Posts by Gino Sassani

In the first season, Melinda was joined by her friend and business partner Andrea (Tyler). At the end of that freshman season, Andrea was killed and became a pawn in a good vs. evil struggle between Melinda and a mysterious “wide-brimmed hat man”. I was sorry to see the character literally depart the show, but I thought that cliffhanger was one of the more effective moments I’ve seen. The sacrifice of the character provided an ending I’ll admit I never saw coming. To replace Andrea, Camryn Manheim from The Practice joined the cast as Melinda’s new partner Delia in the second season. The better addition to the second season cast was Jay Mohr as Professor Payne, who develops a very interesting chemistry with Melinda. He was only intended as a short arc character, but the relationship was quite a dynamic one from the start. But now Mohr has left the show. Jamie Kennedy has replaced him as Melinda’s professor answer man. Kennedy’s Eli James actually shares Melinda’s gift, somewhat. While he can’t see ghosts, he can hear them. His dynamic is not near as good as Mohr’s was, and I missed Mohr greatly in this season. That isn’t so much true for series star Jennifer Love-Hewitt, who ended up hooking up with Kennedy in real life.

The show’s most basic premise remains intact. Melinda Gordon is a newlywed and owns the antique shop in a quaint New England town. From childhood she has had the “gift” of being able to see the ghosts of those restless departed souls unable to cross over into the great beyond. If this sounds familiar, it should. Remember little Haley Joel Osment from The Sixth Sense? Like his character, Cole, Melinda takes the responsibility of helping these spirits accomplish some unfinished earthly business so that they can move into the light. The series almost always ends with some tearjerker moments as a loved one is connected, through Melinda, with the departed friend or family member.

“About this startling new show as a whole, we say this. When ordinary people of our real world encounter the chilling world of the unknown, when normal men and women take that one step beyond, that we think is incomprable drama, all the more memorable and amazing because these strange adventures are true, absolutely true.”

The stories from One Step Beyond were reportedly true, but to paraphrase a rather disingenuous former president, it all depends on what your definition of true is. In interviews many of the writers later admitted that much of the material came from a couple of reference books. The idea was a truly reported one, but the story was pretty much created. The series was directed and hosted by John Newland and ran from 1959 to 1961. The shows were half hour and sponsored by Alcoa. In syndication the series was often called Alcoa Presents: One Step Beyond. In 1978 the original creative team of creator Merwin Gerard and host/director Newland attempted to revise the series calling it The Next Step Beyond. But the show was not picked up.

It’s nice to see some of these staple films starting to reach the Blu-ray high definition releases. Unfortunately there really isn’t anything new here at all. The picture is an upgrade but not as outstanding as you might expect. The audio doesn’t really get much better at all. Finally, all of the extras are merely ported over standard definition pieces from the most recent DVD release. It’s the best way to go if you don’t already own the film, but not remarkable enough to warrant an upgrade from any but the most die hard fans. And they didn’t need this review to talk them into it. For the rest of you, here’s what you can expect.

The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Today Chucky paces the sidelines here in Tampa as the head coach of the local NFL franchise, but for the last 20 years it was the darkest alleyways of our dreams that Chucky prowled. Inhabited by the soul of a killer, Chucky was truly one of the “Good Guys”.

“People give up their lives for many reasons. For friendship. For love. For an ideal. And people kill for the same reasons. Before China was one great country, it was divided into 7 warring states. In the Kingdom of Qin was a ruthless ruler. He had a vision to unite the land, to put and end once and for all to war. It was an idea soaked in the blood of his enemies.”

I have to say that Hero has to be one of the most beautifully shot films I might have ever seen. This is the first time I’ve watched a martial arts film and embraced it as a total high definition experience. The film contains many incredible fighting scenes that are brilliantly choreographed and brutal in nature. But it all takes a back seat to the incredibly breathtaking cinematography coupled with seamless and fantastical CG enhancements. The film is stylish in the extreme, and it might be easy for the story or characters to get lost in this marvelous imagery. They don’t. Fighting scenes might move from black and white to blazing color. Back and forth with incredible rapidity. Yet everything is intensely clear and is never jarring. There is a distinctive Sergio Leone influence from the music to the angles. Too often films use a frenetic pace to hide a multitude of visual sins and hope it’s accepted as brilliant artistic flair. Here you’re invited to savor each moment. The filmmakers dare you to pick apart the imagery or the fighting stunts. You’re encouraged to linger and take it all in. All of the fighting from huge battles to intimate hand to hand takes place in the most exotic and unreal of settings. The film is a study in contrasts at almost every turn. Bloody battle takes place amid stunning beauty. It’s all a rather provocative yet effective blend of traditional Asian cinematography and modern filmmaking. It’s not the kind of film you see. It’s the kind of work of art you experience.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mixups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows. In trying to create a slick glitzy Miami feel, the show has gone the way of style over substance. While the oversaturated colors and bright locations might make for a more visually stunning series, it tends here to overshadow the meat and potatoes of CSI, the stories. I get the impression that the show wants badly to recreate the Miami Vice accomplishment of trend setting fashion and style. Those days are long gone, and CSI has an entirely contrary mission that is weakened weekly by this overboard attempt to look good. The show is also beginning to adopt the 24 style of multi frames for no other reason than they think it looks cool. The show doesn’t respect the audience enough to believe they will buy into the series without all of these high tech distractions. It’s a shame, really, because I had higher hopes for this version of CSI, as I happen to live in Florida. Unfortunately most of CSI: Miami is shot in L.A. with the exception of a few overused establishing shots. Let me tell you, L.A. doesn’t look anything like Miami. Perhaps the show should consider dropping all of the fake glitz and move to location where they can take advantage of the city in a far more realistic way.

