Posted in: Disc Reviews by Gino Sassani on September 13th, 2010
"On April 21st,1967 the 100-millionth GM vehicle rolled off the plant in Janesville. A blue two-door Caprice. There was a big ceremony, speeches, the Lt. Governor even showed up. Three days later, another car rolled off that same line. No one gave two craps about her, but they should have. Because, that 1967 Chevrolet Impala would turn out to be the most important car in pretty much the whole universe...I guess that's where the story began. And here's where it ends."
Except it doesn't; not really. Still, everything about the 5th season of Supernatural plays out like it were the show's last. Perhaps at one point it was expected to turn out that way. Fortunately, for us, it didn't end up that way. But you can't deny the finale feeling this season has. It's the Apocalypse, for cryin' out loud. It comes with all of the trimmings: horsemen, dead walking, anti-Christ, and Satan himself. How the writers could ever top such an event with these players I just can't wait to find out. Like finale seasons, these episodes bring back a lot of familiar faces from the first four years. Friends die. And the final episode would be a fitting conclusion to the series.
Posted in: Disc Reviews by Gino Sassani on September 13th, 2010
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. When Smallville was first developed for television, the show runners made a few conscious decisions that have, for the most part, been kept for the show’s first 8 seasons. There was a strict “no flights, no tights” rule that was in effect for anyone hoping to pen an adventure for the show. Everyone knows we’re talking about Superman here, but the term is avoided like a deadly disease. All of the familiar places and names are firmly in place, but make no mistake. This is the world before Superman began to make his presence known to the world.
For those of you who have been living under a rock since the 1930’s, Smallville was the Kansas farm town where young Kal-El’s space ship from the dying planet Krypton crash- landed. He was discovered by Jonathan (Schneider) and Martha (O’Toole) Kent and raised as their adopted son. The series began with Clark’s high school years. Clark always had a crush on neighbor Lana Lang (Kreuk). In a nod to the 1978 film, Martha is played by Annette O’Toole, who played Lana in that second film. Clark’s high school friends include Chloe Sullivan (Mack) who is somewhat of a computer whiz and ace school paper reporter. Clark also befriends local billionaire son Lex Luthor (Rosenbaum) after saving his life. In these early seasons the characters would slowly build towards the eventual hero/villain relationship that Luthor and Superman would share. Lex Luthor’s father Lionel Luthor (Glover) would go from being a bad guy to a good guy and back again as the show progressed. Much of these early episodes dealt with Clark discovering his powers as he matured. Eventually all but the flight ability would surface. The show also took on a freak-of-the-week aspect at times. It seems that while Kryptonite robs Clark of his power, it has created mutant powers in many humans who have encountered it over the years. Clark and Chloe would spend many a season tracking down and stopping these “meteor freaks”. Justin Hartley joined the cast as a full on regular playing Oliver Queen, better known to comic fans as The Green Arrow. Thenthere is Cassidy Freeman as Tess Mercer. Tess is taking over Luthorcorp in Lex’s absence. She gets a pretty rich back story here and is not a character from the comics. It’s likely the name was an homage to Lex’s secretary in the first films and some of the comics, Miss Teschmacher. She’s just as strong-illed as Lex and just as eager to discover Clark’s secret. Clark is finally working at The Daily Planet with Lois (Durance). Clark has finally embraced his destiny and begins to patrol the streets of Metropolis. He’s known as the Red-Blue Blur based on an out-of-focus picture that Jimmy takes of him saving Lois.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2010
When I saw the title for this movie my immediate thoughts went to that old Neil Diamond song of the same name. I don't know why, but I absolutely expected to hear it at some point in the film. So I actually found myself smiling a bit when the first guitar chords for the song began during the opening credits. I was a little disappointed to hear the song, but performed by the Man In Black, Johnny Cash. Not that I dislike Johnny. I just was expected something else. You know the feeling. Did you ever pick up someone else's drink by mistake and sip it, expecting it to be yours? It doesn't matter how much you might actually like what that someone was drinking. It completely throws you and tastes bad for a split second. Well, that's what happened with Solitary Man, the song and the film.
You see, the box art and studio buzz calls this film a sophisticated comedy. It's neither. It's actually quite good for what it is, but the studio's misrepresentation means that I was ready for something entirely different than what I got. That makes it so much harder to give a film a chance. I was all set to laugh. Instead I got a very moody and often dark character study. It took me a bit of a readjustment to finally begin to appreciate the movie for what it was. Michael Douglas can still deliver a solid character study. Here he takes a character that's almost impossible to like, and makes you enjoy it all the way.
Posted in: Contests by Gino Sassani on September 10th, 2010
The good folks over at Image Entertainment have given us 2 copies of Legends Of The Canyon on DVD to give away. This documentary includes footage of Crosby, Stills & Nash, America, The Mamas & The Papas, America and many more classic Laurel Canyon bands of the 1960's. To win a copy of this historic DVD, follow these instructions:
Contest is now closed Winners are: Elizabeth Thomas & Ronald Host
Posted in: Disc Reviews by Gino Sassani on September 8th, 2010
I'll be honest, at first Chuck sounded like a pretty bad idea to me. I expected it to be a kind of modern Get Smart with a reluctant geek hero. And that's pretty much what it turned out to be. Except it turned out to also be pretty darn entertaining as well. It all really starts with a solid cast and tightly written stories. Each episode manages to capture just the right blend of drama and comedy. I resist the trendy word dramedy, but if any series fits the mold, it would have to be Chuck.
