Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
“It’s not about monsters, or zombies, or vampires. It’s about kids.”
One of the horror trends going around involves the isolation of a young couple who find themselves suddenly terrified. The pursuer can be a creature or undead vengeful spirit, but more often than not the attacker is very much human. The location can be a desert or even a hotel room as it was in one of the better examples of the subgenre, Vacancy with Kate Beckinsale and Luke Fox. Many of these kinds of films have become far too predictable and, dare we say, boring. They rely totally on jump scene scares and a few gallons of gore. So, when Britain got into the act, I admit I was bracing myself for more of the same. Happily, Eden Lake is a standout film. Its quality took me totally by surprise, but everything about this film was pretty well done. Of course all of the cliché moments are there, but if you check out Eden Lake you’re in for an entertaining, if not disturbing, ride.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
“As the end of World War II drew near, Hitler’s Germany was not only waging a war on separate fronts but from within the Third Reich. This story is based on actual events.”
If any of that sounds familiar, it should. It’s the plot and historical source for Tom Cruise’s latest big budget film, Valkyrie. One can’t help but wonder if this 1990 made for television film would ever see the light of a DVD release if not for the hype surrounding the Cruise film. Likely it would have remained in the vaults somewhere, an obscure film about a long obscure historical event.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
Supercop is really just the American title for the third entry in Jackie Chan’s very popular Police Story series in Hong Kong. For the first time in the franchise, Chan decided to go with an outside director, and he made a wise choice with newcomer Stanley Tong. Tong might have been a green director, but he had a natural feel for the abilities and strengths of his mega-star. The two would go on to collaborate on several more films after this rather remarkable first time pairing. It didn’t hurt that Tong not only had Jackie Chan to draw upon for the film, but he also had Chan’s Hong Kong film female equivalent with the talented Michelle Yeoh. Both stars are accomplished martial artists and perform nearly all of their stunts without the use of doubles. Tong’s task here was to allow his stars to “do their thing”, yet bring something new and fresh to the formula of Police Story, and to a certain degree all of the Jackie Chan films. He succeeded on all accounts, and Supercop is easily the best of the Chan Police Story films. The two would also team up for one of Chan’s most popular films, Rumble In The Bronx. While I’ve not seen anywhere near all of Chan’s Hong Kong outings, this is high and away the best that I’ve seen from that market.
Jackie Chan once again stars as police inspector Chan. When he overhears his superiors talking about a dangerous mission in need of a “supercop”, Chan volunteers for the task. Of course, he has to convince his girl that the month long job is going to be easy and safe, all the while giving her his life insurance policy and bank book records. Chan’s job is to pretend to break the infamous Panther (Wah) out of State custody and infiltrate the organization. He is briefed and trained by INTERPOL Inspector Jessica Yang (Yeoh). Once he’s ready the breakout commences, but the military guarding the prisoner aren’t in on the gag. After dodging bullets and missiles, Chan gets Panther safely away. Now the gang wants to meet with their contact in a local town that just so happens to be Chan’s cover story hometown. This is where his family is supposed to be. The only trouble is that Chan’s never been there before. INTERPOL sets up a fake group of family and friends, and it’s amusing to watch Chan try and fake his way about knowing these people when he’s not even sure who they are each even playing. Chan has a particular problem when he’s introduced to his “sister” played by Yang. The two follow the gang through various government operations to recapture him. Finally they’re in it for the meet and payoff, but Chan’s cover gets blown by a chance meeting with his girl, May (Cheung). Now it’s as much a matter of survival as of bringing down the bad guys.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
The second season of Matlock brought some change to the series. Matlock’s daughter was written out of the series when Purl left the series after the first season. In the 2 hour opening episode of the second season Matlock meets Nancy Stafford (Thomas) in London when he goes there for a case. The episode was filmed on location and marked a spectacular return for the sophomore series. The Stafford character filled in for Matlock’s now departed daughter to become his new junior partner. CBS also tried a little gadgetry in this season. With the episode The Hucksters, callers were invited to call one of three special numbers to select who they wanted the killer to be. The ending was then used that corresponded to the callers’ request. In this release you get a choice of all three actually filmed endings. They are actually identical, with only the “big reveal” having changed.
Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the set up for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
Here’s the deal. I don’t remember anything about the 2004 release of Without A Paddle. I guess it did some business; however, because someone working at Paramount, or should I say, who used to work at Paramount, came up with the harebrained scheme to deliver a direct to video sequel. This out of work crackpot also seems to have figured that returning any of the original’s cast was not a good idea; in fact, the brainstorm, here was that this film will have nothing at all to do with the first film. If that sounds like quality entertainment to you, you should drive around the streets of L.A. and offer this idiot a sandwich, because I guarantee you he’s out there somewhere with a “will work for food” sign under a highway on ramp. If he’s not, he oughta be.
Again, I never saw the original. I do know it at least had some known names in the cast, including Seth Green. Apparently it was about three guys who get lost out in the woods. Guess what this film’s about? Wrong!
Posted in: Disc Reviews by Gino Sassani on January 15th, 2009
“Tonight’s the night, and it’s going to happen again and again. It has to happen…”
What is going to happen is that Dexter has finally come to Blu-ray. I can’t think of a better cable show to make the leap onto high definition. More than any current show, I think I’ve been looking forward to this release. Imagine what it would be like to visualize Dexter’s world in such wonderful detail. Imagine no longer. Dexter’s here, and he’s got something to show you.Man, has television come a long way in just over 50 years. There was once a pretty strict code that applied to television programs. Men and women, even when married, couldn’t be seen to have shared the same bed. Anything stronger than a “golly gee” was strictly forbidden. You couldn’t even show a woman’s belly button. And the good guys always had to win, while the bad guys got their comeuppance in the end. Alfred Hitchcock was one of the first to push those boundaries by telling mystery stories where the bad guys often appeared to get away with their evil deeds. Even Hitchcock wasn’t brazen enough to completely skirt these rules, and at the end of such immoral plays he would always add, in his spoken postscript, some terrible twist of fate that got the bad guys in the end. Those days seem long behind us now. We have mob bosses, crooked cops, and now a serial killer, not only getting away with their crimes but acting the hero, of sorts, for the show. Vic Mackey and Tony Soprano only helped pave the way. In Showtime’s groundbreaking series, Dexter, Morgan Dexter is a serial killer who happens to kill other killers. The series is based on two novels by Jeff Lindsay. Darkly Dreaming Dexter and Dearly Devoted Dexter gave birth to the character and world of Dexter Morgan.
Posted in: Disc Reviews by Gino Sassani on January 15th, 2009
“On 15 December, 1977, after a hiatus of over a year, The Who assembled at Gaumont State Theater in Kilburn, North London, to record a concert for Jeff Stein’s documentary film, The Kids Are Alright. Shot before a select invited audience it would turn out to be Keith Moon’s last, but one live performance. Unusual for live rock at the time, it was shot on 35mm film by six cameras and professionally recorded on a 16 track recorder. Never seen before, the film rested in The Who’s vault for 30 years.”
What young 1970’s pup, learning to play a guitar for the first time, didn’t, at one time or another, attempt to imitate Pete Townsend’s windmill power chord strum? I count myself in that group. While I was not a very dedicated Who fan, I had an appreciation for the musicianship. There were still songs like Pinball Wizard and Behind Blue Eyes that I would embrace as if they were my own anthems in those days. It would be hard to deny that The Who is one of the most successful rock bands in history. Part of the original British Invasion of the 1960’s, there are few such acts that are even still around, let alone able to fill the huge stadiums and halls of Rock’s yesteryears. Their songs have become anthems, and their antics have become legend. The band wrote the soundtrack for an entire generation, and proudly touted the fact in aptly named song, My Generation. Banned from all Holiday Inns at one time for their well publicized trashing of rooms, they weren’t any easier on their own instruments. Smashing their instruments and amps on stage became a staple, for a while, of the whole Who experience. They’ve inspired a legion of superstars, and now after more than 40 years of rocking, they soldier on. Their influence goes beyond just rock music. All three of the CSI franchise shows sport Who songs for their opening credit sequences. They’ve been lampooned on South Park and The Simpsons. They were once referred to as The Band That Wouldn’t Go Away, and that was more than 30 years ago.
