Posts by Gino Sassani

The series might be called “I Love The 80’s” and the film Still Smokin’ was indeed released in 1983, but when I think of Cheech & Chong I am brought back to the 1970’s. It was then that the pair had their first success with an iconic brand of “stoner” comedy. Their LP’s sold millions across the country. You didn’t have to be a stoner to appreciate the jokes. I was about as straight as they come, but I really loved listening to Cheech & Chong. The material was about more than just getting high. It was timely, at least it was then. It mirrored the culture that we could see from our own windows and like all inspired comedy, it was relevant.

Everything you loved from the first film is back again. Dreamworks took the high road and brought all of the voice cast back. That means the wonderful chemistry these characters developed in the first film gets to continue. We don’t have to waste time setting up new bonds. We can get right to the adventure. Dreamworks also retained pretty much the entire animation team and added even more talent. The quality of this animation actually improves upon that of the original. Water, in particular, is startling on this film. It is as photo real as I’ve seen it in any animation feature to date.

It didn’t take the Friday The 13th film series long to reach down into the gimmick bag. The sad thing is that the franchise didn’t really need a gimmick. Steve Miner returned to the director’s chair, and he delivered an important, if not great entry into the franchise’s history. Jason would, for the first time, don the hockey mask that would make his image the iconic horror visage it remains today. This was also an important film because a young makeup artist from this staff would break out to become one of the best in the business. Stan Winston was an uncredited artist on this film.

“You may only see it once but that will be enough”

That was the marketing slogan for the first Friday The 13th film in 1980. Apparently they couldn’t have been more wrong, because most of us have seen the film countless times, and no, it was never enough. The franchise would thrive with over 10 sequels or affiliated films, taking us right up to the present remake/reboot of that very first outing at Camp Crystal Lake. No, my friends, once was never going to be enough.

My Grandfather used to tell me if you can’t find something nice to say, don’t say anything at all. Still, Grandpop never had to watch and then review a film like Black Swarm. This is another one of those Sci-Fi Channel original films that just can’t seem to find the quality bottle when mixing ingredients. Can someone please tell me how a network that could bring us Farscape and the Stargate franchise can’t seem to give us even one good original film? They must have produced a hundred films by now, and I can’t honestly say I’ve seen even a halfway decent movie yet.

When a film is successful enough, it’s a relatively natural assumption today that a sequel will follow. In that sequel we expect more of the same and hopefully something new as well. Unfortunately there is a disturbing sideline for the animation sequel. Because the actors aren’t really on camera at all, there is the temptation to replace them so that you can do a much cheaper, often direct to video sequel. The folks who did Madagascar didn’t go that route, but the folks who did Open Season did. Gone are the likes of Martin Lawrence, Gary Sinise, Ashton Kutcher, and Debra Messing.

What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known?

“Once upon a time in New York City…”

Walt Disney might well have been the storyteller of more than one generation of kids. Is it any wonder that when we think of such characters as Winnie The Pooh or Peter Pan our minds conjure the images wrought by Disney animators and not necessarily the classic literature descriptions? That might not be the case with this Charles Dickens story, retold through Disney’s trademark animal point of view.

Night Court appeared on the scene at NBC in 1984 and was to last 8 seasons. If you thought it looked and sounded a lot like Barney Miller, you won’t be surprised to learn that a number of key people, including creator Reinhold Weege, came from that classic cop comedy. Several key elements of Miller can be found in Night Court. The themes are almost identical with both beginning with an easily identifiable bass run. The most important imported element from Miller was the constant parade of the kookiest and craziest criminals this side of the Cuckoo’s Nest.From a hick farmer played by then beginner Brent Spiner to hookers with hearts, Night Court relied heavily on the eccentric character to provide most of its laughs.

“The Magic Gourd has magical powers. He can carry you high up to the sky, right up to the clouds, where they feel just like cotton candy. Stick out your tongue and they taste like cotton candy. That’s the power of The Magic Gourd. If you become the Gourd’s master, he can grant you anything you wish for…”

Disney films have always had a world wide appeal. Children everywhere on the planet have grown up with the same classic images that we have in the United States. The language might not be the same, but the message and the magic has always been there to discover.