In the first season we met Chuck Bartowski (Levi). He was a super-smart student at Stanford when his best friend Bryce Larkin (Bomer) set him up to take the fall as a cheater and be kicked out of school in disgrace. The only job he can get now is working at the Buy More (Best Buy) on the Nerd Herd (Geek Squad). But Bryce wasn't done with Chuck yet. Turns out that Bryce is a CIA agent who has been working on the top secret project called Intersect. The Intersect is a computer program that can download the entire government's database into a person's brain through a series of coded flash images. Not content with getting him kicked out of school, Bryce tricks Chuck into getting the Intersect inside his brain. Now Chuck is an important government asset and in need of protecting. Enter CIA agent Sarah Walker (Strahovski) who is Chuck's CIA handler. Their cover is boyfriend and girlfriend, which confuses Chuck's family and friends, who never thought he could get such a hot girlfriend. The muscle for the team is Agent John Casey (Baldwin), who resents being assigned to such a lame mission. Not only do they have to keep Chuck and the Intersect safe, but they must take untrained Chuck on their missions because of the intel stashed in his brain. While Chuck is not consciously aware of the information he carries, when he sees something that triggers a piece of the data, something they call flashing, he is able to access the relevant data. The bad guys are part of an organization called Fulcrum, which is this show's Kaos or Spectre.
Posted in: Disc Reviews by Gino Sassani on September 8th, 2010
You say you want an old-school slasher film like they did it back in the 70's and 80's? How would it sound if we gathered up Freddy, Candyman, and Jason and put them all in the same movie? Would that get your attention? Now that I have your attention, let's talk about Hatchet, a little quality slasher just like your uncles Craven, Cunningham, and Carpenter used to make. Okay, I exaggerated about that Freddy, Candyman, and Jason bit. You won't really find any of them in Hatchet. You will find their alter-egos Robert Englund and Tony Todd in amusing cameos, while Jason's best man plays Victor Cowley, the main attraction in this sweet throwback to classic slasher films.
"That's right. There is the home of a real famous Louisiana legend, Victor Crowley, hatchetface. Now legend is that he was a deformed man whose own father went nuts and whacked him in the face with a hatchet one night, probably on account he was so ugly or something. Anyway, he died. So, the story goes that if you're ever near that ol' Crowley house late at night, you still hear old Victor Crowley cryin' for his daddy."
Posted in: Disc Reviews by Gino Sassani on September 8th, 2010
"We went AWOL around the time the rest of the world did. We became stick-up guys, stopping people on the road, taking whatever they had. We held up this bunch of kids in a Winnebago shooting a documentary about themselves. Went out on the internet. Millions of hits. I became notorious. Could have gotten an agent. Made a fortune if there was anybody left to care. It had become an us-versus-them world. All we were looking for was a place were there was no them."
Posted in: Disc Reviews by Gino Sassani on September 7th, 2010
“Ride into this world all alone. God takes your soul. You're on your own.
The crow flies straight, a perfect line on the devil's back until you die.
Gotta look this life in the eye”.
When these guys send a message, they don’t use Western Union. Not only will they blow up your warehouse, but they’ll catch one of your guys and plant a stick of dynamite in his butt cheeks to set off the explosion. That’s the world of the motorcycle club, the Sons Of Anarchy. In the wake of The Shield, FX stays true to form with the latest from that show’s alumni Kurt Sutter. Sons Of Anarchy has a familiar tone and quality to it for fans of that now gone cop drama. There’s a lot of handheld camera stuff, and you have very similar themes.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2010
NCIS was a spinoff, of sorts, from the popular military lawyer show JAG. You could say that NCIS is the Order to JAG’s Law. The NCIS is a real government agency that deals with criminal activity inside or involving the US Navy or Marine Corps. The show has proven even more popular than its parent series. Today that means branching out like the CSI and Law & Order franchises have done so well in the past. The next step in the ladder is NCIS: Los Angeles.
The series was previewed in a two-part episode of NCIS entitled Legend. A dead Marine in Washington led to a terrorist cell in LA, where Gibbs and McGee join the LA branch to bring down the bad guys. Here we meet the new characters and get a chance to get comfortable with them. However, by the time the show aired its first episode, there were some pretty major changes for the show already. It's not uncommon and the Legend episode was really a back-door pilot. The location would be completely scrapped. The show would get new digs in a covert building that appears to be a condemned water plant on the outside. I'm not quite sure why a public agency needed a secret hideout, but there it is. The show retained its high-tech look. They have a Minority Report-style computer system which remained the centerpiece of their operations room.
Posted in: Contests by Gino Sassani on September 3rd, 2010
Our friends at Anchor Bay have graciously given us a copy of Evil Dead on High Definition Blu-ray to give away.
To enter to win a copy of this Bruce Campbell and Sam Raimi classic, just follow these steps...
Contest is now closed Winner is Bill Lawmen