Posted in: Disc Reviews by Gino Sassani on August 6th, 2009
“Nobody has everything they want. It’s a survival pattern. You get what you want, you want something else, something more extreme, something more specific, something perfect….”
A Joss Whedon universe is always a strange and fantastical place to visit. It doesn’t matter if it’s populated by vampires and demons or space cowboys. If Whedon’s name appears anywhere on the credits, you know you’re going to be in for one hell of a ride. It’s been a little while since Whedon’s been back in the saddle. His most recent series, Firefly, was fraught with problems with the network. It was very badly handled, and the show died an undeserved swift death after just a few episodes. Whedon appeared somewhat bitter after all of that and disappeared from the television radar for a few years. They say you can’t keep a good man down, and now Whedon is back with his latest mythology heavy series, Dollhouse.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
“There’s one thing I always wanted to ask Jack back in the old days. I wanted to know about that Doctor of his, the man who appears out of nowhere and saves the world, except sometimes he doesn’t. All those times in history where there was no sign of him, I wanted to know why not. But I don’t need to ask anymore. I know the answer now. Sometimes The Doctor must look at this planet and turn away in shame.”
It all started some decades ago with the BBC’s immensely popular television series, Dr. Who. The show was a national phenomenon in Great Britain, but in the 1970’s PBS stations here in the States started to pick up the show. Tom Baker was the Doctor at the time, and it became a huge hit, particularly across college campuses. Eventually, like all good things, the series wound down and disappeared from the airwaves. But in 2005 the BBC decided to resurrect the Doctor once again, and lightening did indeed strike twice. The show’s new format and style appeared to pick up right where the old show left off.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
Imagine waking up one morning to find a newspaper on your front porch. Here in Tampa, the fact that the paper is actually on your front porch is miracle enough. Imagine further that this ordinary looking paper isn’t today’s paper at all, but rather tomorrow’s edition. If you could trust that what you held was the genuine article, so to speak, just think of the possibilities. For most of us our thoughts turn to the myriad ways in which we could enrich ourselves: sports scores, lottery numbers, even stock tips. If, however, you’re less selfish, there is an equally endless number of ways in which you could help your fellow man, or woman as the case may be. You would have advance knowledge of tragic accidents, crimes, and other unfortunate events about to befall your fellow human travelers. That’s the essence of Early Edition.
Gary Hobson (Chandler) is having some bad luck. His wife kicks him out of the house, on their wedding anniversary, no less. He ends up forced to live in a cheap hotel room. One morning he discovers that a mysterious orange tabby has left a gift by his door. Instead of the usual rodent surprise, Gary finds a copy of the local newspaper. This paper happens to be dated tomorrow. At first Gary doesn’t even notice the odd date as he attempts to go about his busy stockbroker life. It isn’t until Gary’s attempt to follow the price of wheat that he is finally alerted to his special edition of the paper. His buddy Chuck (Stevens) wants to use the paper to check out a few sports results. Gary avoids the temptation and refuses to allow his friend to have the paper. Instead he uses the information to assist another friend, Marissa (Davis – Williams), who’s in desperate need of a windfall. Together they become a team. As the event repeats itself, the three work to find ways to help others with their advance knowledge. There’s a little comedic tension, as Chuck is always trying to get his own taste out of the information. Marissa, grateful for the help she received, is far more keen on passing the good deed along.
Posted in: Disc Reviews by Gino Sassani on August 5th, 2009
As a kid, I was a huge Lost In Space fan. We loved Dr. Smith in particular and would go around our neighborhoods moaning, “The pain, oh the pain” in some mock imitation of the deliciously bad character. I think I finally know what he was talking about. I’m a man, and so I won’t even begin to pretend that I can understand what labor pains feel like. I believe it when I’m told there’s no worse suffering in the human experience, except for one. Yes, my gentle female readers, no matter how much torture childbirth might be for you, I bet it can’t compare to the mental anguish of having to sit through Labor Pains. Since this film was written and directed by women, I suspect it just might actually be some female plot to get guys like me to appreciate true suffering.
In the first place, we have Lindsay Lohan. I mean seriously. Is there anyone out there who actually thinks she’s a gifted actress? Is she really on anyone’s dream cast? Name one good movie she’s been involved in. I hear someone in the back screaming out Mean Girls. Forget about it. She has a reputation of showing up whenever she feels like it, arguing or downright fighting with cast and crew. She’s been known to “accidentally” walk off with stuff that doesn’t belong to her, and she’s pretty much a temper tantrum throwing brat when she doesn’t get her way. I’m tired of the press hanging on each and every emotion implosion like it was actually important. Do you really care how many times she splits up and gets back together with her lesbian DJ friend? How many pictures do we need of her crying on the lady’s front porch beggin’ for another chance, only to be dropping F bombs in anger a day later? The woman’s a train wreck. Is it any surprise at all that her films are crap? I can honestly say knowing all of these gross intimate details has not improved the quality of my life. What would help my job as a reviewer is if she’d stop trying to make movies. In a nice piece of irony, a character asks Thea if she wants people to see her as a “wayward skank”. Well…Lindsay?
