Posts by Gino Sassani

"Tragic images continue to emerge following the U.S. Military accidental deployment of an experimental weapon off the coast of Tasmania last week, which resulted in the decimation of Hubert and a total loss of life across the island ... Just why news reporters can't go in the disaster zone is still unknown. A clearer understanding of the tragedy has started to take shape. Stretching beyond the fireball at the center of the blast, an electromagnetic pulse resulted in the catastrophic neural failure of all living things on the island, causing their deaths."

Look. It's really hard to make an original zombie movie. Ever since George Romero took the creatures out of the control of Voodoo witchdoctors, there has been a pretty standardized approach to zombies.

I’ve watched more than my fair share of horror movies, and I like to believe that I am a fair judge of which ones are good and bad. And it is with that wealth of knowledge that I say that Evil Nun falls into the latter category. And for me this was disappointing, because based on a cover art which has a pretty intimidating picture of a possessed nun, I got my hopes up that I was going to be in for a heart-pumping scare-fest. I know that I’m not supposed to judge a book by its cover, but typically when following that lesson, the moral is not to assume something will be bad based off a first impression. How ironic that I saw the cover and assumed that the film would be good. How very ironic indeed. I won’t go as far as to call the film unwatchable, but I also wouldn’t go so far as to call it horror given that several of the deaths happen off camera. In my experience, for a film to be considered a horror film, death scenes are a pretty important component of the genre.

"The mental facility to detect conspiracies and betrayal are the same qualities most likely to corrode natural judgment. Everything that seems clear is bent. And everything that seems bent is clear. Trapped in reflections, you must learn to recognize when a lie masquerades as the truth, and then deal with it efficiently, dispassionately."

Edward Wilson (Matt Damon) believes in all that America stands for and will do whatever he must to protect what his country stands for. As one of the founder members of the CIA in 1939, Wilson is also one of the most trusted members of this group of secrecy. When the idea that a mole may be working within the CIA is found, Wilson is told to find out which member is the mole. The path Wilson must take to discover this mole will lead him to question not only the CIA as a group, but also his personal life.

Of all of the cop or detective shows I’ve seen over the years, I can relate to this one better than any of them. You see, years ago, I was a detective. I wasn’t a cop and mostly did internal investigations for a large Florida retail chain. While I was a fair detective in most areas, I did eventually develop a specialty of sorts. When other detectives ran into a brick wall interviewing their subjects, they’d often call on me to get whatever information they were trying to extract. No, I didn’t beat it out of them. I was never a physically intimidating guy. I was just good at getting them to talk. I guess I was a little bit of a con artist who was working for the good guys instead of preying on hapless marks. I never lied to a subject and never threatened violence. It was a battle of wits, and I always won. That’s exactly how you would describe Brenda Johnson (Sedgwick) in The Closer.

“By 2017, the world economy has collapsed. Food, natural resources, and oil are in short supply. A police state, divided into Paramilitary Zones, rules with an iron hand. Television is controlled by the state, and a sadistic game show called "The Running Man" has become the most popular program in history. All art, music, and communications are censored. No dissent is tolerated, and yet a small resistance movement has managed to survive underground. When high-tech gladiators are not enough to suppress the people's yearning for freedom ... more direct methods become necessary.”

This is quite a unique experience for me. Having recently reviewed the 2025 remake, I now have the opportunity to review the 1987 version. So, I essentially get to this in reverse. Naturally, I’ve seen the 1987 version years ago, but it being years ago, there a details that were no longer fresh in my mind, which essentially gave me the unique position of it being a new experience again.

"I need the waves, man. I need the movement. The open ocean. I used to ... as a kid I used to wander down to the Sonoran Desert, outside of Gilbert. It was terrifying, man. Just nothin'. But nothin' everywhere I looked. And I just felt it out there, all of it. You know, whatever it is. Just felt it. And I get the same exact shit whenever I'm out on the water. I just know it when I feel it. It's there. It feels like I'm at peace, you know? It feels like home."

I know exactly what the guy is talking about here. I inherited a love of the sea from my father, who lived and breathed salt air. So I approached the film feeling a certain connection. The film is also based on events that happened here in the Tampa area. While this was filmed in Malta, the events happened in February of 2009 off the coast of Clearwater, Florida. It's the spring training home of the Phillies and also home to Upcomingdiscs.

"When my father smells oil, nature repents! And there'll be oil; when it flows - and flow it will - my father will be right here with a bonus for everybody! It'll be Saturday night in a few hours, and I've only one more duty - to see our Mexican workers and wish them a safe journey 'home'. You all have a happy weekend and wish me one; we've labored hard, and we deserve the happiness that all Americans know to be their birthright!"

It was Sam Spiegel who first saw the potential of the Horton Foote novel and play The Chase back in the 1950's. It was suggested as a vehicle for Montgomery Clift, but the rights languished for almost 10 years. Spiegel finally got the film off the ground and lured a pretty solid cast into the fold. Marlon Brando was a huge star, but the futures of actors like Robert Redford and even Robert Duvall hadn't quite risen yet.