Posted in: Disc Reviews by Gino Sassani on September 15th, 2009
Claire (Judd) and Tom (Caviezel) appear to have it made. Claire is a successful attorney and Tom is ex-Army. They are happy and very much in love, trying to have their first child. Suddenly while out on the town an FBI SWAT team surrounds them on the street at Union Square. Tom is taken into custody. Claire soon discovers that Tom wasn’t the man she thought he was. In fact, his name isn’t even Tom. He is Sergeant Ron Chapman, and he’s been a fugitive for 12 years, wanted by the Army for murder. Now the military court is seeking the death penalty. He is accused of killing civilians in a raid gone wrong. He insists that he is innocent and that the guilty party is actually a prominent and influential general. All but two of the event’s witnesses are dead, many by mysterious accidents. Claire takes his case and turns to attorney Charles Grimes (Freeman) who has had experience with these kinds of cases. Unfortunately, he’s an alcoholic and a bit of a wild cannon. Still, he knows his stuff when he’s sober, and he’s the best chance she has of uncovering the truth. To win they will have to prove a government cover-up and risk their lives in the process. It appears a lot of folks don’t want this case to be solved. It’s an uphill battle, and everyone has something to hide. It’s a “trust no one situation” as Claire and Grimes get to the bottom of the case.
The film is based on a moderately successful novel by Joseph Finder. While the film has an impressive cast and a pretty good story, it suffers from a lack of imagination by director Carl Franklin. You may know the name. He was a busy television actor in the 80’s and 90’s and appeared relative failures like Fantastic Journey and well known shows like The A-Team. While he was a fair actor, I’m afraid his directorial skills haven’t translated. The film never really shows any imagination. It reminds me of those tubes on Star Trek that were marked GNDN (Goes Nowhere, Does Nothing). He fails to utilize the full extent of his widescreen picture, and all of the action falls too often inside that cramped relative center square that used to represent the difference with television. In spite of some tremendous chemistry with Morgan Freeman and Ashley Judd, the film appears to meander too long in one place. Pacing is awkward and uneven, to be kind. In the end the film boils down to a very clichéd procedural that never comes close to breaking new ground. Audiences seemed to agree in 2002 when the film opened. It had a rather sweet opening weekend but soon was dropping like an anchor in deep water as word of mouth appeared to include a resounding thumbs down. It finished its run pulling in $41 million on a $42 million budget with 34% of its gross the first week.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2009
“Attention: Tonight’s movie has been M*A*S*H. Follow the zany antics of our combat surgeons as they stitch their way along the front lines operating as bombs and bullets burst around them, snatching laughs and love between amputations and penicillin, as they put our boys back together again.”
M*A*S*H began life as a novel written by an actual Korean War Army surgeon under the pen name Richard Hooker. He based the character of Hawkeye on himself and most of the other characters on actual personnel that were stationed with him at a real M*A*S*H unit. The book was written for the screen by longtime blacklisted screenwriter Ring Lardner, Jr. Lardner was intrigued by the anti-authority message the book had, likely due to his own experiences with the government. He was one of a group of Hollywood talent that refused to testify before the Senate Committee on Un-American Activities. They were thrown in prison and blacklisted in the industry. This particular group became known as The Hollywood Ten. Whatever Lardner’s ideas might have been for the movie, they were enough to get a select group of producers excited about the property and got the ball rolling. We won’t ever really know what those concepts might have been exactly. In the hands of, at that time, new director Robert Altman, the script was practically discarded almost in its entirety. Altman had his own views which were inspired more by the still raging Vietnam War than what he considered an obscure historical event he believed most Americans didn’t even remember. All mention of Korea was deliberately left out of the film. When the studio caught on they forced him into providing a scroll at the film’s beginning that set the location. To Altman and pretty much everyone working on the film they were making a movie about Vietnam, not Korea. He incorporated his own anti-establishment, some might call subversive, ideas and made a film that Lardner would exclaim was nothing like his script. He encouraged rampant improvisation from the cast and little of Lardner’s dialog actually remained.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2009
“England. August in the year 1940. Again – A time for valor. A time of whispered events, now faded with the passing years.”
