Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter includes the first episode of the second season and stops with the tenth, even though the season actually included 22 episodes, all of them aired before the release of the DVD’s. There doesn’t appear to be any reason to spread out these releases except to capture a couple of extra bucks from the fans. To be fair, there was a five month gap in the episodes where this chapter ends, but it is still considered by every episode guide I could find as all part of the second season. The question for fans has to be, when will they see the other 12 episodes on DVD?
The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise. She’s dating the rich and handsome Evan (McDorman) and is in line to be the next House president. Her life is about to change when her nerdy brother, Rusty (Zachar) arrives at college. In his hope to experience college life and shed some of his geek reputation, he decides to rush a fraternity and enter Casey’s perfect world. Casey’s other problem is Zeta Beta Zeta’s own new pledge in the form of Rebecca Logan (Vadsaria), the spoiled daughter of a US Senator and rival for Evan’s affections as well as the future House leadership. To further complicate matters, Rusty has pledged Omega Chi Delta, which is led by Casey’s former boyfriend, Cappie (Foster). Most of the episodes deal with the crossover of these various worlds, and there’s a ton of competition not only between the houses but the characters. The show is all about the parties and the rivalries. There’s an interesting enough group of supporting characters, all well cast, which make this series a little more interesting than it really should be.
Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
Mention Toho to anybody who has ever seen a movie and one thing universally comes to mind: Godzilla. Everybody’s favorite monster run amuck was the brainchild of Japan’s Toho Studios and has made them somewhat of an icon in the industry. It’s appropriate, then, for Toho to be featured in any series called Icons of Science Fiction. However, don’t look for the big lizard with radioactive breath in this 3 disc, 3 film collection from the legendary studio. Instead you’ll find two lesser known titles and one of Godzilla’s eventual playmates. These two films go back to the late 1950’s when Toho was still a fledging operation and Godzilla had not yet reached the cult status he was shortly to achieve.
The films in the collection are:
Posted in: Disc Reviews by Gino Sassani on August 18th, 2009
Eli Stone is a typical corporate lawyer. He admits to being totally self-involved and greedy, that is until he begins to see and hear things that aren’t really there… or are they? These visions appear to be connected with events unfolding in Stone’s life and seem to be leading him toward a mission of sorts. It could be helping a mother whose child was stricken by a harmful vaccine or helping a convict fight prison abuse. In the pilot, Stone discovers that he has a brain aneurism, which might account for the vivid visions he is experiencing. His mentor, Dr. Chen, has another idea. He believes that Stone is being recruited by God as a prophet to help with the world’s injustices. As viewers we’re never quite certain exactly what to believe. What we know is that, like most prophets, the situation isn’t exactly working out great for Stone’s life. He loses his hot fiancée and most of his coworkers see him as some kind of a kook. Of course, it wouldn’t make good television if these visions didn’t often come at the most inopportune moments. He could be in a meeting with an important firm client or involved in the more intimate activities when he’ll hear strange music or see fire breathing dragons. Because the visions are so realistic, Stone can’t help but react to them, even when he knows they’re not real. This leads to many of the show’s awkward moments, as that gag gets old very quickly. There’s entirely too much office romance here as well.
The show’s true bright spot is a very smart cast. Jonny Lee Miller is actually pretty good in the role. Considering he has to act against a lot of blue screen, he manages to come across quite believable. He doesn’t always do a great job of hiding his own English accent, but I can forgive him that much. Victor Garber is absolutely brilliant as Jordan Wethersby, the firm’s senior partner and his fiancée’s father. I seem to like this guy in every role he’s played, particularly in Alias. His almost deadpan seriousness is a great compliment to the over the top shenanigans that make up the greater part of the show. He’s the anchor that keeps the show “real”. Natasha Henstridge shows less of herself than she did when debuting in Species, but gets to show off her acting chops instead of her body. The body’s a little better, but she does a solid job here as “daddy’s little girl” and Stone’s on again off again romantic interest. James Saito is another huge stand out as Dr. Chen, Stone’s spiritual advisor and mentor. He can be funny and straight all at the same time. Hands down my favorite character here. Sam Jaeger is Matt Dowd, Stone’s office rival. Boston Legal’s Loretta Devine plays Stone’s secretary and provides the comic wisecracks much as she did in the previous show. In fact, isn’t this the same character, Loretta? Honestly this cast might have been better served in a straight courtroom drama with better staying power.
Posted in: Disc Reviews by Gino Sassani on August 18th, 2009
The mutiny on the Bounty is one of those stories that carries with it the adventurous dreams and ambitions of a young child. It’s the smells and sounds of the high seas. The intrigue of a mutiny and the charismatic stature of an imposing captain, the image of sailor’s worst nightmares. Aye, Matey. There’s nothing like it. (We interrupt this review because apparently Gino has been reviewing the wrong film. Please accept our apologies for the misinformation – ed.)