The series follows the CSI model set forth in the original Vegas version of the franchise. The lead CSI here is Horatio Caine played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off the reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. If I have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season is Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans just can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s. I was new to the whole universe, so I believe I was able to approach the spin-off more objectively. To tell the truth, I didn’t like it at all. And so I considered Private Practice to be doomed even before I saw the first stand alone episode. That wasn’t boding well when I received this truncated season one set to review recently. True, I had warmed up to Grey’s by then, but I was still a bit put off by the new show. I watched it anyway.

Dr. Addison Montgomery (Walsh) is looking for a change. She’s feeling a little burned out in Seattle at Grace Memorial Hospital, where she carries a ton of baggage. She heads down to L.A. to visit a friend who has his own clinic in the sunny city. The clinic practices something called co-op medicine. Specialists from various fields come together to treat their patients in a more holistic manner. Dr. Naomi Bennett (McDonald), specializing in fertility, and her ex-husband Dr. Sam Bennett (Diggs) run the place. Dr. Violet Turner (Brennemen) is the clinic’s shrink. I guess you could call her a shrinking violet. Dr. Cooper Freedman (Adelstein) is the pediatrician. Dr. Peter Wilder (Daley) is the herbal medicine specialist. He’s also got a rep for sleeping with all of the other women and even running some out of the clinic. Dr. Charlotte King (Strickland) is a troubled soul who can’t sleep and has an apparent addiction to pills. Finally there is Dell (Lowell) the office assistant and “pretty boy”. Because of the strike there are only 9 episodes spread over 3 discs.

“A hero lives but a few seconds. Ma master holds on to his life. It is more important to forgive than to fight.”

But they don’t know Jackie Chan. When Popeye gets into a jam, he rolls out a can of spinach and down the hatch it goes. Next thing you know that old sailor pipsqueak is kicking butt and taking names. When Jackie’s Wong Fei-hung gets into a jam, he looks for a bottle of sake or maybe a 5th of Jack Daniels. When Jackie drinks, his enemies get the hangover. That’s the art of drunken boxing. The idea is that the alcohol loosens up your body and allows you to fight because you are limber and flexible.

Grey’s Anatomy follows the life and tribulations of a group of interns at Seattle Grace Hospital. There’s certainly nothing original about the premise, except that the story is told by one of the more unlikely characters, Dr. Meredith Grey (Pompeo). As a lead she’s really not all that remarkable, but the show doesn’t put everything on her narrow shoulders. The series is populated by a solid supporting cast, giving it all a far more ensemble feel despite the title. James Pickens, Jr. is perhaps the most extraordinary actor in the show. He’s underused, but steals every scene he’s in. His Dr. Webber is a powerfully serious voice in an otherwise often frivolous world. Chandra Wilson as the intern teacher Dr. Baily is another standout performance, offering tremendous range. Her character, often referred to as a Nazi by her interns, is capable of outstanding empathy just when it’s required. Too many of the characters serve as eye candy, but I can’t say that any of them don’t have some good acting chops.

With all of that said, season 5 is not the way to have your first Grey’s Anatomy experience. I strongly recommend you begin at the start if you are not sure about this show. While I was able to gain some appreciation for the show, I had to work harder for it by starting so late. If you already like the show, nothing I could say would keep you from continuing your collection here. For those of you up on what’s going on, here’s the kind of stories you can expect in season 5: The biggest impact story thread has to be Izzie’s brain tumor. It also leads to a return by Supernatural’s Jeffrey Dean Morgan’s Denny character. Yeah, I know he died, but he learned a thing or two from his stint on Supernatural. Actually it’s Izzie’s tumor that allows us this return visit. Not really a spoiler here, as the show did a huge amount of promo spots talking about Denny’s return and Izzie’s illness. Another huge milestone is the addition of Romes phenomenal actor Kevin McKidd as new Dr. Owen Hunt. It’s a great character, possibly one of the best in the series. He’s a military doctor, so adds quite a bit of a new dynamic to the series. He’s going to be challenging the methods and techniques of the hospital. Controversy reaches Grace when a death row inmate wishes to donate his organs. The problem is that the execution will render his organs unusable. He’ll have to be killed at the hospital by someone on the staff. Mark tries to perform a face transplant. Unfortunately, it is still the romantic entanglements that drive this series.

“One part sex. One part rebellion.”

That’s how Sony describes their Martini Movies. The films come from that time in the 1960’s and 1970’s when there was a lot of unrest in the country. It was a time of protests and questioning of authority. It was the time of free love and a socialism experiment in communes all across America. Now, what exactly all of this has to do with martinis, I’m not exactly sure. In fact, there’s not a lot of drinking in most of these films. It’s more likely just a blanket way to release some obscure films in their catalog.