Posted in: Disc Reviews by Gino Sassani on April 6th, 2007
When last we saw our courageous Atlantis crew, they were in dire straights indeed. The series had just completed its first season, and not without at times relying on the mother series, SG-1, for help along the way. Would the show now find its own legs in its critical sophomore year? Would the Sci-Fi Channel continue to support it or take out its legs unrepentantly as they had done with Farscape not many years ago? Oh, and then there was that pesky Wraith problem we were left with in the season 1 ending cliffhanger... The Wraith are about to destroy the city when a wormhole from Earth delivers an SGC unit to assist.
Martin Wood asserts in one of his interviews that Atlantis and SG-1 were beginning to look too much the same on the surface of things. So, one of the mission statements for the second year was to give Atlantis its own look and identity. Without a doubt, Atlantis became darker, but without losing its humor or charm. A hard thing to pull off, indeed.Season 2 brings changes for Atlantis. Some I like. Some not so much. I’m not sure I’m happy with more permanent and reliable contact being restored with Earth. One of the show’s strengths was its isolation. Thus, the temptation to lean too heavily on its parent show would be minimal. I know there was the danger of the Deep Space Nine Syndrome, but I’d be willing to risk it. First off, these characters are far more interesting than those DS9 had, and while they might have been cut off from Earth, there was indeed an entire new galaxy to explore. One of the best moves was to take a rather mediocre character like Ford and turn him into a wonderfully complex villain, of sorts. With a greater range to draw from, we find out that Rainbow Sun Francks was a far better actor than season one would indicate. If you haven’t seen his new persona, you should get these DVD’s just for that experience. Another brilliant move was to use Paul McGillion more as Dr. Beckett. Once a throwaway character, he has blossomed this season into one of the better members of the team. The character chemistry between Beckett and McKay (Hewlett) is priceless. The most significant change for season 2 is the addition of Ronon Dex, played by newcomer Jason Mamoa. For me the jury is still out on Ronon. I understand that he brings a hyped up action persona to the mix, but I might have liked to have seen Teyla provide more of that in the future. The portrayal is quite good, but I’m not sold on the mix yet. The character reminds me somewhat of Vin Diesel’s Riddick.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2007
Dances With Wolves has always been a bit of a conundrum for me. The story is simply a beautiful one. The cinematography is often nothing short of breathtaking. What causes my trouble is when we get down to its star. Kevin Costner is horrible in this film. I’m not a Costner hater. Untouchables and JFK are two of his best films, and in each he delivered exactly what was required. I’m beginning to think, however, that the G-Man persona is all he is capable of delivering with any consistency. What exactly is my problem... I’m glad someone asked. Dunbar needs to be a very complex character. We find him at first a very loyal American soldier dedicated to his duty. His transformation under the Indian influence should be a dramatic one and pivotal to the essence of this tale. Costner doesn’t show us this change. The writers do in his words and actions, but Costner hasn’t changed the very soul of his character. Example: In the Godfather Al Pacino plays Michael, who is the son of a crime lord. He despises what his father stands for and has vowed never to be involved. When Michael makes the decision to lash out at his father’s attackers, you can see the change before he speaks a word. Pacino played a different man then. It’s obvious he understood this man was different not because of how he was now behaving, but rather that he had changed somewhere in the core of his being. His voice and speech changed as did even the way he walked across a room. Where is the change Dunbar undergoes inside? It’s simply not there. Costner was also the director, and perhaps there lies the true flaw. Maybe if another perspective had been there to better guide the transformation, we might have been given that dramatic metamorphism so desperately required for this film to work. There’s a reason why given the film’s many Oscar wins one was not for Best Actor.
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Posted in: Disc Reviews by Gino Sassani on March 13th, 2007
Jack Webb's empire was running strong as Emergency entered its third year. What is interesting is that the series never racked up great numbers, but it had some strong staying power. Fans who did watch the show were loyal, and it along with Webb's police shows were affecting the pop culture. It's no secret that the contributions to society were high for Emergency. The modern paramedic system owes more than a little bit to the legacy of the series. The actors are still approached by folks who credit them with their decision to go into the life-saving business. More than a few cities around the country were inspired into creating such units because of the show. What's even better is that it could create such great social change and still be one hell of an entertaining series.
The premise is the same: Roy DeSoto (Tighe) and John Gage (Mantooth) were pioneers in the paramedic field. They would be stationed out of L.A.'s real station 51. With each new episode we were treated to a standard formula that would include some kind of daring rescue. The hospital scenes usually played out more like a soap opera and, for me at least, tended to slow things down. We young boys wanted to see more high risk rescues. Season three was a very comfortable year for the show. The interplay was about as smooth as any show on the air. Gage's foils with the IRS and others provide a ton more meat this season than it had in the first 2. That makes for entertaining drama and comedy beyond the rescues.
