Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
“For the Egyptians, life was eternal. They searched the globe for ingredients to preserve their bodies and their immortality. With knowledge gained from centuries of practice, their priests have created the finnest mummies the world has ever known.”
Ever since Howard Carter first entered the tomb of the legendary King Tut, most of the world has had an incredible fascination with the mummies of ancient Egypt. Hollywood has done its best over the ages to create fear by making monsters of these preserved corpses. Universal and Boris Karloff started the ball rolling, and the recent Brandon Frasier films have added a funny/scary bent using the very latest in computer generated magic. From bandages to living sandstorms, we have been exposed to some fantastical mummies. Now IMAX brings us a look at what these wrapped ancients were really all about. Looking beyond the creatures of our nightmares this release captures the mystery of a long lost civilization in Mummies: Secrets Of The Pharaohs. There’s no talk of curses and monsters here. The real curse of these tombs is the litany of looters that have raped these places in the thousands of years since they were buried. Their greed has not only robbed the dead, but future generations from appreciating and learning from what they left behind.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
Sam Fuller lived quite a life before he ever even thought about working in the film industry. He was a crime beat reporter at 17 years old. He served in the infantry in World War II, turning down a cushy press corps assignment. Both of these experiences would shape the man, writer, and filmmaker he was to become. His newspaper experience gave him access to a lifetime of stories, an understanding of the newspaper business, and a honed writing skill. That ability would serve him most. Fuller was a writer more than a filmmaker, and it was with his typewriter that he most excelled. The war would emotionally scar him. He may have entered with the typical young ideas of glory in the battlefield, but he left with visions of death and gore that he could never forget. It hardened the man. Instead of turning bitter, he found a way to exorcise those demons and ultimately made a heck of a living in the process.
His films are, if nothing else, quite unique. He wasn’t raised in the same studio environment as most filmmakers, and there was always a kind of docudrama feel to almost everything he wrote or created. He was excessively patriotic in his younger years, but at the end of his life he became disillusioned and moved to Europe. His films were almost always steeped in the film noir of the early 30’s and 40’s, even his later works. Everything from the characters to the words they spoke had a decidedly Fuller reality to it. Known mostly for smaller budget films, Fuller was prolific and could work quickly.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
It sure seems like Pixar has a lock on the computer animated film industry these days. Their films appear to always hit just the right amount of adult and children content to win with both audiences. We may not all be laughing at the same jokes, but we do laugh. When we’re not laughing, we appear to be captivated by endearing characters that immediately feel like we’ve known them our whole lives. We are instantly concerned about the things that happen to them. All of this happens without a single live entertainer on the screen to guide us into these emotions. That’s because Pixar also happens to be the most state of the art studio out there churning out these kinds of films. The technological prowess is amazing. Perhaps the best compliment one can pay to a Pixar film is that all of these things, and much more, are true … and we never really notice it at all. We buy into whatever world they are offering without question and never realizing that we’ve done it. That’s not just good filmmaking. That’s magic. There’s a lot of heart in these zeros and ones.
Of course, magic is business as usual at Walt Disney Studios. Magic was Uncle Walt’s stock and trade, and so isn’t it just natural that Pixar would eventually find their home as part of the Disney family? For a while it seemed the two were about to part ways. At that time Disney was merely the animation studio’s distribution partner. A rift had developed when Disney was about to assert their contractual rights to make sequels from the Pixar properties they distributed, most particularly at the time, Toy Story. So, Pixar announced they were looking for a new partner in protest. A few deals were talked about, but in the end it could have been written as a Pixar film before it was over. Finding family is a common theme in the Pixar films. Eventually Disney and Pixar found each other again, this time cementing the deal when the Mouse House bought the animation pioneers. And all the while the continuing stream of classics hasn’t missed a beat. Okay. Let’s just forget about that Rat film.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
Simon Baker is riding high these days. Last year his new series, The Mentalist, was the highest ranked new drama of the year. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.
Baker played Nick Fallin, a talented young lawyer who just got busted for cocaine. Nick won’t see the inside of prison, however. His father, Burton (Coleman) is the senior partner at one of Pittsburgh’s most influential corporate law firms. Instead of jail, Nick is given 5 years probation and ordered to serve 1500 hours of community service. His court ordered assignment is Legal Services Of Pittsburgh, formally Children’s Legal Services. He’s placed under the charge of Alvin Masterson (Rosenberg), an idealist who set up the law clinic originally to speak for children who have no one else to do so. He’s resentful of Nick’s pampered lifestyle and at first wants to make the gig hard enough on him that he might ask to be assigned elsewhere. Eventually they warm to each other as Nick becomes more vested in the job than he thought he would be. Much of the show’s conflict is derived from Nick juggling these two worlds. He still has a duty as a shark attorney for his father’s firm, yet must find time to help these indigents and children that have come to the clinic for help.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2009
I’ve often spent a lot of time talking about how Pixar has dominated the computer animation, at least as far as full length features go. With few exceptions there isn’t anything out there that even comes close. Most films rely on toilet humor and crude innuendo to get a few laughs. A lot of the kids and adults might suck that stuff up, but they can’t hold a candle to Pixar. There are, as I’ve mentioned, some quite notable exceptions. The Fox Blue Sky Studios has had enormous success with their Ice Age films. And when you take a look at the third and latest entry in that franchise, you’ll understand why.
