Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
It takes a lot to become a true Christmas classic. Mr. St. Nick just doesn’t have any of it. The story of a reluctant Santa Claus was done with much funnier results in the Tim Allen The Santa Clause films. Kelsey Grammer can be a very fine comedic actor as his stints in Cheers and Frasier have more than proven. The problem here is the material is old and tired and Grammer never seems to be able to decide on a tone for the film. I’m a fan of just simple fun, but this film never really takes me on a good ride. Hallmark has a reputation for good clean family value filmmaking. Mr. St. Nick certainly fits that profile. There just simply isn’t any life here.
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Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
The Tomb Raider film franchise was based on the popular adventure video game. This second Tomb Raider film, however, owes more to Indiana Jones and James Bond than anything else. Cradle of Life does an excellent job of moving along an adventure story. With exotic locations in Africa and China, Lara Croft has plenty of opportunities to show case her Bond-like bag of gadgets. Critics didn’t like this film much, but then again most film critics don’t seem to appreciate a film as a thrill ride. Angelina Jolie keeps the pace and adrenalin pumped up for the entire 2 hours. Sure, some of it is rather silly (The CGI shark scene was downright corny) but that doesn’t mean it can’t be a lot of fun. Jolie isn’t that hard to watch, either.
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Posted in: Disc Reviews by Gino Sassani on November 21st, 2003
Roy Orbison’s career spanned 5 decades of music. Predominantly a 50’s artist, his catchy ballads became standards in the 60’s and 70’s. By the 90’s ELO master Jeff Lynne used his skills to give Orbison a tremendous comeback and a new modern sound. Orbison sadly passed away during the peak of this newfound fame and never saw the release of his last hit album.
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Posted in: Disc Reviews by Gino Sassani on November 19th, 2003
Brush With Fate is not a film in any traditional scenes. Based on Susan Vreeland’s novel, “Girl In Hyacinth Blue” this is in reality an anthology of vignettes. The common thread in these stories is that a certain painting is passed down through 300 years. The stories are overly simple. Some of the locations in the Netherlands shot for this film offer the only redeeming quality to be found. Some of the vistas are breathtaking.
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Posted in: Disc Reviews by Gino Sassani on November 14th, 2003
This 1994 Hallmark film is based on an obscure Truman Capote story. It’s loaded with the usual heavy sentimental trappings of a Hallmark film. The film attempts to create atmosphere through its 1930’s period setting. The trouble is I found it very hard to relate to or care about anyone in the film. The young Buddy appears to have each emotional turn literally forced out of him. Even the lovable Fonz, Henry Winkler, never gets a good foothold on his character. Katherine Hepburn’s age has obviously robbed her of the abilities she has so often displayed in her vast body of work. There are moments reminiscent of the vastly superior A Christmas Story, but this film never approaches that kind of holiday magic.
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Posted in: Disc Reviews by Gino Sassani on November 13th, 2003
Dick Wolf reinvented the cop drama with the original Law and Order. That flagship program is the longest running drama currently in primetime. There does not seem to be an end in sight. This second version has a bit harder edge; dealing with sex crimes, it was important that the new show didn’t degrade into a “pervert” of the week scenario. The writing is top notch. For me, the addition of Richard Belzer as Homicide’s John Munsch was a stroke of genius. Belzer’s deadpan characterization is a perfect fit for such a sensitive subject. He now holds the record of an actor appearing in 5 TV shows as the same character: Homicide Life On The Street, The X-Files, Oz, Law And Order, and now Law And Order SVU.
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Posted in: Disc Reviews by Gino Sassani on November 11th, 2003
Everybody has their favorite Looney Tunes character and particular cartoon shorts. That’s the largest obstacle facing Warner Brothers in this ambitious project to restore and release these shorts on DVD. The first collection features 56 all time great shorts plus a ton of extras. If your favorites were not included, take heart. This is only the first of many promised releases. All in all it would take a Dickens’ Scrooge not to find something to love about this collection. It doesn’t matter if you’re 5 or 105, these cartoons have been a vital part of growing up for all of us.
Synopsis
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2003
Adam Sandler and his crazy antics are back… this time, he is animated. I went into the viewing of this film with very low expectations; and although this is not a quality movie, it did turn out to be mildly more entertaining then I expected. This film is over-the-top and childish at time, but Sandler is comical as the voices of the three main characters, and the musical numbers are entertaining in a manner in which only Adam Sandler can provide. This movie will not be for everyone, but die-hard Sandler fans will p...obably be entertained.
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Posted in: Disc Reviews by Gino Sassani on October 31st, 2003
Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.
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Posted in: Disc Reviews by Gino Sassani on October 27th, 2003
Harrison Ford is the top selling actor in Hollywood these days. He owes this distinction in no small part to a couple of trilogies he did early in his career. While Star Wars might have been a chance for Ford to break out, Raiders of the Lost Ark and its sequels defined his abilities. Indiana Jones is the perfect hero. He’s strong, intelligent, and above all moral. Unlike the stereotypical hero Jones is also vulnerable and at times flawed. Credit Steven Spielberg for the iconic stature Indy occupies today. Left to his own devices, George Lucas would have given us Tom Selleck as the cigarette-smoking morally bankrupt Indiana Smith.
Raiders of the Lost Ark brought back the cinematic tradition of the 2-reel serials. These shorts would combine with a newsreel, a cartoon, and a feature film to provide a splendid moviegoing event in the early days of talkies. To those of us too young to remember them, the Indiana Jones saga is a time machine to a much simpler day of good guys and bad guys. While even Spielberg himself admits that Indiana Jones and The Temple of Doom was inferior to the rest of the trilogy, even this weaker film provided a historic filmmaking moment. Because of its dark nature and gore elements the film did not fit neatly into the PG rating. The filmmakers did not want this “family” adventure labeled with R, so the ensuing conflict brought us PG-13, now the most widely used rating on films. Indiana Jones and The Last Crusade dared to show us a much more vulnerable hero with the addition of his father. The relationship is a complicated one, but a relationship every father and son can instantly recognize and relate to. Right Dad?