In 1971 what had not faded in the 7 years since its release was the enormous success of Walt Disney’s Mary Poppins. With its charming story and characters and the breakthrough special effects that the studio had developed, the film was a milestone for the entire film industry. I suppose it isn’t too surprising that the folks at Disney would want to try to recapture that success all over again.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2009
“Harper’s Island is 37 miles off the coast of Seattle. 7 years ago, 6 people were murdered here, presumably by a man named John Wakefield. They were the first ever recorded murders in the history of the island. They will not be the last.”
Whap, Gurgle, Snap. No, that’s not the sound of the latest craze in breakfast cereals. It’s three episode titles to the limited run series, Harper’s Island. This is one of those one season high concept shows that crop up from time to time. With television spots that at first made it look like another in the reality TV wave, it didn’t get quite the buzz I’m sure was hoped for. We were promised a murder every week, and we got it. The episode titles represent sounds we might imagine each murder producing. Where the show just couldn’t make a killing was in the ratings. It was never intended for anything but one season, which was good, because it didn’t stand a chance of getting renewed.
Posted in: Contests, Uncategorized by Gino Sassani on September 11th, 2009
Paramount has graciously given us four copies of Transformers on DVD to give away.
To enter to win a copy of this F/X feast, just follow these two steps...
Contest is now closed: The winners were: Gary, Jennifer G., Connie Lewis, and Daniel M.
Posted in: Contests by Gino Sassani on September 11th, 2009
Lionsgate Home Entertainment has graciously given us TEN copies of Barney: Jungle Friends on DVD to give away.
To enter to win a copy of these rainforest discoveries and fun animal adventures, just follow these two steps...
Contest is now closed. Winners are: Alexia, Chris L, Richard L, Maria Leach, Carol, Lana E, Anne Taylor, Dianne G, Steve, and Matthew Lewis.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“For those of you just joining us: What you are looking at is the work of ZFT, a terrorist organization responsible for at least a half a dozen biological attacks over the last several months. Everything we know thus far can be found in your packets (or Blu-rays), including a copy of their manifesto which elucidates their ideology and their methods. Which boils down to the following: Attempting to provoke or prepare for a war. With who? That’s the question, isn’t it? What we do know is that these bizarre acts seem to be increasing in frequency and that their targets are unpredictable and therefore unprotectable. Those of you assembled in this room now have a clear-cut goal…”
That goal is to rush out and pick up the high definition, Blu-ray release of the first season of JJ Abrams latest television enigma, Fringe.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“Happy 200th, everybody. Only 75 shows in the history of television have reached 200 episodes. Only 4 other shows currently on the air have produced 200 episodes, and of those only 2 feature live actors. And, it’s worth noting that both of those shows were in the top of the Nielsen ratings before CSI came along and knocked them off of that perch.”
And, after 9 years and over 200 episodes, CSI has enjoyed an almost unprecedented near decade as the number one show in the country. It’s a rare thing to go so long and keep the core of your team intact. Up until now CSI has added characters, but has not lost a major character. But things are about to change. If you’re a fan of the original idea, this is an important season set to own. It’s all going to change quite significantly in season 9. William Petersen leaves mid-season. Dourdan is also already gone. The actor found himself in a considerable legal jam and was forced from the show. His character gets killed off in the beginning of the 9th season. Finally Jorja Fox, who had been playing a several year game of I quit/no I don’t with the series, finally opted out at the end of season 8. Petersen will remain as an executive producer.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2009
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
This single disc release is pretty much just a collection of 4 episodes, 5 if you include the “bonus” episode of the television show, Scooby Doo Where Are You. The episodes are:
Posted in: No Huddle Reviews by Gino Sassani on September 2nd, 2009
“The following is based on a true story: There are currently over 200 boot camps similar to the tough love facilities in the world, housing tens of thousands of children. They operate with virtually no government regulation or oversight. Since the beginning of the tough love rehabilitation movement in the 1970’s hundreds of thousands of kids have gone through these or similar programs. There have been over 40 deaths in the camps. There are no statistics on how many lives have been irreparably damaged.”
The following review is based on a true viewing. Well… not exactly a true viewing at all. You see, Fox has seen fit to send us a non-final product screener of Boot Camp. That means a DVD-R in a sleeve. That also means plenty of compression artifact to go along with the 2.8 mbps bit rate we’re provided. Then there’s the wonderfully entertaining 20th Century Fox Home Entertainment logo that pops up from time to time to remind us who sent the dang thing. I guess you could call it boot camp for DVD reviewers. So, I should say that the following review is based on an almost true viewing.