Posted in: Disc Reviews by Gino Sassani on June 16th, 2006
I’ve already had a lot to say about this show in my Season 5 review. All of it still applies. Richard Dean Anderson was fortunate enough, some would say talented enough, to have played two iconic characters in one life-time. I propose that he’s really played only one, but in two very different circumstances. I’ve already pointed out the similarities between the actor and his two roles, from their birthplaces to their hobbies and sports activities. This should in no way be interpreted as taking anything away from Anderson. The opposite is, in fact, even more the point. Anderson makes you feel at home with his characters. There’s so much of him there that we have a hard time remembering that there must also be so much that is not. It’s safe to say he has not traveled through wormholes or deactivated a nuclear device with a rubber band, paperclip, and stick of chewing gum. This is the beauty of the style he brings. By making the character very much like himself he gives us an easy-to-identify ordinary human being played against extraordinary events.
We’re sadly nearing the end of MacGyver with Season 6. Still, this was a great year. “Harry’s Will” has to be one of the most popular episodes in the show’s run. Not only is it great material for Anderson to play against, but we learn so much more about the character. This is also quite a star-studded outing with the likes of Henry Winkler, James Doohan, Rich Little, Dick Butkus, and Abe Vigoda. There’s another wonderful fantasy episode where MacGyver dreams he’s in the old West ordering mail order brides that turn out to be the various women in his life. There’s plenty of classic stuff here to more than make the set worth your time and your money.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2006
Growing up, that twangy Mike Post music provided a part of the soundtrack of my life. I remember walking around school and everywhere you turned you heard kids saying, “That’ll be $200 a day plus expenses.” We all printed up fake business cards. I can tell you firsthand that it takes more than the props. I didn’t have Jim’s natural charm and finesse. Somehow fifth grade’s Sister Margaret wasn’t buying that my NSA credentials meant my homework assignments were classified and above her clearance level. As I sat in detention wondering what could have possibly gone wrong, one theme kept going through my mind. This is gonna cost her. You guessed it. $200 a day plus expenses.
James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent 5 years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2006
You might not know this, but there are two Jackie Chans. The original Chan was an intense martial artist. His films were quite serious and action packed. While humor was always an element to his style, these early films did not really capitalize on that element. The Asian productions were nearly a genre unto themselves. Still, international stardom was elusive to this talented actor.
The second Jackie Chan is the man most Americans are familiar with. Still a talented martial artist, these films show a lighter side to the actor. Chan has become a character of his own like any James Bond or Jack Ryan. Whatever the character he’s playing, what we’re paying to see is Jackie Chan. In these films, Chan allows his own disarming charm to be the creative force in the film. Humor is always served in generous proportions. At times he is almost the caricature of his former self.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
ALF is back, and just as funny as ever in this third season of mayhem. Unfortunately, we are again treated to syndicated cut versions of the show. Still, this appears to be all we’re going to get. Not sure if I mentioned it before, but having the episode titles has pointed out that each ALF episode uses a song title as the production name. This season songs like Stop In The Name Of Love, Funeral For A Friend, and Stairway To Heaven are represented. There are quite a few more “fantasy” episodes here. ALF is shown what life in the Tanner household would be without him. He dreams of hosting The Tonight Show. The laughs are still in high gear.
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Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
Monte Hellman filmed Back Door To Hell back to back with his better known Flight To Fury. This early Jack Nicholson film plays out very much like the throwaway it seems to have been. It’s certainly a brief affair, clocking in at just 69 minutes. Low budget films can often be impressive masterpieces. I have never seen a war film where that’s been true. After watching Back Door To Hell, nothing’s changed. The location and supporting cast make this at times feel more like Mexico than the Philippines. The settings are strictly back lot looking affairs, even when they are not. Cinematography is very limited and completely unimaginative. There is an odd, cold calmness to everything. Actors deliver their lines mostly in even soft tones. I found these portrayals more than a little unnerving. None of Nicholson’s future brilliance is on display here. I found my attention constantly straying during this film. One thing a war film should never be? Good or bad, it simply can’t afford to be boring.
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Posted in: Disc Reviews by Gino Sassani on June 1st, 2006
This film’s slogan was “Sometimes murder is just a way to pass the time.” A better way to fill up those empty minutes would be to watch this film. The film is based on a highly publicized real life case out of Chicago. A play was produced in the 1920’s. A book would also be written by Meyer Levin, which is the source material for this film. The story would not end there. It would be made at least twice more, including Hitchcock’s first color film, Rope. The case was perhaps made famous as much for the presence of Clarence Darrow as the defense attorney than for the senseless act of violence it represented.
