Posted in: Podcasts by Gino Sassani on August 27th, 2010
Tonight I had the great pleasure of spending about a half hour with Robert Angelo Masciantonio. He's the director/writer/ and producer for Neighbor, which we recently reviewed. He was great fun to talk to. You can listen in on our chat. Simply bang it here for our Neighbor Interview.
Posted in: Disc Reviews by Gino Sassani on August 26th, 2010
It's almost impossible not to compare The Square with No Country For Old Men. The themes are very much the same. The talent behind this Australian movie even includes a couple of brothers, but their name doesn't happen to be Cohen; however, one of these brothers is also named Joel. One of the original writers on the film is Joel Edgerton. The idea passed through a couple of other folks along the way to director Nash Edgerton who saw more potential in the film. So, a modest budget and a collection of relatively unknown actors combined to create a movie that does not easily fall into any one category, another trait these brothers share with the more famous pair.
Carla (van der Boom) is having a rather intense affair with Ray (Roberts). They both want out of their own marriages for different reasons but lack the proper funds to make their respective clean breaks. Carla is married to Smithy (Hayes) a small-time crook with a domestic violent streak. Ray is married to Martha (Bell) who he simply doesn't have much passion for. He feels his life has settled into an emotionless rut. Ray is a foreman for a contract business and has been taking kickbacks from his subcontractors in a bid to stash away enough money to run away with Carla. It's a slow business, and Carla is getting impatient, starting to wonder if he really wants to be with her. It all appears hopeless, that is until Carla returns home from a rendezvous with Ray to find Smithy stashing a large bag of cash into their attic crawlspace. It's a ton of money, more than enough to finance her escape with Ray. She tries to convince Ray that they should steal the cash and go. Ray is concerned that such a big score for a normally two-bit crook means others are involved. He suspects they won't take very kindly to having their money taken, and the two lovers would have to live in constant fear of being discovered. So they come up with a plan to steal the money and hire someone to torch the house, making Smithy and his pals think the money was consumed in the fire. Ray's a bit gun-shy about the idea, but Carla can be quite persuasive.
Posted in: Disc Reviews by Gino Sassani on August 26th, 2010
"Relationships don't come cheap."
I guess I'm pretty much like most film watchers in certain areas. When I saw that $5 A Day was rated PG-13 for sexual content and brief nudity, I did what most red-blooded American guys would do. I took a look at who was in the cast. This might work. I suspected we'd be treated to a little quick peek at Amanda Peet or Sharon Stone in a little birthday suit flash. OK, now I've got a little something to look forward to. Little did I know that the brief nudity part referred to watching Christopher Walken and, to a lesser extent, Alessandro Nivola, running naked on a beach. So much for MPAA warnings. I just gotta stop reading those things. Little did I know that that cheap thrill was going to be the only thing worth looking forward to in this standard relationship/road movie. And it didn't even happen. So what did happen? I mean, beyond the aforementioned scar to my retina?
Posted in: Disc Reviews by Gino Sassani on August 26th, 2010
Mention the name Jackson Browne and one thinks less of the performances and more of the music itself. While he never achieved quite the fame of many of his peers, his style and songwriting has had a lasting impact on some of the biggest names in the music industry. He was part of the whole Troubadour scene in the early 1970's where he hung out with the likes of James Taylor, The Eagles, and other notable artists who were about to find their golden tickets to larger stages and the crowds, money, and fame that went along with them. The likes of Crosby, Stills, & Nash have been inspired both by his ability to write and his passion for the causes he believes in. In the 20 years from 1979 to 1999 he organized and performed at over 1000 benefit concerts. It's not so much an accomplishment to be willing to give up your own time for the causes dear to your heart. Brown has a reputation in the business of being someone they can't say no to. His biggest cause has been his stand against nuclear power plants. Agree with him or not, Browne used his fame in a responsible way that today's artists can learn from. He did his preaching at the events and not so much at his paying gigs.
"For more than two decades, Jackson Browne has been one of the most compelling artists in popular music. In August of 1994, The Disney Channel presented Jackson Browne: Going Home, a chronicle of Jackson's remarkable career. Jackson Browne: Going Home contains interviews, performances, and rare footage spanning twenty-five years featuring Don Henley, Bonnie Raitt, David Crosby, Graham Nash, The Eagles, David Lindley, Jennifer Warnes and many more."
Posted in: Disc Reviews by Gino Sassani on August 25th, 2010
"The truth is, I've done dreadful things. My life has been a monstrous corruption. And there will be a price to pay."