As I was saying…. It’s the Old West, the kind of story that carries with it the adventurous dreams and ambitions of a young child. It’s the smells and the sounds of the open frontier. The intrigue of the famed outlaw and the charismatic stature of an imposing lawman, the image of an outlaw’s worst nightmares. Darn Tootin’, Pardner. There’s nothing like it.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
The cast and crew of I Love You, Man constantly refer to the film as a “bromance”. I’m not exactly sure what they mean by that, but I was actually pretty pleased with the clever turn on the typically droll romantic comedy. Maybe someone’s finally come up with a romantic comedy that actually can appeal to men. Whatever you call it, I Love You, Man is a bit of a refreshing take on today’s innuendo comedy. Writer/director John Hamburg has turned a pretty inane idea into a rather funny little comedy that just might be the compromise between a chick flick and something we won’t have to squirm in our seats just to make our dates happy. You know, to make up for all of those Clint Eastwood/Bruce Willis action flicks that have the same effect on most of the women as romantic comedies have on the guys. A hybrid is born. And it kind of works.
Peter Klaven (Rudd) has just proposed to his long time girlfriend, Zooey (Jones). She’s terribly excited and immediately wants to call her best friends to share the news. Peter is quickly uncomfortable with how much intimate information her friends seem to have. It hits home with him that he doesn’t really have any close friends to share the good news with. Apparently, Peter’s always been a better “girlfriend” and buddy friend. With an impending wedding and no one to fill the best man shoes, he sets out to make a close friend. Predictably, the results are some pretty wild and funny moments. One of his prospects mistakes his attention as a gay pass, and he ends up throwing up on another. All the while he’s trying to sell Lou Ferrigno’s house to make enough money to buy his own dream piece of property. At first Zooey encourages the friendship hunt, and Peter finally meets Sydney Fife (Segel) at one of Ferrigno’s open houses. He’s immediately attracted to Sydney’s brutal open honesty and unwillingness to put on pretenses. The two discover they share a few things in common. Both are garage band musicians with a hero worship for the band Rush. Before long they have become inseparable, and suddenly Zooey is getting jealous of Peter’s new best friend. Together they go through the ups and downs of making the many relationships work.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
Chris Rock has been one of those comedians that either hits a home run or strikes completely out. I’ve seen quite a bit of his stand-up and found I loved it or hated it. He’s not afraid to play the race card. Hell, Chris plays the whole dang deck at times, and Everybody Hates Chris is no different. The comedy is based, loosely I’m sure, on the young adolescent life of Chris Rock. It’s a black comedy that will bring back memories of those 1970’s shows we all watched as kids. Like Good Times and even Sanford And Son, the show is loaded with stereotypes. All of the white characters are bumbling fools who are often played as racists themselves. Chris’s school teacher, Mrs. Morello (Mazarella), is the most obvious example. She’s constantly trying to talk “hood” with the boys and making politically incorrect observations loaded with outrageous clichés. Of course, it’s all in fun, and if you’re willing to overlook the often sensitive language and plots, you’re in for some laughs along the way. I like that the show never really takes itself seriously and challenges the viewer to simply lighten up. Basically, this ain’t no Cosby Show.
Chris Rock narrates each episode from his current place in life. The interjections are often humorous commentary on the pains of growing up, particularly black. At times Chris is just annoying, and he tries too often to be over the top. Tyler James Williams plays the young Chris. He kind of looks like him enough, and I can see some of Rock’s mannerisms in the boy. Terry Crews is the standout actor, playing Chris Rock’s father, Julius. The big guy always seems to mean well but doesn’t always have his stuff together. He could have been a young Fred Sanford. Tichina Arnold is Mom and the domineering force in the life of our young comedian to be. She’s best known for her excellent turn as Pamela in Martin, another stand-up sit-com vehicle. Chris’s siblings are played by Tequan Richmond and Imani Hakim. Hakim is absolutely hilarious and seems so much older than her age as an actor. She manages the little sister act, while all the while you know there is so much going on there. She’s a constant burst of energy and often exhausting to watch. A very promising young actress. Finally, Vincent Martella plays Greg, the token white dude. He’s Chris’s best bud and is honestly the most stereotypical white kid I’ve seen on television. Together it’s a good ensemble, and the show can be quite clever at its best, simply funny at its worst.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
Jack Webb invented the modern television police procedural with the creation of Dragnet, first as a radio play and eventually as a successful television series. The series told the tale of a pair of L.A. detectives. There wasn’t any flair or action sequences. No car chases and no gun fights. When Jack Webb turned his attention to the patrol officer, he realized that some of that formula would have to change. But he wouldn’t tweak it very much. There was the occasional gunfire, but it was rare and was never the focus of any given story. Instead Webb concentrated on the actual procedures and duties of the everyday patrol officers, thus the invention of the procedural drama. It was no small step for television audiences and was likely very much responsible for the shape of the young medium and the shows that would follow up to this very day. Now the episodes might seem quite tame by today’s standards, and I don’t doubt that many of you might even get a chuckle at the no nonsense dialog that has become a Jack Webb trademark. Still, you won’t get a truer look behind the curtain than Adam 12. It was a show very much of its time.
