Posted in: Disc Reviews by Gino Sassani on September 19th, 2008
The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at
Posted in: Disc Reviews by Gino Sassani on September 17th, 2008
There are some significant changes in season 4. The interns now have interns of their own. It’s actually a little fresh to see them struggle with circumstances we only recently watched them deal with from the other perspective. All except George, who is forced to repeat after blowing off his final exam to help Izzie. There are also many cast changes. Gone are
Posted in: Disc Reviews by Gino Sassani on September 17th, 2008
Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.
Posted in: Disc Reviews by Gino Sassani on September 17th, 2008
I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI:
Posted in: Disc Reviews by Gino Sassani on September 17th, 2008
Wings was one of those unusual sitcoms that depended more on the characters than the situations they were in. While the setting was a small
Posted in: Disc Reviews by Gino Sassani on September 12th, 2008
I’m going to admit from the beginning that I had a lot of trepidation going into watching Desperate Housewives. I’ve never seen the show on broadcast television, and frankly don’t know anybody who’s a big fan. The closest I ever got to any of this was the famous T.O. Monday Night Football towel incident that featured the woman from the show lusting after Owens while he was with the Philadelphia Eagles. And like Owens’ tenure with the team, Desperate Housewives was just one of those things I figured we just didn’t talk about. Certainly I’ve seen the hype, and believe, me I’m well aware of the show’s popularity. But I admit to dismissing it as something of a trendy phenomenon and more or less a “chick” show. Now that I’ve finally seen the show I guess I can see what the hype is all about, but my opinion hasn’t changed much. I still think it’s a “chick” show. Not that there’s anything wrong with that.
Posted in: Disc Reviews by Gino Sassani on September 12th, 2008
Eli Stone is a typical corporate lawyer. He admits to being totally self-involved and greedy, that is until he begins to see and hear things that aren’t really there… or are they. These visions appear to be connected with events unfolding in Stone’s life and seem to be leading him toward a mission of sorts. It could be helping a mother whose child was stricken by a harmful vaccine or helping a convict fight prison abuse. In the pilot, Stone discovers that he has a brain aneurism, which might account for the vivid visions he is experiencing. His mentor, Dr. Chen, has another idea. He believes that Stone is being recruited by God as a prophet to help with the world’s injustices. As viewers we’re never quite certain exactly what to believe. What we know is that, like most prophets, the situation isn’t exactly working out great for Stone’s life. He loses his hot fiancée and most of his coworkers see him as some kind of a kook. Of course, it wouldn’t make good television if these visions didn’t often come at the most inopportune moments. He could be in a meeting with an important firm client or involved in the more intimate activities when he’ll hear strange music or see fire breathing dragons. Because the visions are so realistic, Stone can’t help but react to them, even when he knows they’re not real. This leads to many of the show’s awkward moments, as that gag gets old very quickly. There’s entirely too much office romance here as well.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
The show’s most basic premise remains intact. Melinda Gordon is a newlywed and owns the antique shop in a quaint
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
“You wanna be where everybody knows your name”
Posted in: Disc Reviews by Gino Sassani on September 11th, 2008
“Hey Hey Hey, It’s Fat Albert!”
That’s right, it’s Fat Albert. Bill Cosby invented the portly young Albert for his stand-up and album releases in the 1960’s. The character, like many of Cosby’s stories, is based on elements of his own youth. My parents were huge Cosby fans, so I had heard all about these Cosby Kids long before they hit television in 1972. Fat Albert And The Cosby Kids was an almost instant hit on the Saturday Morning cartoon menu. Unlike most of those early morning toons, this one mixed in some live action elements with Cosby himself. He acts as a host for the stories. The show was also known for its attempt to teach some kind of moral lesson with each episode. Standard lessons like it’s not cool to call someone names, or drugs are bad business, were often the week’s taglines. Cosby would accentuate the lesson himself, and usually the show ended with a song played by the Kids with their junkyard instruments that again played on the moral of the week. Cosby used a staff of educational psychologists for the show and made no apologies for the often heavy-handed lessons. Off and on the series ran for about 12 years, finally ending original programming in 1984.
