Posted in: Disc Reviews by Gino Sassani on November 5th, 2008
After 7 years JAG had pretty much settled in. It’s usually at this time that a show has to shake things up a bit or become somewhat stagnant. I think that JAG took the latter course. I have to believe that much of the creative talent was already working on the NCIS spin-off that was now 2 years away. The characters don’t appear to be taking any risks, and there is a little more of a return to the soap opera elements that began to fade away, making it a better show for some time.
Posted in: Disc Reviews by Gino Sassani on November 1st, 2008
You simply know you’re in trouble when one of these video titles begins with that age old “inspired by disturbing true events” line. As I watched the film, I couldn’t find anything even remotely based on a true case. I dug deeper and found an obscure remark from writer and director Bryan Bertino that explains he was inspired by the events of the Charlie Manson murders of the 1960’s. You’ve got to be kidding me.
Posted in: Disc Reviews by Gino Sassani on November 1st, 2008
The very first thing you need to know is that this film has absolutely nothing in common with the 1980 cult classic except for the name. Everyone involved has admitted the fact, so, if you’re looking for an update on an old memory, you really are in for a disappointment. The truth is, even if you aren’t expecting the old story you’re in for a huge letdown. Everything about this film screams mundane, from the killer to the story to the acting.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2008
With the ember finally burning out too soon, the 4400 has come to rest as a complete series release from
Posted in: Disc Reviews by Gino Sassani on October 28th, 2008
When Miami Vice finally left the air in 1989, Don Johnson was a very hot commodity indeed. He decided to try and parlay that success into a film career that never really brought him the breakout roles and fortunes he envisioned. Not too proud to return to his roots, he signed a deal with CBS that gave him pretty much a blank check to star in whatever kind of television series he wanted. It was a rare deal that forced CBS to air, or at least pay for, whatever Johnson came up with.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2008
You would think that an apparent 2 hour documentary on Bob Dylan would feature, I don’t know, maybe Bob Dylan. If you figured that’s what you’re getting here, think again. There are maybe 3-4 minutes total Dylan footage, and it’s almost always silent and looks like it came from a camcorder in the nosebleed sections of an arena. Even the constant music being played throughout these interview clips is not from Dylan, but rather the tribute band that happens to be run by the film’s producer and interviewer, Joel Gilbert.
Posted in: Disc Reviews by Gino Sassani on October 25th, 2008
You would think that after 8 years, CSI would begin to show a little wear and tear around the edges. When you factor in the dilution of the two other versions of the franchise with a combined 11 years of episodes, you end up with nearly 300 total episodes of CSI. Certainly even the best of shows with the most imaginative writers can’t stay fresh for that long. Still, somehow, the gang at CSI continues to crank out compelling drama, rarely repeating itself. Every year I go into a new season of CSI expecting to find it starting to show its age a bit, and every year I continue to be amazed.
Posted in: Disc Reviews by Gino Sassani on October 17th, 2008
I think it’s safe to say that HBO changed the face of television with the arrival of The Sopranos back in 1999. The show raised the bar for television across the board. Before we knew it, many of the cable networks were scrambling to offer up the next show that would generate the same praise from critics and audiences alike. To this day that show has generated more subscribers to a pay network than any other. So, we really can’t blame the network’s rival Showtime for trying to have their own Sopranos. And that’s exactly what The Brotherhood is.
Posted in: Disc Reviews by Gino Sassani on October 14th, 2008
Kill Switch is a direct to video release marking Steven Seagal’s departure from Sony, where most of his low budget, and larger budget, films were made. This one is released by the much smaller First Look Studios. Unfortunately everything about this film is a considerable downgrade from even the silliest of Seagal’s recent film fare. Seagal writes this one, which likely accounts for the convoluted mess the script is. There are far too many plot points and characters to keep track of, and ultimately little development is made of any of them.
Posted in: Disc Reviews by Gino Sassani on October 14th, 2008
First of all, if you expect to find an actual cyborg soldier in this film, you will be looking for a long time. The title character played by UFC fighter Rich Franklin is actually a human who has been genetically engineered with amphibian DNA. There are some nanobites working inside the guy, but you won’t be finding a Borg clone in this low budget affair. Unfortunately, you won’t find much in the acting department either. Many of the show’s supporting cast are actors who are usually stunt performers and not often charged with doing the hard stuff… like delivering lines.