Adam 12 debuted on NBC in 1968 and ran until May of 1975. The show never really changed at all for its 7 seasons. It starred Martin Milner as officer Pete Malloy and science fiction genre veteran Kent McCord as officer Jim Reed. They rolled in the black and white that bore the call letters Adam 12. They were headquarted at L.A.’s Rampart precinct, the same area as Jack Webb’s sister show about firefighters and paramedics, Emergency. The two shows shared a rather odd relationship. They did cross over and appeared to exist in the same universe; however, an episode of Emergency once featured a storyline where the paramedics where trying to watch a nail biter climax on Adam 12 only to be called away at the crucial moment. They spent the rest of the day trying to find out what happened. Yet they would meet the characters as real police officers in their own pilot. The firefighters would also appear on an episode of Adam 12. If that’s all rather a little confusing, blame the complicated world of Jack Webb.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
From the very beginning writer/director Matt Aselton wants to make a statement with his first film, Gigantic. The tiny title letters belying the largesse of the title itself right away appears to be telling you that the film will go against any expectations. It’s a brave independent piece of cinema that exhibits ton of promise and potential that is never fully woven together coherently enough to satisfy even the most art house of audiences. Taking his cues from such iconic directors as Woody Allen, Aselton doesn’t demonstrate the experience or maturity level to take what makes perfect sense in his own mind and translate it so that an outsider can completely understand what he’s trying to say. It’s unfortunate, really, because the film contains some rather clever ideas and certainly a top notch cast. There’s a future in this business for Matt Aselton, but that future isn’t now, and it’s not with Gigantic.
Brian (Dano) works at a high end mattress store called The Sandman. The first real incoherency can be found here in the store. They sell mattresses that are tens of thousands of dollars, but the store is a dirty brick walled loft. The merchandise is certainly not well displayed, and no one who works there seems terribly interested in selling the bedding. Brian is trying to raise money to adopt a Chinese baby. No explanation as to why the young single man wants to do this other than it’s something he’s always wanted to do. Nothing in his personality appears at all consistent with the desire, and his game plan is remarkably nonexistent. He doesn’t have the means or the emotional maturity to take on the task, yet he appears to be making great progress with the adoption procedure.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2009
“Four turtles. Four brothers genetically reborn in the sewers of New York. Named after the great Renaissance masters and trained as ninjas. They battled many creatures and foes before defeating their arch enemy, The Shredder. But, now a greater evil is poised to destroy their brotherhood. An evil born 3000 years ago.”
What started as a low budget comic has grown into quite a sensation. The Turtles are everywhere. There are cartoons, books, comics, movies, and thousands of toys. They’ve been translated into just about every language in the world. The 1980’s and 1990’s were alive with Turtle power. With yet another film now in the works, the Turtles are about to make a comeback. While the characters might not have started with the 80’s cartoon series, that’s where it made its greatest leap in popularity. The show ran for over a decade, a rare record for cartoon shows of the era. Then came the inevitable movies. Three of them in all during the live action phase. The Turtles were part actor and part animatronics Jim Henson creation ala the Disney/ABC Dinosaurs television series. The fourth was a recent (2007) CGI film. All four are collected here for the first time in high definition Blu-ray in a rather righteous collection. The case is a pizza box, and each of the four discs resemble different kinds of pizza. There’s also a bit of swag to be found in the spacious box. You get character cards featuring shots from the live action films, a signed black and white sketch, a comic book detailing events from the first film, and a “radical” beanie for your head. It may be a bit corny and somewhat impractical, but it beats those crazy eco cases that are getting way too popular in the industry.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2009
“At the end of the Ice Age the machine came. It came from outside. It came from space. It came with one purpose, to change man into mutant.”
Mutant Chronicles was based on an old style role playing game. This was the kind where someone actually had to get out some paper and keep track of the game. Real old school. So now the property has been turned basically into a video game. Yeah, I know this is a movie review, but I just spend about an hour and a half feeling like I just watched somebody else play a video game, and not a very good one at that. From the extras it’s apparent this is one of those flipping off the establishment films. I’m sure everybody involved got a ton of laughs about the absurdity and total lack of commerciality. They spend a lot of time patting themselves on the back, bragging about how they showed Hollywood, boy. That’s all well and good, but did anyone think about us poor saps who weren’t in on the joke, but had to watch the film anyway?
![I Love You, Man [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/i-love-you-man-blu-ray-large.jpg)
![Teenage Mutant Ninja Turtles Film Collection (Teenage Mutant Ninja Turtles / Secret of the Ooze / Turtles in Time / TMNT) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/teenage-mutant-ninja-turtles-film-c-large.jpg)
