Posts by Gino Sassani

“Here’s the thing about the future. If you look at it it changes, and every time you look at it it changes again…”


If Nicolas Cage had Chris Johnson’s ability to see into the future, he might have avoided his latest film, Next. At the very least he might have been tempted to monkey with it in order to get a better box office take than it ultimately received. The film was in and out of theatres faster than I could blink, let alone catch it. If Cage had foreseen the film’s demise, it would have been unfortunate for us who got to see this film on DVD for the first time.

Stop me if you’ve heard any of this before. Four teens set out on a road trip …

STOP.

OK. That’s just unfair. Let me go on a little longer.

They’re going to the “biggest party in the world” when their vehicle stalls and leaves them stranded out in the middle of nowhere…

STOP

Well. One of them is blind and they’re not all horny drug fiends.

OK. Go on.

They find an abandoned hotel and café where everyone has mysteriously disappeared…

STOP

I guess you get the idea.

What would happen if a studio was so confident in a show that it offered the DVD’s at a reduced price and slapped on a money back guarantee? Universal has done just that with Friday Night Lights. There is a rebate program where you can turn your discs back in for a full refund if you’re not completely satisfied with the show. Couple that with the fact I picked up this entire season for only 20 bucks, and I’d say somebody is either really stupid, or they’ve got a hell of a television series. Friday Night Lights is the latter.

Detective “Iron” Mike Stone (Karl Malden) is a seasoned veteran of the San Francisco Police Department. He’s an old fashioned no nonsense detective whose life has taken some bitter turns of late. Much to his aggravation he gets partnered with Keller (Michael Douglas), a green detective who hasn’t lost his belief that he can make a difference. Together they just might be able to teach each other something. Before long the two develop a teacher/mentor relationship that works well enough to solve the cases and get the bad guys.

My mother was a big fan of The Untouchables. I think she really just had a crush on Robert Stack. Years later when Stack was hosting Unsolved Mysteries, I could swear that I heard her murmur a few Ness lines under her breath. I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987, and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time.

Ghost Whisperer changed a lot in its second season. Frankly, the level of changes took me by surprise, considering that the show was pretty successful as it was. These are the kind of wholesale changes you see when a borderline series is retooled for a second, and usually final, chance to connect with enough viewers. It was risky, and while I’m not too happy about a couple of these changes, I was for the most part impressed with the final result.

There have certainly been more interesting family business shows on television over the years, so the premise for Brothers & Sisters is anything but original. Both Dallas and Dynasty set the standard for this kind of show many years ago. Tony Soprano’s family business is far more interesting than the Walker organic fruit business. Hell, the Ewings had more color with “dem dang blasted oil fields”. If you end up liking or are already a fan of Brothers & Sisters, originality isn’t the reason. I found the stories were far too slow and uninteresting to keep my attention for more than an episode. The impressive, potent performances offered by this solid cast carry all the weight on this series.

This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about.

Every office has one. Peggy Spade (Shannon) is that co-worker who always seems to be up. You know the kind. Always smiling even when there are a lot of crappy things going on around her, she walks through life oblivious to it all. Now don’t get me wrong. These people do have their uses and can often relieve the stress of a particularly bad day. I mean, don’t you feel a little better after just a minute or two of putting your hands around their throat and squeezing just a little? Alas, I digress. What is the source of Peggy’s blissful nature? It’s none other than Pencil, her faithful pet dog. Pencil is her emotional center, leaving her quite awkward around most humans.

In the advertisements we are promised a thrilling heist film. I’m happy to report that those promises were quite wrong. The heist is pretty lame and never keeps up with the many superior attempts. Honestly, we’ve had too many of these multiple twist heist films, culminating in the Ocean franchise which went two films too long. Instead, what we get here is something far better. The Lookout is a compelling character study brought off entirely by a sweet performance by the lead. Who would have believed that Joseph Gordon-Levitt, the dweeb kid from 3rd Rock From The Sun, had pretty nice acting chops?