying scare zones where you'll encounter creatures unfit for the normal Florida sunshine. So once again I put on my Frankenstein shirt, a gift from Sara Karloff (with whom we'll be talking soon for a podcast), and braved the horrible hallways and petrifying pathways of Busch Gardens.
This year the theme is about a rock band that is contaminating the minds of a killer generation. The band is called My X. Tampa has long been recognized as the death-metal capital of the world. This band certainly lives up to the name, if not the music. They have a signature song. Don't worry. You'll get to hear it over and over again if you visit the My X - Revenge Rocks haunted house. This is really the only brand new haunted house experience for the attraction this year. It's set up like a roadside dive where My X is about to put on a concert for the damaged youth. Parents dressed in 1950's straight-laced Bible Belt outfits protest outside of the attraction. They are warning you to stay away with signs that connect the band to deaths. Inside you'll find the typical "jumping out at you" scares. For the featured house, I'll admit that I found it rather disappointing.
Posted in: Contests by Gino Sassani on October 11th, 2010
Our friends at A&E have graciously given us a copy of America: The Story Of Us on High Definition Blu-ray to give away.
To enter to win a copy of this unique look at American History, just follow these two steps…
Contest is now closed Winner is Jimmy Hughes
Posted in: Disc Reviews by Gino Sassani on October 11th, 2010
"58 full-length episodes. 585 classic sketches. On 18 discs."