Posted in: Disc Reviews by Gino Sassani on December 13th, 2006
Paul McCartney is a great example of what Darwin meant by survival of the fittest. No one in the music business has learned to adapt and thrive like Paul McCartney. The term timeless has been applied so often to so many performers that it might have lost any meaning. Still, if anyone deserves that description, it is Paul McCartney. With The Beatles he helped define the 60’s and reinvent Rock and Roll. In the 1970’s and 80’s he continued the hits with Paul McCartney and Wings. When Wings finally disappeared into the midnight sky, McCartney was still at it as a solo artist.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2006
Five years seemed to go by in the blink of an eye, but Sydney Bristow and friends have gone on their final mission. The final season brought along the expected plot twists, new faces, and clever disguises just as the previous four had, but something was definitely missing by now. With J.J. Abrams moving on to other things like Lost and Start Trek XI, it seems that Alias was left to fend for itself. Now, granted, it had been a while since Abrams was involved in the day to day running of the show, but by year 5 it se...
Posted in: Disc Reviews by Gino Sassani on November 29th, 2006
The first full season of Kelley’s “The Practice” spin-off was somewhat abbreviated. It was also a time to introduce us to the firm and new cast of characters. As is Kelley’s trademark style, we were sure of one thing. These characters would be quirky with enough of a touch of reality to keep them interesting. So as his flagship series faded away into production problems and slipping ratings, Boston Legal erupts like a phoenix from the ashes of certain death. Now as popular or more so than The Practice, Boston Legal...
Posted in: Disc Reviews by Gino Sassani on November 24th, 2006
No monster movie is bigger than King Kong. AFI members recently considered King Kong to be the most influential film ever. The original King Kong has inspired more filmmakers, actors, and technicians than any film in Hollywood’s history. The score is considered the first modern film score. For the first time the music is timed to accent certain aspects of the action. Willis O’Brien practically invented movie special f/x with his revolutionary stop motion technique seen earlier on The Lost World. One of those filmma...
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2006
Few science fiction films of the 1950’s left as much of an impact as Forbidden Planet. Gene Roddenberry often cited the film as the birth of Star Trek. It is in this film that he took away the interactions of an interstellar craft’s bridge crew. Even the United Planets organization in Forbidden Planet heralds Trek’s United Federation of Planets. Robby the Robot would become a science fiction icon and lead to a great number of copycats, most notably the Lost In Space robot. Robby even made a cameo on that show. MGM ...
Posted in: Disc Reviews by Gino Sassani on November 17th, 2006
The more things change, the more they stay the same. Season 5 of CSI saw really the first shake-up of any kind on this CBS anchor series. While there weren’t any serious cast changes, the team was split up. It’s apparent that idea didn’t work out very well. Modest ratings decline and vocal dissatisfaction from the internet fans and even many of the cast members were heard loud and clear. Now Season 6 brings the team back together again. It doesn’t take long for the old team chemistry to remix, and CSI returns to th...
Posted in: Disc Reviews by Gino Sassani on November 15th, 2006
I never saw the original film, so I won’t be able to offer any insight on how this film might compare or continue the story set down by Save The Last Dance. What I can say for certain is that this direct to video release isn’t worth the 86 minutes it takes to watch it. The film begins with the first film’s Sarah (now Miko). In a video much like one provided for a dating service, she’s telling us how she feels about various things. These are her highlights and already I don’t care. She is apparently headed to Jullia...
Posted in: Disc Reviews by Gino Sassani on November 10th, 2006
In the wake of cable television’s recent success in the horror anthology genre, TNT brings us 8 tales from the mind and pen of Stephen King. Showtime’s hugely popular Masters of Horror series set a high standard while proving that this time-honored method of storytelling could survive. Cable’s unique ability to circumvent many of the censorship problems that plague network television puts them at a distinct advantage. Here it’s easier to tell compelling stories, with limitations, for the most part, only in the imag...
Posted in: Disc Reviews by Gino Sassani on November 9th, 2006
Ultraman is a huge part of Japanese culture and pretty much has been since the original live action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space ...
Posted in: Disc Reviews by Gino Sassani on November 9th, 2006
William Keane (Lewis) has apparently lost his daughter, abducted from a New York Subway station. The film opens with a frantic Keane searching for anyone who might have seen her. But did any of it really happen? At first Damian Lewis’s performance completely sells the abduction. Every nuance of his acting tugs at our heartstrings for his horrible loss. His incessant searching and constant probing of his own memory draws us deeper and deeper emotionally into the set-up. It doesn’t take us very long at all to questio...
