Posts by Gino Sassani

When Lost began its third season last fall I was beginning to feel a lot like the castaways must have felt; namely I was getting pretty lost watching Lost. There’s been a lot of mostly fair criticism about how ABC has handled the show last year. The first mistake was to air a small portion of episodes in the first couple of months and finish the season after the New Year. While this broken season plan works well for some cable shows like Monk, it does a serious disservice to Lost. I was so confused and burned out with the show after these first episodes, I never did return in February to see how it all played out. After reviewing the ratings numbers for the show, it seems I was not alone in leaving the island. Now with the release of the complete third season on DVD, there was renewed hope that I might be able to piece something coherent together by watching episodes in large chunks of marathon sittings. The result was the show was a little easier to follow but not much. Now don’t get me wrong. I appreciate the complicated plots and long detailed stories the show has been able to tell. Like the rest of the show’s fans, I enjoyed following the sparse trail of breadcrumbs and reveled in each new discovery in spite of the fact that each new answer also brought along five new questions as companions. Still, the third season of Lost was arguably its worst.

Dr. Mark Sloan first appeared in The It Never Entered My Mind episode of Jake And The Fat Man. In that episode Sloan was accused of a murder, and it was up to Jake and Jason to prove his innocence. The character had a certain charm that appeared to carry with audiences, and two years later Sloan had his own show, Diagnosis Murder. Dick Van Dyke did for doctors what his good friend Andy Griffith did for lawyers as Matlock. Both traded on their earlier careers in trademark comedies to reimagine dramatic roles in their twilight years. For Dick Van Dyke, Diagnosis Murder was more like a family affair. Almost every member of the Van Dyke clan arrived to play characters on the show that mirrored their real life connections. Jerry Van Dyke made numerous appearances as Sloan’s brother, while all of his children at one time or another played children of Sloan’s. Most notable, of course, was Barry Van Dyke, who costarred along with father. He played an L.A. Detective who often went to his father with his vast medical knowledge to solve crimes. Dr. Sloan had his own group of helpers who often either helped solve the crime or got themselves into danger, requiring doctor and son to rescue them, of course, just in the nick of time. Charlie Schlatter played Dr. Jesse Travis. Travis was a young ambitious resident who looked up to Sloan and would do almost anything for him. Victoria Rowell was Dr. Amanda Bentley who played the hospital’s real-life Quincy. She was the resident medical examiner and an important cog in Sloan’s crime fighting machine. Sloan was a combination Quincy and Columbo. Like Quincy, he had a knack for making medical discoveries no one else could find. His Columbo personality was brought out in his innocent simple nature that he relied on to lure criminals into a false sense of security.

 

Avast ye mates, Jack’s back, and did ye ever doubt the return of Cap’n Jack Sparrow? Johnny Depp once again transforms himself like no other actor in Hollywood can. It doesn’t hurt that he wears the persona of Jack Sparrow with the ease of a well worn favorite hat. In this case it be the unmistakable chapeau of Disney’s favorite pirate. At World’s End is the third and final entry in the Pirates Of The Caribbean trilogy. If and when we’ll ever see Sparrow again is anybody’s guess, but I’d lean toward the likelihood that he will return, albeit not that soon and with an almost completely new supporting cast. But that’s not the question that was on most of our minds going into At World’s End. Does the film hold up well against the other two movies? The answer is a somewhat complicated yes… and no.

Have you ever watched a recent Robin Williams film and yearned for the days when the actor wasn’t so full of himself and stealing every scene he was in? Well, you’re out of luck, because there was never such a time for Williams; however, you can journey to a time when at least he was hungry and wasn’t so over the top. OK. Even in the days of Mork and Mindy Williams was never capable of reining himself in. Still, I thought I would look back on these episodes with that warm nostalgic feeling I tend to get and just remember the good times. And yes, there were good times. But the more I watched this third year of Mork and Mindy I was becoming all too aware that in 35 years nothing has changed except that the routine has gotten old. Watching Williams prance around with his silly voices and wide eyed faces might have been fresh in the 1970’s, but honestly, haven’t we all had just a little too much of it by now? A television film about the show didn’t present either of the stars in a very positive light, and perhaps it is that image that has tainted the show for me. Whatever the reason, I just didn’t find this stuff nearly as funny as I did 30 plus years ago. Somebody’s matured, and it wasn’t Robin Williams.

 

In 1988 the original Land Before Time animated feature enjoyed moderate success at the box office. This is the 12th direct to video sequel in what Universal describes as a billion dollar franchise. A lot has changed since the original film. None of the voice actors from the feature remain. The animation is really Saturday morning cartoon quality and has none of the detail work that Don Bluth gave to the first film. It seems these little gems have been coming out about once a year since around 1994.

 

Back in 2001 shortly after the release of the first Shrek I happened to be at a convention with Anne Francis of Forbidden Planet and Honey West fame. She had just taken a young one, I believe it was her nephew, to see the animated blockbuster. To say she was unhappy is an understatement. She was incredibly offended by the toilet humor and had some rather unflattering things to say about pretty much every aspect of the film. Here we are two films later, and I’d have to tell Anne that not much has changed. By my count the film never runs more than 9 minutes without a joke based on feces, farts, or butts. And the truth is it really is a shame, because Shrek is a property too full of talent and startling good CG animation to require that sort of pedestrian humor. I love almost everything about this franchise except the humor.

James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets along with their own skills at trickery to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.

 

Fans of classic Christmas films need not worry that their perennial favorites are about to be displaced by this third entry into the Santa Clause franchise. In fact, throughout most of the 92 minute running time of The Santa Clause 3: The Escape Clause I was looking for my own escape clause out of watching the film. However, in the true spirit of Christmas and with a feeling of total dedication to duty, I remained firmly affixed to my easy chair and watched every second of the film. It was all for you, my gentle reader, because I know how crunched your time can get around the holidays. I have made this sacrifice to save you an additional hour and a half to commit to your shopping or preparing cookies for the family. You don’t have to thank me. Just send a few cookies my way or raise a glass of eggnog to me this season. There are far too many truly great holiday films to waste on this tripe.

 

It was in the second year that the format of Mission:Impossible became what we all remember today. By this third year the show was running on all cylinders and full speed ahead. By now the formula was tight, so the audience knew exactly what to expect. They weren’t disappointed. The third year was also a very successful year in the ratings as the show began to come into its own. Mission:Impossible was a companion show to Star Trek. Both were produced at the Desilu Studios and often shared guest stars. If anything changed, it could be said there was a little more action in the third season. A few more fights and gunfights were added without compromising on the style or traditions of the series. A lot of time is still given to show the team performing some elaborate setup, often without any dialog for rather extended periods at a time. The scams were entertaining enough that somehow the audience stuck around for what many broadcast professionals would have called dead air.

 

You would think that after seven years, CSI would begin to show a little wear and tear around the edges. When you factor in the dilution of the two other versions of the franchise with a combined 8 years of episodes, you end up with 15 years and over 250 episodes of CSI total. Certainly even the best of shows with the most imaginative writers can’t stay fresh for that long. Still, somehow, the gang at CSI continues to crank out compelling drama, rarely repeating itself. Every year I go into a new season of CSI expecting to find it starting to show its age a bit, and every year I continue to be amazed. The fact is that season 7 just might be the best year of CSI to date. Each episode begins with The Who asking the question: Who are you? I have to say that after seven years the answer is, still a fan.