Posted in: Comedy, Disc Reviews, Fox, No Huddle Reviews by Gino Sassani on August 5th, 2009
Name: Miss March Measurements: 89 minutes/90 minutes (unrated version)
Birthdate: March 13, 2009 Weight: $ 4 Million at the box office
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
“What is Echelon? It’s NSA’s central computer. It filters all global communications. Echelon’s a juggernaut. It can access any security system on the planet… Echelon’s been compromised.”
In 1948 British author George Orwell delivered a sobering science fiction novel about a future society where the State has become a parent figure to its people. It watches over everything that you say or do like a …big brother. That term originated with the novel 1984. The work has added such words as “big brother” and “Orwellian” to our lexicon. It was intended as warning against intrusions that weren’t yet possible. Today we’ve moved beyond 1984 both in linear time and in Orwellian technology. You’re not paranoid. Someone is pretty much always watching you. From ATM’s to supermarkets, you are on camera pretty much anytime you’re out in public.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
It just wouldn’t be summer without The Discovery Channel’s Shark Week extravaganza. What started back in 1988 as a themed week of specials has turned into the longest running annual series of programming on cable. Every year The Discovery Channel gives up its normal collection of educational shows to concentrate on that feared predator of the deep. Man’s always had a rather natural, and healthy, fear of sharks, but it was perhaps the 1975 film Jaws that brought all of those primordial fears bubbling to the surface of our pop culture. Since then sharks have taken an almost mythic position in our culture. They invade our fears, but more importantly they fascinate the heck out of us. Young or old, it doesn’t matter. Sharks are the new dinosaurs, and they aren’t going anywhere anytime soon. As Discovery plans out yet another annual invasion of these perfect killing machines, you get to have an encounter of the high definition kind. Come face to face with some of the most dangerous creatures on the planet, with a level of clarity and detail that was once reserved only for those who shared their waters.
It’s quite nice to have a collection of these shows on Blu-ray and in high definition. There are some downsides, however. The shows aren’t necessarily the best I’ve seen on the series. Most of them are pretty recent. I suspect many of the classics aren’t going to be as easily available in HD. The second problem is redundancy. I’ve always been a big critic of editing shows for home release. Here I think it might have been a good idea. Many of these shows do rather extensive recaps each time they come back from an anticipated break. Of course, here there are no breaks, so we have to watch some material several times in the same 40 minute segment. The point really gets driven home. I have to ask myself if it is really that necessary to recap so often. Are the breaks so long that we can so easily forget what we were watching? I’d suggest that Discovery give a little more credit to their viewer’s intelligence.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2009
“Corporations… They have all the money. They have all the power and they use it to make people like you go away. Right now you’re suffering under an enormous weight. We provide the Leverage.”
I remember seeing like a million ads for this show toward the end of the last football season. If memory serves it was heavily promoted during the Super Bowl. In any case, I had made a mental note to catch it, but it was still several weeks away and I ended up forgetting about it by then. Fortunately, the release of the first season on DVD has given me a second chance for a first look at this intriguing series.
Posted in: News and Opinions by Gino Sassani on July 22nd, 2009
Like many of the people who visit these pages, I am a fan of television and films. I am particularly drawn to genre projects. Like most science fiction fans, I have been a long time subscriber to Starlog Magazine. For a lot of years they have been the definitive source to information on just that kind of entertainment. I still own every issue going back more than 15 years. Second only to Famous Monsters, I have long enjoyed the rich tradition the magazine established.
Well….since Issue April #374 Starlog has ceased publishing. That alone marks a sad end to an era for most genre fans. It’s unfortunate, but it happens. What makes this passing more tragic is the way that the Starlog Press has decided to treat its loyal customers. It’s been 4 months since we’ve gotten a magazine. As of several issues ago, subscriber service contact information disappeared from the magazine. This was likely in anticipation of the end. Since that time no communication of any kind was offered by the company. Finally I visited the web site where I discovered no mention of the publication’s end, or a way to contact anyone if we had outstanding subscriptions. Finally, in the forum of sister magazine Fangoria there were posts about the missing issues. The Fangoria staff responded that a letter was sent to inform subscribers of the ending and offer them refund options. Of course, the posts that followed showed the letters were never given out. I had 21 issues still coming to me and was never sent such a letter. I’d love to hear from anyone who has ever seen this elusive “letter”.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2009
Since the events of 911 there has been a lot more appreciation, at least publicly, for the real life heroes who populate fire and police stations all over the country. Few jobs offer so little reward for such high risk all in the name of protecting our society from harm. It’s likely no coincidence that while Third Watch began a couple of years before those events, it reached its peak in popularity in the months and years that followed. A better than average procedural drama, Third Watch offered a look at both police officers and firefighters along with their paramedics. You could call it a cross between Hill Street Blues and Emergency.
The police officers and the fire fighters are all members of New York’s 55th Precinct. The Precinct carries the nickname of Camelot. While they work from separate facilities, they are across the street from each other and their duties often find them working together. The two houses share a bond, but there are also moments of stress and rivalry. But when there’s a crisis, these men and women are the best and get the job done.
![Dollhouse: Season One [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dollhouse-season-one-blu-ray-large.jpg)
![Labor Pains [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/labor-pains-blu-ray-large.jpg)
![Echelon Conspiracy [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/echelon-conspiracy-blu-ray-large.jpg)
![Shark Week: The Great Bites Collection [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/shark-week-the-great-bites-collect-large.jpg)