Ice Age came out in 2002 and took the box office like a blizzard piling up a drift of cash that amounted to almost $180 million before it was over. Not bad for a $50 million dollar film. Add in another $200 million in foreign receipts, and a sequel was an absolute forgone conclusion. The film introduced us to some memorable characters. Manny (Romano) was a lovable Woolly Mammoth. Diego (Leary) was a kind and wise saber-toothed tiger. Sid (Leguizamo) was their tagalong friend with not much going on in the noggin. A side story involved a prehistoric squirrel named Scrat who loved his acorns. He had a Wiley Coyote/Roadrunner relationship with acorns and took a lot of punishment to get one. Together they tried to return a lost human infant to his tribe. Four years later the characters were back. Ice Age 2: The Meltdown brought a change in their environment and love in the air for Manny. He meets Ellie (Latifah). Together they must find colder climes as their ice is melting fast. They find their Winter Wonderland, and Blue Sky Studios found another hit. This time the film brought in a crazy $200 million here and another $450 foreign. Before home video the film was close to $700 million in box office. Can you say number 3? Add some dinosaurs to the cast and another $250 million for a total take of nearly $900 million on the third film. If you’re doing the math that’s over $2 billion on 3 films. I think we’re going to see these guys again. Count on it, literally.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2009
“A changing of the seasons brings wonder to the world. For ages has the magic of the fairies been unfurled. But nature’s greatest changes come beneath the Autumn sky and mysteries reveal themselves as harvest time draws nigh. This year a shimmering blue moon will rise before the frost. Perhaps its rays can light the way to find what has been lost.”
After giving us Tinker Bell’s origin story in the first film of this franchise, we get a chance to look even more deeply into this wonderland of fairies and magic. Ever wonder where that magical pixie dust comes from that allows fairies to fly? The origin of the substance is explored here. It seems there is a grand tree that produces the dust. Dust keepers care for the tree and cultivate the dust. They distribute it to all of the fairies on a rationing basis. Every 8 years the tree needs to be renewed or it will grow too weak and perish. On the 8th Autumn the fairies put on a revelry to celebrate the season and the new life the tree is about to be given. When the harvest moon rises, its rays will pass through the precious blue moonstone and those rays will create blue pixie dust. It is this snowlike blue dust that revitalizes the tree and the entire existence of Pixie Hollow.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2009
There have been a couple of releases of Stargate. Mostly it’s been reissues of the same transfer. This time it really is an improvement. The Blu-ray contains a director’s cut which is about 16 minutes longer than the original. If you like the original better, you get that one as well. This was Devlin and Emmerich’s first real blockbuster. I found Independence Day and The Patriot to be better films, but Stargate has its moments. It’s a little hard for me to accept Kurt Russell as Jack O’Neal after 7 years of Richard Dean Anderson. I did gain a new appreciation for how closely James Spader and Michael Shanks portray the pivotal character of Daniel Jackson.
A whole franchise of Stargate has spawned from this 1994 motion picture, and over a dozen years later the franchise still remains successful. This film was originally intended to be a franchise of pictures but instead found its way onto television and writings, with a fair sized fan base. If people still like the concept thirteen years later, then it must be pretty appealing; myself, I have never seen this picture and am pleased that I finally have the opportunity.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2009
With so many cast changes, it didn’t really come as too much of a surprise to fans that the series was winding down. Only one more season would follow, and this year never clicked in quite the same way previous seasons had. By now the team was so significantly different that there was little of the cast chemistry that made this one such a winner. With its glory years behind and only one more struggling year to come, we reach the end of our journey with the IM Force.
Jim Phelps (Graves) led his team in a sixth season of Mission Impossible starting in 1971. The show continued its trademark traditions. Jim would receive a mission from the “self destructing” tape and would gather his IMF (Impossible Mission Force) team. The team was necessarily eclectic in nature, and it changed significantly in the sixth season. Gone were Leonard Nimoy, Leslie Ann Warren, and Sam Elliott in his signature role of Dr. Robert. Still in the team we had Barney Collier, the gadget man, played by Greg Morris. The muscle was still supplied by Willy Armitage, played by brute Peter Lupus. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them. Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team, while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing. Each week the team concocted some convoluted con to play on their mark, walking away at the end of each episode often without getting any credit or congratulations.
Posted in: Contests by Gino Sassani on November 2nd, 2009
We sure hope that you got a terrible fright from our 31 Nights Of Terror promotion. Everyone here at Upcomingdiscs had a blast and it looked like you did as well. You can count on seeing "Revenge Of 31 Nights Of Terror" next October.
We have chosen our winners of the contests in October. Here are they are:
Posted in: Podcasts by Gino Sassani on October 30th, 2009
Years ago I was fishing at an isolated hidden mountain lake with my friend, local DJ Willie Nelson. It was midnight just as my birthday was to begin on June 21st (Summer Solstice). We both witnessed something that neither of us were ever able to explain. What can only be described as a UFO, was what we saw. Bright lights moving silently close to the ground and over us. I wrote this song about the experience years later and included it on my Invented Memories album. Enjoy this real-life horror tale:
Bang it here to listen to Is Everything Alright (Faster Than The Speed Of Light) Song
![IMAX: Mummies - Secrets of the Pharaohs [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/imax-mummies-secrets-of-the-phar-large.jpg)
![Up (4 Disc Combo Pack with Digital Copy and DVD) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/up-4-disc-combo-pack-with-digital-large.jpg)
![Ice Age: Dawn of the Dinosaurs (DVD + Digital Copy) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/ice-age-dawn-of-the-dinosaurs-dvd-large.jpg)
![Tinker Bell and the Lost Treasure (Two Disc + BD Live) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/tinker-bell-and-the-lost-treasure--large.jpg)
![Stargate 15th Anniversary Edition [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/stargate-15th-anniversary-edition--large.jpg)