Posted in: Disc Reviews by Gino Sassani on March 13th, 2007
Penguins are "in" right now. They March and they dance with those adorably Happy Feet. So, I guess it was only a matter of time before someone decided there was money to be made by turning in a penguin farce. Unfortunately for us, that someone turned out to be Bob Saget. I admit to knowing very little about Saget outside of his family sitcom and home movies shows. This is a side of him I wish I'd never seen. This film is absolutely unfit for the kiddies. Now let me first say that I'm certainly not one of those folks that gets easily offended. I've been a South Park fan since the beginning and would never consider myself sensitive to crude humor. With that said, I must honestly say that Farce of the Penguins is the most disgusting piece of crap I've seen in some time. It would be tolerable if it were even a little bit funny. The only chuckles you'll get out of this is a handful of throw away lines. The rest is simply not at all humorous. Even Samuel L. Jackson can't save this mess with his narration. The story is simple: Carl (Saget) is a penguin who's looking for penguin love. Jimmy (Black), his best buddy, tries to convince him that the girl of his dreams is waiting for him at the end of their 70 mile trek to mate. The entire 80 minutes is spent with poor voice over during March of the Penguins style nature footage. Nothing really matches, and perhaps that's not really the point. The film drags along at an incredibly slow and awkward pace toward the breeding grounds where Carl meets Melissa (Applegate). The two hook up and a few rather raunchy complications allow this farce to continue even longer. By the time the end credits roll, pretty much every unfunny cliché has been set to penguin footage, and you've lost nearly an hour and a half of your life.
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Posted in: Disc Reviews by Gino Sassani on March 13th, 2007
The first Open Water film was one of those underdog stories that keep the filmmaking industry alive and vibrant today. I was pleased with the simplicity of it all and the emotional effect that kind of storytelling could have. The film provided hope that an Indie film shot on weekends and vacations on an almost nonexcistant budget could have something important to say. While this sequel attempts to reproduce all of these elements, it only further demonstrates how sadly they are missing. There's no small production feel to the process. The only thing small here is the script. Unlike our original couple, these swimmers are in peril not because of someone else's negligence, but due to their own stupidity. When three couples out on a yacht to celebrate one of their birthdays, they all slip into the water without first checking to be sure the ladder or a landing was put out so they can get back on. Add a baby left behind, and I still can't get too worked up about whether or not these idiots survive. The stupidity continues as each stage of further danger is only brought about by one moronic action after another. Finish it off with an ending that tries to be mysterious but only ends up being the idiot cherry on top of this idiot sundae.
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Posted in: Disc Reviews by Gino Sassani on March 8th, 2007
Season 9 was about the most exciting year South Park had. Living in Florida, I was likely more tired of the Terry Schiavo situation than most, but watching Best Friends Forever was one of the best parodies the team has come up with. What was most impressive is that it was on the air while the actual event was still ongoing. One of the benefits of doing a show like South Park. When the boys aimed their guns at Scientology they ruffled more than a few feathers. It was rumored that Tom Cruise had led a fight to attempt to stop the hilarious Trapped In The Closet episode from airing. More important to South Park fans was the outburst of Isaac Hayes who decided it was going too far to make fun of a person's sacred beliefs. Where was his indignation over eight years of piling on Christians, Jews, and pretty much every other religion ever known? Suddenly developing a conscience, Hayes vocally departed the show and South Park Elementary lost its Chef. I guess no more Salisbury steak and mashed potatoes. The Losing Edge has always been one of my favorites. Any kid forced into summer activities intended to make the parents feel better about leaving their kids alone will appreciate this one.Year 9 also found Parker and Stone finished with yet another box office bomb. This time it was Team America. The film's failure meant more full time spent on South Park. The bomb likely also sharpened their bitter wit a bit. There's no question they took no prisoners in season 9.
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Posted in: Disc Reviews by Gino Sassani on March 8th, 2007
To watch a good movie you must have the right equipment. A nice sound processor connected to kicking speakers are an absolute must. Add a 200 Watt 17 inch powered sub and you've increased the experience ten fold. Wrap it all up with a sweet DLP HD monitor and you now have everything you need - except of course a good movie. Trust The Man is everything but. All you need here is a good supply of insulin and an IV drip to keep you from lapsing into a sugar coma. I'm not talking peanut butter cup melts in your mouth sweet. I'm talking pure concentrated syrup makes you want to hurl sweet.
"A Fart is just as good as a burp". This is the kind of wit and wisdom you can expect from Trust The Man. The film didn't do very well in its very short theatrical run, and I expect it to fail just as miserably on DVD. The film is an obvious Woody Allen ripoff. The entire concept is the uneven relationship between two related couples and their various romantic problems. The problem is the film never goes anywhere. All we really know is that Rebecca (Moore) is a washed up actress who apparently doesn't find her husband Tom (Duchovny) exciting any longer. Tom is basically looking for action and talks way too much about his bodily functions. As a long time X-Files fan I love Duchovny, but this is pitiful stuff. To further complicate this drivel, we find that Rebecca's brother Tobey (Crudup) is having commitment troubles with his 7 year girlfriend Elaine (Gyllenhaal) That's all, folks. We suffer through endless moments of pure dialogue that never goes anywhere. The ending is the most contrived nonsense I've seen in some time. Basically this movie goes nowhere, and very slowly. Like a nagging toothache, this film is quite painful. Fortunately, relief won't require a visit to your dentist. My discomfort faded wonderfully with the end credits.
