Posts by Gino Sassani

Adam Sandler and his crazy antics are back… this time, he is animated. I went into the viewing of this film with very low expectations; and although this is not a quality movie, it did turn out to be mildly more entertaining then I expected. This film is over-the-top and childish at time, but Sandler is comical as the voices of the three main characters, and the musical numbers are entertaining in a manner in which only Adam Sandler can provide. This movie will not be for everyone, but die-hard Sandler fans will p...obably be entertained.

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Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.

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Harrison Ford is the top selling actor in Hollywood these days. He owes this distinction in no small part to a couple of trilogies he did early in his career. While Star Wars might have been a chance for Ford to break out, Raiders of the Lost Ark and its sequels defined his abilities. Indiana Jones is the perfect hero. He’s strong, intelligent, and above all moral. Unlike the stereotypical hero Jones is also vulnerable and at times flawed. Credit Steven Spielberg for the iconic stature Indy occupies today. Left to his own devices, George Lucas would have given us Tom Selleck as the cigarette-smoking morally bankrupt Indiana Smith.

Raiders of the Lost Ark brought back the cinematic tradition of the 2-reel serials. These shorts would combine with a newsreel, a cartoon, and a feature film to provide a splendid moviegoing event in the early days of talkies. To those of us too young to remember them, the Indiana Jones saga is a time machine to a much simpler day of good guys and bad guys. While even Spielberg himself admits that Indiana Jones and The Temple of Doom was inferior to the rest of the trilogy, even this weaker film provided a historic filmmaking moment. Because of its dark nature and gore elements the film did not fit neatly into the PG rating. The filmmakers did not want this “family” adventure labeled with R, so the ensuing conflict brought us PG-13, now the most widely used rating on films. Indiana Jones and The Last Crusade dared to show us a much more vulnerable hero with the addition of his father. The relationship is a complicated one, but a relationship every father and son can instantly recognize and relate to. Right Dad?

Most sci-fi fans have a very warm place in their heart for Starbuck, Apollo, and the rest of the crew of Battlestar Galactica. At over $1 million per episode, it became the most expensive show in network history. Star Wars master Jedi f/x man John Dykstra utilized many of the techniques he developed for the Lucas enterprise. George Lucas claimed they were so close he was forced into a failed effort to sue the show for copyright infringement. Sci-Fi channel is about to relaunch this revered franchise, but the results appear so far underwhelming. (Starbuck as an airhead blonde chick?) Dressed in an amazing package that resembles a Cylon face, this is the ultimate Galactica. Glen Larson was already a network master with huge successes under his belt, like the famous forensic scientist Quincy, when he wrote and pitched the show. Galactica was a risk he did not have to take. The result was television magic. Like so many masterful shows before it, such as another famous sci-fi “enterprise”, it was never given a fair chance at the time. It was doomed to only be truly appreciated when it was finally gone.

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Forever Knight was a CBS attempt to provide original drama broadcasting in the late night slot. This was, of course, before Letterman came along. After two seasons it was jettisoned and the USA network picked it up. USA retooled the show and ran it for just one more year for a total of three: Thus the Forever Knight Trilogy. The concept was quite intriguing. Knight would strongly emulate the popular Ann Rice universe of vampires, combining these gothic images and stories with a modern police drama. Each episode had a trademark dual storyline. One story would involve Knight’s seedy vampire past, while the second story would involve the current police case. The stories would blend on some common element like loyalty or Father’s Day. Filmed almost totally at night in Canada, the series had a distinct atmosphere assisted in no small part by the wonderful time-lapse photography and the cello-rich score of Fred Molin

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William Shatner refused to reprise his role of Kirk in Star Trek IV: The Voyage Home without a promise to write and direct the next film in the franchise. Against their better judgment Paramount agreed, and to this day wish they had not. The story is absolutely silly and the direction very one-dimensional. The truth is, however, that there still are some very endearing Trek moments in the film. DeForest Kelly gives a superb performance as McCoy must face his past decision to allow his terminal father to die. Even the Kirk / Spock moments are often quite compelling. Unfortunately Shatner couldn’t help but show with how little regard he held his minor cast mates. Sulu, Scotty, Uhura, and Chekov are reduced to comic parodies of themselves. The f/x are some of the franchise’s weakest.

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This wonderful British comedy comes to DVD once again… this time in a Vol. 6-10 box set. If you are not familiar with this outrageous show, it ruled BBC airwaves from 1972-1985, and continues to entertain today on DVD. Taking place solely on a single floor of a department store, this show covers the lives and misadventures of the staff who are employed there.

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I understand that it might be highly debatable, but Sanford and Son was one of if not the funniest sitcom in TV history. Based on a British series called Steptoe and Son, Sanford made television history by becoming the first sitcom to feature a predominantly black cast. Norman Lear, known more for the historic All In The Family, took a chance on a black comedian with a risqué reputation. Redd Foxx was recording records he called Party Albums that came in plain brown wrapper and featured dirty jokes that would even make Richard Pryor blush. Redd Foxx turned the cantankerous old junk dealer Fred Sanford into an American icon. Sadly, his fake heart attack routine was so well known that when he actually had one on the set of a later series his co-stars were laughing as he died. Somehow I think Redd might have wanted it that way.

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For a long time The Lion King was the highest grossing animated film in history. For my money it is still miles ahead of any other animated feature. Using more frames per second in animation than the modern cost-cutting standard, this animation simply flows. Elton John and Tim Rice combined for some spectacular songs that somehow appeal to adults and the pop crowd while still maintaining that charm and sing-along ability necessary to attract children. The story is far richer in content than the typical animated fare.Finally, this film is quite simply just beautiful to watch. Without taking anything away from Disney groundbreaking features like Snow White or Sleeping Beauty or even the wonderful Fantasia, The Lion King is indeed king of the animated jungle.

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Ozzy’s back! Jack, Kelly, Sharon, and of course Ozzy, have returned for a second season where they share their insane lives with all of the world; the result is a hilarious look at a functioning dysfunctional family. The shock and uniqueness of this show is waning somewhat, but it is still extremely entertaining to watch.

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