Posted in: No Huddle Reviews by Gino Sassani on March 24th, 2026
“By 2017, the world economy has collapsed. Food, natural resources, and oil are in short supply. A police state, divided into Paramilitary Zones, rules with an iron hand. Television is controlled by the state, and a sadistic game show called "The Running Man" has become the most popular program in history. All art, music, and communications are censored. No dissent is tolerated, and yet a small resistance movement has managed to survive underground. When high-tech gladiators are not enough to suppress the people's yearning for freedom ... more direct methods become necessary.”
This is quite a unique experience for me. Having recently reviewed the 2025 remake, I now have the opportunity to review the 1987 version. So, I essentially get to this in reverse. Naturally, I’ve seen the 1987 version years ago, but it being years ago, there a details that were no longer fresh in my mind, which essentially gave me the unique position of it being a new experience again.
Posted in: No Huddle Reviews by Gino Sassani on March 24th, 2026
"I need the waves, man. I need the movement. The open ocean. I used to ... as a kid I used to wander down to the Sonoran Desert, outside of Gilbert. It was terrifying, man. Just nothin'. But nothin' everywhere I looked. And I just felt it out there, all of it. You know, whatever it is. Just felt it. And I get the same exact shit whenever I'm out on the water. I just know it when I feel it. It's there. It feels like I'm at peace, you know? It feels like home."
I know exactly what the guy is talking about here. I inherited a love of the sea from my father, who lived and breathed salt air. So I approached the film feeling a certain connection. The film is also based on events that happened here in the Tampa area. While this was filmed in Malta, the events happened in February of 2009 off the coast of Clearwater, Florida. It's the spring training home of the Phillies and also home to Upcomingdiscs.
Posted in: The Reel World by Gino Sassani on March 22nd, 2026
Writer Andy Weir has a bit of a predictable science fiction style that has already struck box office gold. His novel The Martian was directed by the iconic Ridley Scott and starred Matt Damon as a lone astronaut stranded on the planet Mars. Weir's stories have a common theme that mankind might find the answers that confound us on Earth out there among the planets and the stars. Fans of that kind of hopeful science fiction won't be disappointed when they encounter Phil Lord and Christopher Miller's adaptation of another one of Weir's hopeful space stories called Project Hail Mary. The duo have been noted for their work in the Sony Spider-verse films and have mostly experience with animated features. Their work on Project Hail Mary should elevate them deservedly in the world of live-action science fiction with this recent release.
Posted in: No Huddle Reviews by Gino Sassani on March 19th, 2026
"When my father smells oil, nature repents! And there'll be oil; when it flows - and flow it will - my father will be right here with a bonus for everybody! It'll be Saturday night in a few hours, and I've only one more duty - to see our Mexican workers and wish them a safe journey 'home'. You all have a happy weekend and wish me one; we've labored hard, and we deserve the happiness that all Americans know to be their birthright!"
It was Sam Spiegel who first saw the potential of the Horton Foote novel and play The Chase back in the 1950's. It was suggested as a vehicle for Montgomery Clift, but the rights languished for almost 10 years. Spiegel finally got the film off the ground and lured a pretty solid cast into the fold. Marlon Brando was a huge star, but the futures of actors like Robert Redford and even Robert Duvall hadn't quite risen yet.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2026
"When my father smells oil, nature repents! And there'll be oil; when it flows - and flow it will - my father will be right here with a bonus for everybody! It'll be Saturday night in a few hours, and I've only one more duty - to see our Mexican workers and wish them a safe journey 'home'. You all have a happy weekend and wish me one; we've labored hard and we deserve the happiness that all Americans know to be their birthright!"
It was Sam Spiegel who first saw the potential of the Horton Foote novel and play The Chase back in the 1950's. It was suggested as a vehicle for Clift Mongomery but the rights languished for almost 10 years.
Posted in: The Reel World by Gino Sassani on March 15th, 2026
“Is that a freaking pigeon?”
I think this may be the first second-chance love story that I didn’t mind watching. Probably because the film didn’t try to undermine the main character’s responsibility in the situation that caused her to need redemption. Marking the third Colleen Hoover film adapted for the big screen, Maika Monroe stars as Kenna Rowan, a young woman working to rebuild her life after serving seven years in prison for a car crash that killed her boyfriend. Hoover’s popularity continues to grow with this latest adaptation, with at least one additional one scheduled for release later in the year. I have no doubt that more will follow, with the likely exception of the It Ends With Us sequel, which seems unlikely for obvious reasons. In the case of Reminders of Him, this marked a heartfelt and honest interpretation of its source material with some subtle deviations in my opinion.
Posted in: The Reel World by Gino Sassani on March 6th, 2026
"Be warned. A sequel is coming. I have a lot more to say."
When certain stories become public domain, you just have to expect that there will be a lot of people creating their own “unique” versions of the same tale, all in the name of making a few bucks. When it comes to adaptations of Mary Shelley’s Frankenstein, I think we can all agree every attempt to tell the story has not been in the name of preserving the art. What I do find surprising: despite all the attempts to bring the story to the screen, there still isn’t a version that I can say is a perfect retelling of the tale. Though each may have its pros, for the most part it just never seems to translate well.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2026
“Stop filming me!”
Interestingly enough, this 2025 remake/adaptation is a more faithful reproduction of its source material than the 1987 version. The 1987 adaptation, while popular, took liberties when it came to the main character’s backstory and motivations, such as him being a wrongfully accused and convicted policeman who gets his shot at freedom by participating in a TV game show where convicts called Runners must battle killers for their freedom. In the 2025 remake, Ben Richards, now played by Glen Powell, is a blacklisted blue-collar worker living in dystopian anarchistic police state with his wife and infant Cathy. Unable to afford medicine for Cathy's influenza, Ben attends tryouts for the network's game shows, where his anger, misanthropy, and physical fitness see him selected for "The Running Man", their most popular and dangerous show.
Posted in: No Huddle Reviews by Gino Sassani on March 3rd, 2026
I’ve never really thought of Josh Duhamel as an action star. I know that he’s done a few action movies, with the most notable being the Transformers franchise, and one could consider his 2003 NBC television series as an action drama. However, for whatever reason, the idea of John Duhamel and action star has just never been synonymous with me. That has officially changed, and interestingly enough, it’s because of a film that I suspected was going to be cheesy and full of tropes. And yet, it surprisingly turned out to be a movie that managed to be a balance of fast-paced action and emotional depth. Color me shocked. London Calling represents a first-time foray into the comedic side of filmmaking for director Allan Ungar, who typically creates biographical and psychological thrillers.
Posted in: Disc Reviews by Gino Sassani on February 26th, 2026
"In the year of our lord, Judea - for nearly a century - had lain under the mastery of Rome. In the seventh year of the reign of Augustus Caesar, an imperial decree ordered every Judean each to return to his place of birth to be counted and taxed. The converging ways of many of them led to the gates of their capital city, Jerusalem, the troubled heart of their land. The old city was dominated by the fortress of Antonia, the seat of Roman power, and by the great golden temple, the outward sign of an inward and imperishable faith. Even while they obeyed the will of Caesar, the people clung proudly to their ancient heritage, always remembering the promise of their prophets that one day there would be born among them a redeemer to bring them salvation and perfect freedom."
In the war going on between Paramount and Netflix over the purchase of Warner Brothers, I must admit I am on Paramount's side totally. If Netflix wins, you can kiss goodbye seeing films on physical media, and Warner's iconic cinematic past will just be eye candy for those 3-inch screens.