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2007
An epic is defined as an artistic work that celebrates the feats of a legendary figure. The film Cleopatra actually deals with many such figures, the title character being merely one of them. The truth is the film was never really about the Egyptian queen as much as it was about Rome and its relationship with Egypt.. Of course, Elizabeth Taylor's portrayal has achieved something of a classic status that is not completely deserved. Much has been made of the Richard Burton and Elizabeth Taylor pairing in this film. Certainly both delivered entertaining and even at times compelling performances. However, these efforts pale in comparison to the brilliance of Rex Harrison as Julius Caesar and Roddy McDowall as Octavian. Others like Martin Landau add considerable weight to often underused characters. It is doubtful much would have been made of this film at all, let alone Burton and Taylor's overrated contributions, without such help. Taylor in particular makes more use of her looks than any thespian grandeur here. Elaborate and frequent costume changes are designed to take full advantage of her more obvious attributes. She does appear a stark contrast to the unusual woman most notable in recent years for her staunch loyalty to Michael Jackson. The enormously grand cinematography also plays no small role in the film's ultimate success. This release is intended to pay homage to the Academy Awards taken by this film, which included statues for cinematography and visual effects.
Cleopatra runs over four hours and can be broken down into four distinct parts. Hour one is clearly a setup for things to come. Julius Caesar (Harrison) is close to a glorious victory over his rival Pompey Magnus in a Roman civil war. His quarry has fled to Egypt, where Caesar is in pursuit. Upon his arrival Pompey's head is presented by the boy king Ptolemy. Caesar inserts himself into Egypt's civil war in favor of the King's exiled sister, Cleopatra (Taylor). Upon his fathering a son with the Nile Queen, the hour ends with her safely back upon her throne.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2007
Marisa Tomei caused quite a stir in 1993 when she walked away with the Oscar for Best Supporting Actress for her role in My Cousin Vinny. Even after watching the film again, I guess I'm still a bit amazed. Now that's not to say she doesn't do a wonderful job here. The fact is the entire cast did a splendid job. I can't say I found her performance any better than Joe Pesci as Vinny "Sack Of Potatoes" Gambini or the wonderful portrayal of the judge by Fred Gwynne. While it's not my intention to open up an old can of worms, it is that award which brings us to the re-issue DVD of My Cousin Vinny. To help celebrate this next round of Academy Awards and to line the old pockets with a little more gold dust, Fox is releasing some films that have taken those statues in the past. Unfortunately Fox did not see fit to add anything or even shine the print up in any way. This disc is identical to the 2000 release in every way. The video and audio transfers are exactly the same as is the commentary and small list of extras.
The story is nothing more than an elaborate setup for Pesci to do his thing. Billy, played by the old Karate Kid Ralph Macchio, is driving through backwoods Alabama with his buddy Stan (Whitfield). They accidentally steal a can of tuna from a small store. When the cops chase them down and cart them off to jail, they consider the threats of execution a bit harsh for shoplifting. That is, until they discover the clerk was killed shortly after they left, and now they're charged with his murder. Short on cash, they call in Billy's cousin Vinny who has finally after 6 years passed the New York Bar Exam. Vinny's in over his head, and his New York Italian attitude doesn't earn him any points with the down home justice ideology of Judge Haller. Desperately outclassed, Vinny must resort to street smarts to save the boys. The case turns on the testimony of automobile expert girlfriend Lisa (Tomei). The truth is, there are several rolling in the aisles funny moments here. Stan's seen too many prison films, so when he first meets Vinny he fears the man is there to have his way with him. In a play on words conversation that would make Abbott and Costello proud, this 20 second joke plays out for a few minutes of gut busting hilarity. Pesci's interplay with Gwynne is also classic, and while always predictable, it is nonetheless very funny.
Posted in: Disc Reviews by Gino Sassani on February 21st, 2007
There were a lot of changes in store for the Bunkers in the sixth season. The Jeffersons, long a source of irritation for Archie and a ton of laughs for us, were moving on up to the East Side and that big de-lux apartment in the sky. Mike and Gloria finally move out of the house, but only as far as next door in the vacated Jefferson home. Most importantly, little baby Joey joins the family. For the 30 years since All In The Family, there is still speculation as to just how Carroll O' Connor was able to take such a bigoted, seemingly irredeemable character and make him loved by millions. We get perhaps the best insight into that mystery in year 6. In the now famous Joey's Baptism episode, we see just a glimpse of the Archie Bunker that O'Connor had been playing all along. Arguably the best episode of the series finds Archie worried about his grandson's soul when Mike and Gloria refuse to have the child baptized. Archie takes matters into his own hands, culminating in one of the most touching moments in television history. Archie Bunker is a complicated man, and nowhere has that been more evident. Season 6 is well worth your time. This was the peak of the show, and it would never again regain the ratings numbers enjoyed at this point.
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