Posted in: Disc Reviews by Gino Sassani on January 14th, 2009
The show was created by the team of Link and Levinson, who later gave us the detective in the rumpled raincoat, Columbo. It was groundbreaking in so many areas. While it might not be remembered today as one of the top detective shows, there can be no argument about the impact Mannix had on the genre. A decade later one of my favorite television detectives, Jim Rockford, would borrow rather heavily from Mannix. Like Rockford, Mannix was getting beat up a lot. They both had the same sense of style, wearing rather ugly sports jackets. Neither was afraid to bend the rules, or the law, when necessary. Again like Rockford, Mannix often falls for the wrong girl at the wrong time. Mannix was good with a gun and equally adept with his fists. The show received a ton of controversy from the start for the amount of violence it employed. Tame by today’s standards, Mannix was quite aggressive for its time. The joke was that the show’s producers mandated a fight or car chase every 15 minutes whether it was needed or not. I’m sure that wasn’t true, but nonetheless the show opened the floodgates for the detective shows that followed. In this first season, Mannix worked for the enigmatic detective agency, Intertect. They supplied him with the latest in modern technology and with his cases. His main company contact was Lou Wickersham, played by Joseph Campanella. Now Mannix is on his own and begins to resemble more and more these detectives that would eventually follow in his tire tracks.
Season 2 sees a lot of changes for Mannix. He has left Intertect, and gone now is friend and boss played by Campanella. Papa Brady, Robert Reed, joins the show as a police contact for Mannix, Lt. Tobias. Ward Wood played another police contact, Lt. Malcolm. Gail Fisher would join the cast as his faithful secretary and confidant, Peggy Fair. There are a lot of parallels between Peggy Fair and Perry Mason’s Della. Both were completely loyal and were instrumental sounding boards. Campanella showed up a few times in this season but was eventually completely gone from the series. Mannix relied more on his fists and his gun now than he did his brains, and the show became more of an action show than it had been.
Posted in: News and Opinions by Gino Sassani on January 10th, 2009
That’s right, folks. We put a fresh coat of paint on the Batcave.
Take some time. Make yourself at home. Explore your new digs. You’ll discover the return of some of your favorite features, particularly the release calendar. We’ve improved the search features to make it easier to find what you’re looking for in our vast 4500 post library of reviews, columns, musings, and news items.
Posted in: Disc Reviews by Gino Sassani on January 9th, 2009
Kung Fu Killer is a sad attempt to take advantage of the two iconic roles that David Carradine has had in his life. There’s more than one reference or nod to the popular Kung Fu television show. The name of his character is Crane, instead of Caine. Here Crane is the master, and he has his own “Grasshopper” moment with his own student. There is a flute driven theme that could have easily been lifted from one of the television episodes. As if that wasn’t enough, the filmmakers wanted you to also think of Kill Bill. Carradine is reunited with his fellow Kill Bill star Daryl Hannah. Unfortunately, they share less screen time together than Pacino and DeNiro in Heat. There is also a bit of an attempt to capture the unique editing style of the Kill Bill fight scenes, but these don’t even come close. Carradine is old now and looks like he’s putting almost zero effort into the fights. He barely seems to move, and his punches are ridiculously soft. This direct to video film has almost nothing going for it. I guess Carradine fans won’t be able to resist. It’s what originally sold me on watching it. I was hoping for a revitalized return to the old days, but if Kung Fu Fighter proves nothing else, it’s that you can not go back.
The plot is a simple one of revenge. Crane (Carradine) is teaching a student when a warlord who has made a coup on the government of China attacks the monastery. Most of the inhabitants are killed, and Crane is left for dead. He does survive and plots an extremely complicated revenge on the warlord. There are moments that this appears to be a Mob film. Gary Peterman walks around the streets as Hoggins, a corrupt British representative. He struts around like Don Fanucci from The Godfather Part II. He finally gets his in much the same way. No one in this film seems to care a whole lot about playing the part. Most appear to sleepwalk through their parts. There are some fights, but no Martial Arts junkie is going to get a good fix off these poorly edited stunts.
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