Posted in: Disc Reviews by Gino Sassani on October 9th, 2008
To start with I give Spielberg credit for going against the wishes of Lucas to film this thing in digital. Not only did he attempt to reproduce the same film stock look, but he edited the film, not on a computer, but an old movieola. The attempt to make this look like the other films is obvious and appreciated. Some of the sets are simply incredible. The Akator set is massive and dressed with all kinds of detail. It conjures up images of many of Indy’s tomb-raiding past. Again you have to credit Spielberg for wanting his actors in a real place as often as he did. John Williams returns with the traditional Indy fanfare and even some good rousing new music to add to the collection. The vehicle chases remind us of some of the best moments in Raiders. Still, there is a bit too much greenscreen and CG usage here. It is so obvious that many of these locations are studio in front of a greenscreen. I know they tried, but that only made these moments stand out all the more. There are also moments that look like they were trying too hard to be clever. The snake “rope” is absolutely ridiculous. As an Indy fan, you are prepared to suspend your belief, but I feel this movie pushes those limits. There are too often science fiction elements here that, I believe, don’t belong in an Indy film either. But it was good to see the old man in action. I have to admit that in the first scene he really looked old, but I swear he got younger as the film moved along. By the time the real adventure begins, the years have all shed themselves away and Harrison Ford is indeed Indiana Jones again. The film doesn’t stand up to Raiders or the Last Crusade, but is much better than
Posted in: Disc Reviews by Gino Sassani on October 9th, 2008
Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo, apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers…
Posted in: Disc Reviews by Gino Sassani on October 7th, 2008
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Posted in: Disc Reviews by Gino Sassani on October 7th, 2008
I can remember when Beauty And The Beast first arrived on television. It was fall of 1987. I watched a couple episodes of this rather odd drama. Instantly I was drawn to the show’s world but was almost as quickly pushed away by the material. If I can be forgiven for saying so, I always considered this a “chick” show. That’s not intended as an insult at all. The truth is there likely isn’t nearly enough programming out there that is targeted for the female audience. This was without a doubt a series that was very much aimed at the young women viewers. They were rewarded with two very solid leads in Ron Perlman and Linda Hamilton. The show provided some very interesting sets and locations, most notably the underground world where Vincent and Father lived. The production values were high for the time. The makeup work on Perlman was incredible and full of detail that the actor used expertly. His ability to convey emotions was the key to one of television’s best performances. I also thought that the writing was clever and original. Still, I’m a guy, and the overt romantic arc to the story was too much of a turnoff, and I stopped watching. Now having the chance to see the show again in a complete season release I find my opinion hasn’t changed very much. I might appreciate what it was trying to do more now, but the fact remains that this is a romance story first and a crime drama second.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2008
“Come and listen to my story about a man named Jed. Poor mountaineer barely kept his family fed. Then one day he was shootin’ at some food and up from the ground comes a bubblin’ crude. Oil that is… Black Gold…
Who doesn’t remember the Clampetts, those lovable Beverly Hillbillies? The show has been revived in a film, rap songs, and a Weird Al parody of Dire Straits’ Money For Nothing. Terms like cement pond have lingered in our pop culture. The song was a genuine Billboard hit at the time and is still instantly recognizable some 40 plus years after the show aired.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2008
Brothers and Sisters, we are gathered here today to extol the virtues of our moral champion, Eric Cartman. I’ve come here to praise Eric, not to bury him. It wasn’t much more than 12 years ago to this very day that we first met Eric. Certainly the presentation was a bit crude, and often the teachings were less focused and incoherent. Still, it didn’t take long before we could see an underlying message in the construction paper animation. Before too long the faithful grew, and the wisdom of Eric Cartman could no longer be stopped. Stan, Kyle, even Kenny. They tried to distract us from what we knew was the important message of each episode. Somehow the light managed to shine through. We weren’t watching
Posted in: Disc Reviews by Gino Sassani on October 3rd, 2008
The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This
Posted in: Disc Reviews by Gino Sassani on October 3rd, 2008
Just to look at it you would think that My 3 Sons was a Disney production. Its star Fred MacMurray had appeared in many Disney films of the 50’s and 60’s and is most likely recognizable from those appearances. Two of the three boys were also known for work with Disney. The eldest boy, Mike, was played by Tim Considine, who starred with MacMurray in Disney’s The Shaggy Dog. Middle son Robbie was played by a former Mickey Mouse Club Mouseketeer, Don Grady. The youngest son, Chip, was played by Stanley Livingston, the only non Disney alum in that group. Another reason for the confusion is the decidedly Disney-like material the series covered. Steve Douglas (MacMurray) was a widowed single parent who was trying to balance his job with that of raising his three sons. Most of the stories involved the warm and fuzzy heartwarming stuff that Disney had pretty much cornered the market on in the films. Whatever troubles arose, no problem was so bad that a heart to heart talk couldn’t fix it. The style would prosper and continue in the form of 70’s shows like The Brady Bunch. The four guys were also joined by Steve’s father-in-law, Bud, played by I Love Lucy favorite William Frawley. That was no surprise since the show was actually produced, not by Disney, but the Desilu studios.
Posted in: Disc Reviews by Gino Sassani on October 3rd, 2008
The holiday season is coming fast. It should come as no surprise with all of the Chipmunk DVDs being released that a Holiday Collection was going to be included. Of all of the sets, this is the best. There 12 episodes in all, and each is among the best of the classic show. You get three discs, one for each of the upcoming special days: Halloween, Thanksgiving, and Christmas. There’s plenty of Chipmunk antics and some great song selections included in each disc.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2008
“Who? Or What is the newest, most breath-taking, most sensational super-hero of all?”
That was the question asked on the cover of Marvel’s Tales Of Suspense issue number 39. Pictured with that buildup was a character quite different from the Iron Man that we would come to know and love over the next 40 plus years. He was all silver and appeared to be wearing combat boots. He was not very slender, and you could almost hear the clunking as he moved. By the next issue he was gold colored. By Issue number 48 of that same series, the new and improved Iron Man look would appear for the first time. He was sporting the red and gold colors that would be relatively unchanged for decades. Certainly the suit evolved over the years, but Iron Man’s basic design was born. It was December, 1963. In issue 53 the book would begin to incorporate the name of Iron Man into its front page header. Finally in May of 1968 Tales Of Suspense gave way to The Invincible