A college classroom philosophical discussion opens the film and sets the stage for the crime. Judd Steiner (Stockwell) and Artie Strauss (Dillman) are intrigued by the Nietzchean concept of a superman. We’re not talking Clark Kent here. The idea is that a man of superior intellect could, and perhaps should, move through the world acting without the constraints of remorse or common law. These two guys see themselves in this role and commit a brutal murder as a sort of experiment. There really isn’t much of a whodunit. The prosecution soon stumbles upon a pair of eyeglasses that ultimately bring the two men down. Enter world renowned lawyer Wilk (Welles). He quickly finds he can’t argue innocence, so he diverts his attention to keep the young boys away from the gallows. It is in the trial version of the film that interest mounts. Welles delivers one of his best and yet most subtle performances here. The role is akin to Marlon Brando’s in A Dry White Season. His passionate closing statement is likely one of the cinema’s longest monologues.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2006
Yellow Sky is one of those near classic Westerns from 1949. For decades the film has flown under the mainstream radar, only to finally be rediscovered on DVD. Gregory Peck is an unlikely choice to play the lead role. Stretch heads a band of thieves that strike from town to town hitting usually banks. The film wastes very little time getting started. We see the gang set up, and soon pull off, one of these heists in the first five minutes. The gang is quickly chased out into the unforgiving desert sun of the Western badlands. It seems the band is done for in true western poetic justice until fortune once again smiles upon them. Fortune in this case is the ghost town of Yellow Sky. Here only an old prospector (Barton) and his young granddaughter (Baxter) reside. It seems the old man’s been hording some gold in the hopes of bringing Yellow Sky back to her glory days. Of course, Stretch’s gang has other plans. The remainder of the film slows down as the gang attempts to pry the gold from the old timer. Stretch has a change of heart, and this redeemed Stretch is less of a stretch for Peck. Here he begins to fit the part. Including the obligatory romance, the film becomes all too predictable. Harry Morgan, billed as Henry Morgan, makes a nice addition to the gang of outlaws. The film was remade in 1967 as The Jackals with the action moved to Africa.
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Posted in: Disc Reviews by Gino Sassani on May 30th, 2006
It’s true that MASH was winding down by year 10. Everyone involved already knew that the next year would be the last. This is what separates the true professionals from those in it for the money. Instead of dragging out the concept until there was virtually nothing of quality remaining, the entire cast and crew decided it was time to finish on top. A lot of folks would have simply gone through the motions once the end was in sight. Instead, these guys kept pouring it on. The stories and acting in this season are just as good as in any other. The saddest thing about this release is that there is only one more to come.
For the first time in a while there were no major cast changes in this season. All of the characters from season 9 remain. I think if anything can be said about this particular year it might be that the characters have become a bit more vulnerable. Almost every character comes into a story where they are left questioning themselves. For Hawkeye it is mostly philosophical. For Potter and Winchester there are real questions of limitations. For Houlihan there are a ton of emotional issues when she is stranded on her birthday. BJ has to deal with changes in his wife. Klinger has a close encounter with the spirit of a dead soldier that causes his own inner reflection. Finally, Father Mulcahy has to decide a huge moral issue in one of his best episodes. An AWOL soldier seeks sanctuary in the mess tent after Mass.
Posted in: Disc Reviews by Gino Sassani on May 25th, 2006
David Kelley’s hit series The Practice ran for 8 seasons. While it may have started slowly, the show was a huge hit for most of its run. This success led to other hits like Boston Public and Ally McBeal. Unfortunately, the end of this series was a rather tragic tale itself. The last year limped along with about half of the cast having been fired. There were public wars of words waged. As Warren Zevon used to say: “Ain’t that pretty at all”. That final season would have been a total failure if not for the introduction of James Spader’s Alan Shore. This unethical cold character with a heart suddenly drew attention away from the conflicts off the screen and brought the attention appropriately back to what was going on on the screen. Spader pulls it off almost through a sheer act of will. By the end of the year it was apparent to everyone that something special was going on here amid these ruins. As the final story arc played out, Shore would meet Denny Crane, played in an almost self parody style by William Shatner. Man, that cat has more lives than Morris. Here Shatner finds a character that is funny as hell. Crane, like Shatner, appears to be the shadow of the man he used to be. At times he seems to have lost all of his marbles. He’s often cruel and incredibly arrogant. Yet, somehow he’s a very lovable character. Shatner does a wonderful job of balancing these foibles with an amazing touch of vulnerability that has created perhaps one of television’s most memorable characters.
Boston Legal is a lot like The Practice in some ways. The writing is at times pure genius. The same kind of moral and social issues are explored, all using the same ensemble concept from the original series. Still, Boston Legal is very unlike The Practice in almost as many ways. Certainly the Shore/Crane relationship has taken center stage, leaving many of the supporting cast in just that, supporting roles. The show also has a wicked wit to it. It’s sarcastic as hell. The big complaint I have is that Kelly can’t seem to control his own fanatical political beliefs. If the show weren’t just that good, I’d have turned it off after one episode. Free speech is one thing, but I do get so tired of Hollywood attempting to jam their liberal superiority down my throat. Believe it or not, there are some very decent and good folks who happen to support the American President. You simply don’t win people over by trying to paint them as ignorant, or worse, evil. I assure you I am neither.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2006
Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVD’s. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialogue and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off the wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.
The first of the four films panned by these crazy hosts is “Women Of The Prehistoric Planet”. This film features an introduction by Irene Tsu, who starred in the flop. Look for Quincy’s Robert Ito and Rockford’s Stuart Margolin as well as science fiction legend John Agar. This film is from the show’s first full season on Comedy Central. Don’t expect any prehistoric women here as the title implies. The film is a super schlocky class struggle moral. There are plenty of oddly dressed women on the ship that remind you of some of those early original Star Trek female costumes, only cheesier.