The Picture Of Dorian Gray was actually Oscar Wilde's only full-length novel. It was quite a controversial subject when it first arrived on the scene in 1890, but not because of the horror element. The book is often sexually explicit and contains more than a flirtation with homosexuality. The main themes have survived, but much of the work itself has been forgotten. We know the work almost exclusively from the classic film from 1945 where Hurd Hatfield played the title character. The more notable members of that cast included Peter Lawford, Donna Reed, and Angela Lansbury. That film downplayed the debauchery elements and focused on the one element that appears to remain strongest in our collective memories, that of the picture aging instead of the man. It's that deal with the devil that most of us think about when we hear the name Dorian Gray, or Dick Clark for that matter.
Posted in: Disc Reviews by Gino Sassani on August 25th, 2010
It was hard for me to find any real solid information about The Diplomat. At first I decided that it was because the film was obviously not a movie at all, but a British mini-series. The piece is broken up into two parts that you must play separately, much like a mini-series is often presented when released on home video. That was still not enough to research the title, because it hadn't really been a mini-series at all either. Finally, a stroke of luck led me to the fact that The Diplomat hadn't been its original name either. The release was broadcast on British television as False Witness. Apparently, it had begun as something more ambitious, perhaps a single-season limited-run series. Whatever grandiose plans might have been in store of this title, whichever title you use, it fell pretty flat almost from the start.
Ian Porter (Scott) is a diplomat returning to London from his eastern European post. He is immediately stopped at the airport by Scotland Yard and charged with drug smuggling among other things. A cop was badly burned and nearly killed in a bust related to his arrest, and Chief Inspector Julie Hales (Blake) wants Porter rather badly. Porter's not talking, but the investigation leads to a Russian mobster named Krousov (Hany). Porter's ex-wife Pippa (Forlani) is threatened by the Russian mobsters, and the pair end up in protective custody. They are taken to Australia, where they will supposedly be safe so that Porter can tell his story. But Porter can't really tell his story at all. The crimes he is accused of committing were actually part of a plan to get Porter close to Krousov for MI6. A rogue agent there has started a black ops mission to bring the Russian down. Porter carries a key around his neck, but it's not related to drugs at all. This key sets a suitcase nuclear bomb that the Russians plan to explode in Australia. Wasn't that a lucky break? Some tension exists with his ex-wife. They lost a son, who drowned in their pool. She wants very much to get closer to Ian, but he's focused only on finishing his mission, something he hopes will atone for the guilt he feels over his son.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2010
"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."
Posted in: Disc Reviews by Gino Sassani on August 24th, 2010
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry. There’s a reason why the cat and mouse pair is such a classic. It’s because it works. If you can make your characters entertaining and endearing enough, you can have a hit. MGM finally entered the major leagues, and the team of Hanna and Barbera would become one of the most successful animation teams in history. They would go on to create such cherished characters as The Flintstones, Yogi Bear, The Jetsons, and, of course, Scooby Doo.
Tom and Jerry find themselves in Victorian England and at the famous flat on Baker Street where the most famous detective in the world resides. No, we're not talking about Jim Rockford. It's Sherlock Holmes and his faithful companion and chronologer Doctor Watson. Moriarity is up to his old tricks, and he's planning to steal a precious gem. The gem has secret powers that can only be revealed during a lunar eclipse, which is just what is about to happen. Tom and Jerry along with damsel in distress Red, the lounge singer, and a church mouse team together to help the detective stop Moriarity and his gang of thugs.
Posted in: Podcasts by Gino Sassani on August 24th, 2010
On Monday Morning, it was my pleasure to chat with Carlos Brooks, director of Quid Pro Quo and Burning Bright which we recently reviewed here at Upcomingdiscs. Bang it here to listen in on our chat:
Posted in: Disc Reviews by Gino Sassani on August 23rd, 2010
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Now, see further than we've ever imagined. Beyond the limits of our existence. In a place we call The Universe."
Up until now these History releases have been season sets of the documentary series. This release is the first which appears to be a planned series of specific subject titles. It does create a bit of confusion when you see a series called The Universe and all of the episodes on the set deal with our own back yard, a place we call the Sol System, or Solar System, for those of you unfamiliar with the name of the star that happens to brighten your afternoons, particularly for us here in Florida on an August day. But while it's true that the series itself has explored most of the known, and quite a few of the unknown, corners of creation itself, this set focuses on those objects that orbit the star Sol.